Music 101 Exam 3 - Contemporary Era (1960s - Present)

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12 Terms

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Minimalism

Short motives, simple melodies, simple harmonic progressions over and over again

  • Holy minimalism → repetitiveness is intended to be meditative or holy

  • Postminimalism → more abstraction of rhythm

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Phasing

A minimalist technique in which at least two simultaneous performances of a melody, rhythm, or recorded sound gradually get out of sync with each other

  • phasing out of sync

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Popular Music

Pop music → rock & roll, musical theater, film music, jazz

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Musical Theater

  • revues → mainly showcases for songs; no storyline

  • book musical → clearly outlined narrative

  • operatic musical → no spoken dialogue; entirely sung

  • jukebox musical → storylines constructed using existing pop / rock songs

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Improvisation

  • cadenzas, basso continuo, da capo arias

  • frequently shows up in jazz

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Scat Singing

when a singer improvises nonsense syllables instead of singing actual words

  • jazz music

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Syncopation

when accented notes occur on unaccented beats or at unexpected times

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Jazz

  • New Orleans jazz → small group clarinet, trumpet, & trombone soloists + rhythm section

  • swing/big band → row of trombones, row of trumpets, row of saxophones + rhythm section

  • bebop → trumpet or sax solo supported by small group

  • cool jazz → small ensemble, subdued compared ot bebop, long & composed

  • fusion → jazz music combined with pop or rock elements such electric guitar

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Cover

When one pop artist records or performs another pop artist’s song

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Sampling

A form of musique concrète, borrowing clips from other artists

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Rock & Roll / Pop

Rock & Roll

  • developed out of the blues, more driving rhythm & heavier drums

Pop → popular music, so much falls under it

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Film Music

The soundtrack → can change the entire effect of a movie on the audience

  • silent films → talkies → having a pianist just play whatever they knew during the show

  • Orchestral soundtracks → pop/rock soundracks → orchestral

  • Diagetic music → music both characters and audience can hear

  • Underscoring → music the characters cannot hear, but we can