Tempest quotes

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121 Terms

1
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1.1 Boatswain tells Gonzalo “What cares these..

Roarers for the name of king?”

2
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1.2 when telling Miranda about the past, Prospero refers to himself as

“The prime Duke”

3
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1.2 Prospero states that he gave power to Antonio as he himself was

“Rapt in secret studies”

4
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1.2 Prospero calls his court officials

"Creatures”

5
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1.2 Prospero refers to himself as a ________ when recounting Antonio’s treachery

“Poor man”

6
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1.2 Prospero says that Gonzalo ensured that before he was exiled that Prospero had with him his books, Prospero says apropos his books

“I prized above my dukedom”

7
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1.2 Prospero is Miranda’s

“Schoolmaster”

8
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1.2 Ariel refers to P as

“My noble master”

9
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1.2 Prospero refers to Caliban’s mother as

“That damned witch Sycorax”

10
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1.2 Subdued Ariel shows submission to Prospero by saying

“I thank thee master” for freeing him from the tree

11
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1.2 P calls Caliban

“Abhorred slave”

12
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Prospero also calls Caliban later

“Poisonous slave”

13
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1.2 Miranda tells Caliban that before she taught him to speak English he was merely

“Brutish”

14
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Caliban’s profit on learning English

“You taught me language, and my profit on’t/Is, I know how to curse”

15
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1.2 Miranda when first seeing Ferdinand calls him

“A thing divine” and “for nothing natural I never saw so noble”

16
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1.2 Ferdinand calls Miranda

A “goddess”

17
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1.2 Ferdinand asks Miranda if she

“Be a maid or no”

18
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1.2 Miranda about having humble affections

“I have no ambition to see a goodlier man”

19
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2.1 Sébastien says of Claribel’s marriage to the king of Tunis (Alonso)

“Twas a sweet marriage, and we prosper well in our return.” - sarcasm, this neatly wraps up with Gonzalo’s speech of marriage at end

20
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2.1 Sébastien says that Alonso has.. about Claribel

“Loosed her to an African”

21
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2.1 Gonzalo states that if he owned the island there would be

“No sovereignty” on it

22
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What happens in act 2 scene 1? (What is the premise?)

Italian courtiers search for Ferdinand

23
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2.1 Sébastien points out the flaws in Gonzalo’s idealistic vision and remarks that

“Yet he would be king on’t”

24
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2.1 Sébastien complains to Antonio that

“I am standing water”

25
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Antonio replies to Sebastien’s complaint with

“I’ll teach you how to flow” - persuading him to be more flexible in thinking about killing the king

26
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Who meets who in Act 2 scene 2?

Caliban meets Stephano + Trinculo

27
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2.2 When Stephano spies Caliban he states that he will be

“Present for any emperor”

28
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2.2 Caliban says that Stephano is a

“Brave god” who “bears celestial liquor”

29
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What happens in Act 3 scene 1? (Main thing?)

Ferdinand + Miranda declare their love

30
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3.1 Miranda tells Ferdinand that she will give him her ____ which she calls____

“Modesty” Which she calls “the jewel in my dower”

31
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3.1 when Prospero sees Ferdinand and Miranda pledging their love for each other he says

“Heavens rain grace/On that which breeds between ‘em”

32
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Who are the three that get intoxicated, and in which scene?

In act 3 scene 2 Caliban, Stephano and Trinculo are intoxicated

33
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3.2 Caliban tells Stephano and Trinculo that he is

“Subject to a tyrant,/A sorceror”

34
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3.2 Caliban tells Stephano to

“First possess his books” - recognises P has no power without them

35
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3.2 Caliban tells Stephano and Trinculo not to be

“Afeared/The isle is full of noises/Sounds and sweet airs that give delight and harm not” - speaks nobly

36
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3.2 Stephano claims that when he rules the island

“I shall have my music for nothing” - irony/humour is drunk and interprets the music as a sign of good fortune, rather than a warning or trick - believes plan wil be successful + says when he is king he will have music and not pay for it

37
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What happens in Act 3 scene 3?

Italian courtiers/banquet + Ariel as harpy

38
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3.3 Gonzalo tells the courtiers that the spirits who bring on the banquet

“though they are of monstrous shape, yet note/Their manners are more gentle, kind than of/Our human generation” - Montaigne reference

39
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3.3 Prospero agrees with Gonzalo and states

“Some of you there present/Are worse than devils”

40
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3.3 Prospero is pleased that his enemies are under his power and states

“My high charms work”

41
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What happens in the beginning of act 4 scene 1?

Prospero gives Miranda to Ferdinand

42
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4.1 Prospero warns Ferdinand not to

take Miranda’s “virgin knot” before they are married

43
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4.1 what does Prospero say when he passes on the ownership of Miranda to Ferdinand

Confirms that Miranda is now '“thine own” to Ferdinand

44
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What happens in the middle of Act 4 scene 1?

Wedding masque

45
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4.1 Ferdinand is in awe of the masque and states

“Let me live here ever!/So rare a wondered father and a wife (wise)/Makes this place a paradise”

46
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4.1 Caliban is annoyed when Stephano and Trinculo become distracted by

Prospero’s “trumpets” and tells them “Let it alone, thou fool; it is but trash”

47
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5.1 Ariel counsels Prospero that (time of Prospero’s epiphany)

“The rarer action is/In virtue than in vengeance” - few words that are religious in the play (virtue) - words from main character not couched in religion

48
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The play is not a very secular one besides…

Gonzalo - almost a caricature of his

49
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5.1 Prospero renounces his magical powers stating

“This rough magic/I here abjure”

50
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5.1 when Miranda sees the courtiers she states

“How beautious mankind is”

51
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5.1 After he is pardoned by Prospero, Caliban states

“I will be wise hereafter/And seek for grace”

52
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Epilogue, Prospero states that his strength without his magic is

“Most faint”

53
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Prospero requests at very end

“Let your indulgence set me free”

54
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1.2 Ariel being servile to Prospero 2 quotes

  1. “To thy strong bidding, task/Ariel and all his quality”

  2. “What shall I do? Say what? What shall I do?”

55
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Prospero after harpy scene to Ariel

“Of my instruction hast though nothing bated/In what thou hadst to say”

56
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Prospero’s monthly reminder of saving Ariel

“It was mine art…that made gape/The pine and let thee out”

57
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Prospero after Ariel nudges him to become more human

“Hast thou, which art but air, a touch, a feeling/Of their afflictions, and shall not myself/(One of their kind, that relish all as sharply,/Passion as they) be kindlier moved than thou art?”

58
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Act 4 scene 1, Prospero about having everything in place

“At this hour/Lies at my mercy all mine enemies”

59
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Act 4 scene 1 Caliban calls Trinculo a

“dull fool’”

60
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Prospero (1.2) tells Ariel to “Lend thy hand,/..

And pluck my magic garment from me./So, lie there, my Art”

61
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Prospero 5.1 changing costume

“I will discase me and myself present/As I was sometime Milan”

62
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Trinculo speaking about possibility of an illusion in Act 5 scene 1

“If these be true spies which I wear on my head, here’s a goodly sight”

63
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Miranda calls Caliban Act 1 scene 2

“Savage”

64
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Antonio Act 2 scene 1 with being disillusioned says

“My strong imagination sees a crown/Dropping upon thy head” to Sébastien

65
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Gonzalo 2.1 obsessed with clothing being… (2 quotes)

  1. “Rather newly-dyed than stained with salt water”

  2. “Methinks our garments are now as fresh as when we put them on first in Afric”

66
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Antonio disillusioned 2.1 bragging

“Look how well my garments fit upon me,/Much feater than before”

67
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Prospero telling Ariel to change costume 1.2

“Go make thyself like a nymph o the sea…. go take this shape/And hither come in’t”

68
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Gonzalo talking back to the Boatswain

“Nay, good, be patient”

69
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Boatswain’s response to Gonzalo saying he should “be patient”

“When the sea is. Hence! What cares these roarers for the name of King? To cabin. Silence! Trouble us not.”

70
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Boatswain known ‘assist’ line

“You mar our labour - keep your cabins/You do assist the storm.”

71
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Boatswain being sarcastic to Gonzalo - sea change, rebukes them

“If you can command these elements to silence, and work a peace of the present, we will not hand a rope no more - use your authority.”

72
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Gonzalo feeling consoled by Boatswain’s presence

“I have great comfort from this fellow”.. “Methinks he hath no drowning mark upon him, his complexion is perfect gallows”

73
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Gonzalo feeling consoled by Boatswain, addressing Fate

“Stand fast, good Fate, to his hanging; make the rope of his destiny our cable”

74
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Sébastien to boatswain (think in difference to Gonzalo who prays for him and asks that fate be boatswain’s guide)

“A pox o’your throat, you bawling, blasphemous, uncharitable dog”

75
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Gonzalo 5.1 happy ending exclamatory

“O rejoice/Beyond a common joy, and set it down/With gold on lasting pillars. In one voyage/Did Claribel her husband find at Tunis,/And Ferdinand, her brother, found a wife”

76
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In which scene does Caliban claim his island bc of genology + what does he say

1.2 “This island’s mine, by Sycorax, my mother”

77
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Miranda upon seeing all the courtiers

“How beautious mankind is. O brave new world/That has such people in’t”

78
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Prospero 1.2 explaining his past

“I thus neglecting worldly ends, all dedicated/To closeness and the bettering of my mind/With that which, but by being so retired,/O’er-rpized all popular rate..”

79
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Ariel describing the storm he made for Prospero, and how everybody was thrown into a frenzy of madness

“Not a soul/But felt a fever of the mad and played/By some tricks of desperation.”

80
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1.2 Ariel recounting that Ferdinand in tempest yelled

“Hell is empty,/And all the devils are here”

81
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Ariel as harpy 3.3 opening line

“You are three men of sin, whom Destiny,/That hath to instrument this lower world

82
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Ariel 3.3 as harpy says to Sébastien, Alonso + Antonio that the sea

“Hath caused to belch up you;”

83
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Ariel 3.3 said that three men of sin are

“Most unfit to live” + deserve “ling’ring perdition”

84
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Prospero 1.2 to Miranda with ‘frightful self-awareness’

“I know thou canst not choose”

85
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Stage directions 1.2 Ferdinand is

“Charmed from moving” by Prospero being protective of Miranda

86
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Ariel 1.2 being servile to Prospero

“I will be correspondent to command”

87
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Prospero 1.2 saying that nobody in Milan wanted to rise up against him, bc his subjects were so (faithful of) + loving of him, and how the courtiers painted a different image of themselves to cover themselves up

“Dear, they durst not,/So dear the love my people bore me; nor set/A mark so bloody on the business; but/With colours fairer painted their foul ends.”

88
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Prospero 1.2 says to both Ferdinand + Miranda, that if Ferdinand ‘break her virgin knot’ before marriage

“You shall hate it both”

89
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4.1 Miranda commenting on her father’s anger

“never till this day/Saw I him touched with anger so distempered.”

90
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Prospero 5.1 saying he will renounce his magic

“I’ll break my staff,/bury it certain fathoms in the earth,/And deeper than did ever plummet sound/I’ll drown my book”

91
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5.1 Prospero forgiving Antonio

“For you, most wicked sir, whom to call brother/Would even infest my mouth, I do forgive/Thy rankest fault-all of them”

92
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5.1 Sébastien does not have a reaction of repent but instead exclaims about Prospero after his aside to him + Antonio that

“The devil speaks in him!”

93
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Prospero showing off his power/authority in 5.1 in an aside to Sébastien + Antonio, some would say even blackmailing them

“But you, my brace of lords,/were I so minded/I here could pluck his highness’ frown upon you/And justify your traitors. At this time/I will tell no tales.”

94
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Prospero asking Alonso for his dukedom back

I “require/My dukedom of thee, which perforce I know/thou must restore”

95
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Prospero 5.1 claims in regards to patience

“I have her sovereign aid,/And rest myself content” when Alonso says that he has run out of patience looking for Ferdinand and mourns him, thinking he is dead

96
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Prospero 5.1 playing with Alonso about also losing Miranda

“for I/Have lost my daughter”

97
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5.1 Alonso saying he wishes he could have died with his son because he feels so bad he will never see him again

“I wish/Myself muddled in that oozy bed/Where my son lies.”

98
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5.1 What is a line that shows that the metaphor of the tempest is coming true?

Prospero is asked by Alonso where he lost his daughter, and he responds “In this last tempest.”

99
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5.1 Prospero refers to Ariel + Caliban as his

“Few servants”

100
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Prospero 1.2 to Ariel

“I’ll rack thee with old cramps,/Fill all thy bones with aches, make thee roar/That beasts shall tremble at thy din.”