1/45
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai | Chat |
|---|
No analytics yet
Send a link to your students to track their progress
Renaissance
Rebirth/revival of the Greek & Roman Classical arts & culture
Florence, Italy
Renaissance started in _________
Filippo Brunelleschi
First Renaissance Architect
Devised a way to draw linear perspective
Leon Battista Alberti
Wrote Ten Books on Architecture
Principles behind linear perspective
Andrea Palladio
Domestic Architecture
Chief architect of the Venetian Republic
Wrote Four Books of Architecture
Proto Baroque
evident in the works of Michelangelo and Bernini
Churches have wide naves and low ceilings crowned with domes
Palladian
Inspired by the Roman-like designs of Andrea Palladio
Emphasizes proportion and symmetry
Baroque
Seen in the works of Lorenzo Bernini
Strong curves and rich decoration
Rococo
Late Baroque
Florid, asymmetrical and elaborate in style
Quoins
Rusticated wall angles
Rusticated
Wall masonry were in large blocks and _____
True
Towers are sparingly used while the dome is the predominant feature
Pietra Forte
Exterior
Pietra Serena
Interior
Filippo Brunelleschi
Designed the Dome of Florence Cathedral
Herringbone
Brunelleschi used the _______ brick pattern in building the outer dome of Florence Cathedral
Michellozo Michellozzi
Completed the lantern of the Florence Cathedral
St. Peter’s Basilica
Central church of Roman Catholicism
Most important building of the Renaissance
Largest house of worship in the world
Donato Bramante
First Architect chosen to start St. Peter’s Basilica
Greek Cross with dome on 4 big piers and towers at each corners
Michelangelo Buonarotti
Greek cross plan
Strengthened the piers of the dome
Redesigned the surrounding chapels & apses
Commenced the construction of the great dome
Giacomo Della Porta, Domenico Fontana
Completed the dome from the model of Michelangelo
Giacomo Da Vignola
Added the side cupolas
Carlo Maderno
Lengthened the nave to form a Latin cross plan and added the gigantic facade
Gian Lorenzo Bernini
Finally erected the piazza, 650ft wide, surrounded by 284 columns
Michelangelo
Known for painting the Sistine Chapel ceiling
Fontana Di Trevi
Largest Baroque Fountain in Rome
Designed by Nicola Salvi
Palais De Louvre
Biggest museum in the world with 380,000 pieces in its collection
Arc De Triomphe
Largest Triumphal Arch in the world
Inspired by the Roman Arch of Titus
Features of German Renaissance
Helm Roof
Scroll Buttress
Strapwork
Features of French Renaissance
Picturesque
Verticality
Dormer Window
Mansard Roof
Rococo/Rocaille Style
Features of Italian Renaissance
Symmetrical plan
Rectilinear, Formal and Grand
Rusticated Walls
Low pitch roofs are hidden by balusters
Domes with lanterns raised on high drums
Coffered Ceilings
Columns are Doric, Ionic, Corinthian, Tuscan and Composite Orders
Features of Belgian and Dutch Renaissance
Extravagant ornate expression for ornamentation
Brick was used in conjuction with stone
Richness of tower roofs
Buildings are flat-fronted and gabled
Plateresque Style
Influenced by the exuberant Moorish art characterized by profuse, delicate low-relief ornaments
Churrigueresque Style
Spanish Baroque
Originated from Jose Benito de Churriguera
Marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building
Features of British Renaissance
Early Renaissance
Elizabethan Style
Jacobean Style
Late Renaissance
Stuart Style
Georgian Style
Sir Christopher Wren
English scientist and mathematician
One of Britain’s most distinguished architects
Best known for the design of 52 London Churches
Oriel Window
Window corbelled out from a wall
Bay Window
Window of a protruded bay
True
Russian Baroque started almost a century after it started in Italy
Naryshkin Baroque
Also called Moscow Baroque or Muscovite Baroque
Derived from Peter’s maternal side, the Naryskins
Fusion of vernacular Russian architecture with European Baroque elements
Features of Naryshkin Baroque
Octagonal Towers
Greek cross with 5 cupolas
Gold Cupolas
Red Bricks trimmed with white stone
Petrine Baroque
Favored by Peter the Great
Style used in the newly founded Russian capital, Saint Petersburg
Features of Petrine Baroque
Simple Volumes
Flat Facades
Church plans in Latin cross
Palace plans are symmterical
Elizabethan Baroque/ Rastrellian Baroque
Russian Rococo style during the reign of Elizabeth of Russia
Key figure was Bartolomeo Rastrelli
Features of Elizabethan Baroque
Greek cross with 5 cupolas
Green, blue, white colors
Gold and gilded decorations
highly ornamented exterior and interior