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Know who defeated the Umayyeds and established the new capital of Baghdad
The Abbasids
pg. 148
Know the characteristics of early mosques
Early mosques were generally hypostyle halls, communal worship halls with roofs held up by a multitude of columns. An important later variation is the mosque with four iwans (vaulted rectangular recesses), one on each side of a courtyard.
pg. 147
Understand the techniques used for the art covering the mosques, madrasas, and palaces
Builders of the time frequently used mosaic tiles to cover the walls and vaults of mosques and madrasas.
pg. 151, 155
Know what art was in the earliest Korans (Quaran)
The Abbasids produce the earliest Korans with Kufic calligraphy
pg. 144, 151
List the mediums used in the Muslim luxury arts
The centers of production for objects fashioned from more costly materials, such as ivory or brass inlaid with gold and silver, were usually the courts of the Muslim caliphs and sultans
pg. 151-153
Know what made the Shahnama important
Depicts Gayumars, the legendary first king of Iran, and his court
pg. 154
Know what carpet pages are
Interspersed between the text pages are so-called carpet pages resembling textiles, made up of decorative panels of abstract and animal forms.
pg. 159-160, 185
Be familiar with Carolingian artists
Carolingian architects introduce the twin-tower westwork and modular plans for basilican churches.
pg. 158, 161-162
Be familiar with Romanesque and where the name comes from
One hallmark of the age that art historians have dubbed Romanesque (Roman-like) because of the extensive use of stone sculpture and stone vaulting in 11th- and 12th-century churches.
Romanesque is a title that art historians invented to describe medieval art and architecture that appeared “Roman-like.”
Romanesque takes its name from the Roman-like barrel and groin vaults based on round arches employed in many European churches built between 1050 and 1200.
pg. 157-158, 169
Know what Romanesque brought about
The Romanesque period also brought the revival of large-scale stone relief sculpture in cloisters and especially in church portals—for example, Saint-Pierre, Moissac—where scenes of Christ as last judge often greeted the faithful as they entered the doorway to the road to salvation.
pg. 185