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Father of…
Modern Naturalism
Class
Middle-class
Relationship with mother
selfless woman who would sacrifice her own needs for those of her family
Finances
Experienced financial difficulties in his childhood
moved out of their home at 7
left school at 15
Aims
Use drama as a medium to discuss the pressing problems of his community including:
unhealthy adherence to the psychologically damaging bourgeois values that in practice fostered cruelty, hypocrisy, shame and self-loathing
Principles of Naturalism
Plays must feature realistic but complex characters facing realistic challenges
Plays must deal with important themes with current significance for the characters and by proxy the audience
Plots must be clear with minimal side-stories
Fiction or Reality
Ibsen preferred to read the news over fiction to be able to better express the experiences of everyday people on stage
Feminism?
Ibsen was not a feminist
He believed in empowering the individual (Humanism)
Ibsen Quote about Reality
“People demand reality, no more, no less”
Brand
contains the character of Agnes who, like Ibsen’s mother (and to some extent like Nora), is prepared to sacrifice herself for her husband
Ghosts
frank discussion of syphillis
women who stays with her unfaithful husband against her better judgement on the advice of her pastor
Hedda Gabbler
Naturalism focuses on
sex & sexuality
violence
poverty
prostitution
misery
disease
it was often criticized for being too pessimistic about human life
Naturalism def.
the idea that science shows that powerful heredity and environment factors govern human action making our lives ultimately pre-determined, giving us limited free will
Idea that each play should test a hypothesis of what happens when you put characters with certain traits under certain circumstances
Who first came up with Naturalism?
French novelist Émile Zola (1867)
“a rejection of all artifice in the theatrical arts”
Who coined the term fourth wall?
Jean Jullien (1892)
thought the purpose of naturalistic theatre was to make the audience think about the influence of social and hereditary conditions on the character
“a slice of life” - naturalism (1887)
Independence
the Danish king had ceded Norway to Sweden fourteen years before Ibsen was born
his whole life, Ibsen was concerned with retaining Norwegian independence and this was only achieved in 1905 (a year before his death
Voting
Working class didn’t have voting rights
Revolutions
In 1848 (Ibsen was 20) there were civil rights protests and revolutions across Europe (starting in France and Italy)
In Norway, a movement to reform conditions for farm and factory workers (90% of Norwegians) was brutally put down with the help of the Swedish monarchy
Social Landscape at the time of publication
industrialised country
towns linked by railways
growing middle class but slow to develop socially
In Europe this was the age of invention and new ideas (the telephone in 1876)
The Origin of Species (1859)
Growing pressure to address the issue of women’s rights
Eleanor Marx’s discussion of ‘The Woman Question’
Women were allowed the right to attend university in 1882
however for social attitudes persisted that married women did not work
a man’s social status was raised by a wife who stayed at home
Ibsen on reality and illusions
“the illusion I wished to produce is that of reality. I wished to produce the impression on the reader that what he was reading was something that had really happened” 1874 (Brand)
Nora inspo (other play)
Selma from The League of Youth
“You dressed me up like a doll. You played with me the way one plays with a child”
A friend of Ibsen suggested Selma was worthy of her own drama
Female friendship
friends with Camilla Collett a leading Norwegian feminist
Inspo for Doll’s House (real)
Laura Kieler
Kieler secretly borrowed money to finance a journey to Italy, in order for her husband to recover from tuberculosis, with Ibsen claiming she forged a check whilst doing so
On discovering the crime, Kieler's husband divorced her, and Kieler was put in a lunatic asylum.
Kieler later denied committing forgery, and asked Ibsen to publicly state such, which he declined
1880 production
When the play was first presented in Germany in 1880, the actress Hedwig Niemann-Raabe refused to act the final scene on the grounds that "I would never leave my children"
Peer Gynt
tells the story of a quasi-mythical Norwegian folk hero
Peer’s misguided quest to discover his own true authentic self is a journey of resistance to a horrifying conformity
his individuality ultimately warps him into becoming as selfish and narrow-minded as the monstrous trolls he meets on his journey