Chapter 7- The New Art

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Last updated 10:44 PM on 9/22/26
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23 Terms

1
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<p>Know it when you see it:</p>

Know it when you see it:

Design for a living space by Eliel Saarinen, Herman Gesellius, and Armas Lindgren, 1903.

2
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True or False: The "Dragon Style" in Norwegian design was influenced by medieval Viking traditions.

True

3
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Fill in the Blank: The Finnish epic poem that became a symbol of national consciousness and patriotism is called the____________

Kalevala

4
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<p>Know it when you see it:</p>

Know it when you see it:

Elbow chair designed by Eliel Saarinen for the State Railway Administration Offices, Helsinki, 1908-09.

5
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<p>Know it when you see it:</p>

Know it when you see it:

Finnish Pavilion designed by Eliel Saarinen, Herman Gesellius, and Armas Lindgren for the 1900 Exposition Universelle in Paris.

6
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<p>Know it when you see it:</p>

Know it when you see it:

Viking-revival armchair designed by Lars Kinsarvik, c. 1900.

7
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Matching:

  • Eliel Saarinen

  • Lars Kinsarvik

  • Holm Hansen Munthe


  • Frognerseteren restaurant

  • Helsinki Central Railway Station

  • Viking-style armchair


Holm Hansen Munthe——- Frognerseteren restaurant

Eliel Saarinen———Helsinki Central Railway Station

Lars Kinsarvik———-Viking-style armchair

8
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Which philosopher’s ideas are considered foundational to the National Romanticism movement in design?

Johann Gottfried von Herder

9
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True or False: National Romanticism was solely a reaction against the industrialization and urbanization of the nineteenth century.

False

10
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Which of the following was NOT a name used to describe the New Art movement in the 1890s?

  • Stile Liberty 

  • Bauhaus

  • Jugendstil

  • Art Nouveau 


Bauhaus

11
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<p>Know it when you see it:</p>

Know it when you see it:

Decanter designed by Charles Robert Ashbee, 1901/1904-05, executed by the Guild of Handicraft.

12
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Which of the following statements best describes the New Art movement within the British Arts and Crafts movement?

  • It focused exclusively on traditional craftsmanship and rejected all forms of modernity.

  • It developed a coherent aesthetic based on practical yet beautiful designs intended to transform daily life.

  • It embraced industrial mechanization and mass production techniques.

  • It was characterized by a return to medieval Gothic styles and motifs.


It developed a coherent aesthetic based on practical yet beautiful designs intended to transform daily life.


13
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<p>Know it when you see it:</p>

Know it when you see it:

Library at Glasgow School of Art

14
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Which of the following statements best describes the paradox in William Morris's philosophy as understood by the second-phase Arts and Crafts designers?

  • He favored simple designs but encouraged elaborate ornamentation.

  • He promoted mass production of art but disliked the mechanization of design.

  • He supported industrial production but opposed machine-made goods.

  • He wanted affordable, well-designed products but adhered to costly hand-manufacturing methods.


He wanted affordable, well-designed products but adhered to costly hand-manufacturing methods.


15
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<p>Know it when you see it:</p>

Know it when you see it:

Cymric clock designed by Archibald Knox for Liberty & Co., 1903.

16
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Which principles espoused by the British Arts and Crafts movement were instrumental in the formation of the Modern Movement?

Simplicity, utility, and appropriateness

17
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<p>Know it when you see it:</p>

Know it when you see it:

Oak armchair designed by C. F. A. Voysey, 1902.

18
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<p>Know it when you see it:</p>

Know it when you see it:

Entrance to the Glasgow School of Art designed by Charles Rennie Mackintosh, 1897-99 and 1907-09.

19
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Hermann Muthesius praised which British designer for achieving a complete synthesis between the work of the designer and the architect, creating what became known as a Gesamtkunstwerk?

Charles Voysey

20
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The term "second phase" Arts and Crafts originated from a show presented in 1888 by the__________

Arts and Crafts Exhibition Society

21
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Who was NOT one of the key early influencers of the Arts and Crafts movement in Britain?

  • A. W. N. Pugin

  • Christopher Dresser

  • John Ruskin

  • William Morris


Christopher Dresser

22
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Match the designer to their significant contribution:

  • Arthur Heygate Mackmurdo

  • Charles Robert Ashbee

  • Archibald Knox

  • Charles Rennie Mackintosh


  • Designed the Glasgow School of Art

  • Founded the Century Guild of Artists

  • Moved the Guild of Handicraft to Chipping Campden

  • Created Celtic-inspired designs for Liberty & Co.


Arthur Heygate Mackmurdo—— Founded the Century Guild of Artists

Charles Robert Ashbee—— Moved the Guild of Handicraft to Chipping Campden

Archibald Knox——- Created Celtic-inspired designs for Liberty & Co.

Charles Rennie Mackintosh——— Designed the Glasgow School of Art

23
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