The Baroque: New Saint Peter's and the Reorganization of Rome

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16 Terms

1
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Baroque in Rome was brought about in part by the __________ (1545-1700), the Catholic Church’s response to the Protestant Reformation.

Counter Reformation

2
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Council of Trent (1545-1563)

proclaimed that architecture and art had no role as media for propaganda

3
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What was the goal of art in the Baroque period?

to restore Catholicism’s predominance and centrality 

4
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<p>Il Gesù</p>

Il Gesù

Artists: Giacomo della Porta (façade) and Giacomo della Vignola (plan)

1568 / Mannerist

Patron: Cardinal Alessandro Farnese

  • scrolled buttresses are reminiscent of Santa Maria Novella in Florence

  • this kind of façade will become very influential

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<p>Façade for New Saint Peter’s Basilica</p>

Façade for New Saint Peter’s Basilica

1612 / Baroque

Artist: Carlo Maderno

Patron: Pope Paul V

  • departed from 16th century Renaissance designs

  • had to work with existing buildings

  • appears wider than was originally intended

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<p>Baldacchino (Saint Peter’s Basilica)</p>

Baldacchino (Saint Peter’s Basilica)

1624-1633

Artist: Bernini

Patron: Urban VIII

gilt bronze

  • Solomonic columns

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<p>Piazza in front of Saint Peter’s Basilica&nbsp;</p>

Piazza in front of Saint Peter’s Basilica 

1656-1667

Bernini

Patron: Alexander VII

  • arms embracing the faithful

  • keyhole shape 

  • illusion that façade is less wide

  • saints literally looked up to

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Saint Teresa of Avila in Ecstasy

Bernini

1645-1652 / Baroque

Bernini

Marble, stucco, gold

Patron: Cornaro Family

Church of Our Lady of Victory, Rome

  • teatrum sacrum

  • participation in his artwork

  • time of controversy regarding transubstantiation

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Baroque

designation for the art of the period covering roughly 1600-1750; no one style or set of stylistic principles; succession of phases in international development; dynamism, dramatic theatricality, elaborate ornamentation; spectacular effect

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Four phases of Baroque:

  1. 1590-1625: Early - essentially naturalistic, originates in Italy (Caravaggio)

  2. 1625-1660: High - sensualistic (Bernini, Borromini)

  3. beginning in 1630: Classicist - order, clarity, composure (Poussin)

  4. 1660-1725: Late - Louis XIV style in France

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Counter Reformation

from 1545-1700; the Catholic Church’s response to the Protestant Reformation which led to Baroque art among other things

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obelisk

a tall four-sided monolithic pillar with a pyramidal top - symbol of the Egyptian sun god Re

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Solomonic columns

twisted columns thought to be reminiscent of the columns that came from the Temple of Solomon

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Cathedra Petri

the throne of Saint Peter made of stucco and marble by Bernini in 1666 which contains a relic of the true throne of Peter; commissioned by Alexander VII

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piazza

an open public area in a town or city especially in Italy that is usually surrounded by buildings

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teatrum sacrum

literally “sacred theater”; using a mix of art and architecture it creates a theatrical space for holy acts carried out by sacred actors (ex: saint teresa in ecstasy)