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Pazzi Chapel. Filippo Brunelleschi, designed 1423. Masonry. Florence, Italy.
Palazzo Rucellai, Leon Battista Alberti. c. 1450. Stone, masonry. Florence, Italy.
Madonna and Child with Two Angels: Fra Filipo Lippi. c. 1465. Tempera on wood.
The Birth of Venus. Sandro Botticelli. c. 1485. Tempera on canvas.
David. Donatello. c. 1440-1460, Bronze.
David by Michelangelo
David by Bernini
The Last Supper by Leonardo Da Vinci. 1494-1498. Tempura and Oil
Triumph of the Name of Jesus Fresco (1676-1679) by Giovanni Battista Gaulli (Baciccio)
The Sistine Chapel Ceiling and Wall Frescoes Michelangelo (various frescoes). 1508-1512. Fresco. Vatican City, Italy.
Last Judgment fresco: 1536-1541
The School of Athens by Raphael. 1509-1511. Fresco. Apostolic Palace, Vatican City, Italy.
Venus of Urbino by Titian. 1538. Oil on canvas.
Entombment of Christ by Jacopo da Pontormo. 1525-1528. Oil on wood. Mannerist Painting.
Altar Wall Frescoes (1536-1541) - Last Judgment by Michelangelo. Mannerist painting
Facade of Il Jesú by Giacomo della Porta. 1575-1584. Brick and marble.
Adam and Eve by Albrecht Dürer. 1504. Engraving.
The Allegory of Law and Grace by Lucas Cranach the Elder. c. 1530. Woodcut and letterpress.
Annunciation Triptych (Merode Altarpiece) by Workshop of Robert Campin. 1427-1432. Oil on wood.
The Arnolfini Portrait by Jan van Eyck. 1434. Oil on wood.
The Isenheim Altarpiece by Matthias Grünewald. c. 1512-1516. Oil on wood.
Hunters in the Snow by Pieter Bruegel the Elder. 1565. Oil on wood panel.
San Carlo alle Quattro Fontane by Francesco Borromini. 1638-1646. Stone and stucco. Rome, Italy.
Ecstasy of Saint Teresa by Gian Lorenzo Bernini. 1647-1652. Marble (sculpture); stucco and gilt bronze (chapel).
The Palace at Versailles by Louis Le Vau and Jules Hardouin-Mansart. Begun 1669. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens.
The Calling of Saint Matthew by Caravaggio. c. 1600. Oil on canvas.
Las Meninas by Diego Velásquez. 1656. Oil on canvas.
Henry IV Receives the Portrait of Marie de’Medici by From the Marie de’ Medici Cycle. Peter Paul Rubens. c. 1625. Oil on canvas.
Self-Portrait with Sasika by Rembrandt.1636. Etching.
Woman Holding a Balance by Johannes Vermeer. c. 1664. Oil on canvas.
Fruits and Insects by Rachel Ruysch. 1711. Oil on wood.
Golden Haggadah
Blend of Jewish and Christian (Gothic) art
Röttgen Pietá
Made for private devotion. Pietá: describes a scene where Mary is holding Jesus’ lifeless body as he is removed from the cross. Very Humanistic. Mary is very larger than Jesus.
Church of Sainte-Foy
Designed for pilgrims. Has a reliquary.
The Bayeux Tapestry Similar artworks
The Lindesfarne Gospels
Differences of Venus of Urbino
Vibrant Color
Birth of Venus
Departure from Christian imagery as well as appropriate depictions of nudity
Donatello’s David vs Others
Donatello’s is younger, Bernini is in action.
Merode Altarpiece vs South Oil Paintings
Secular
Tenabrism
Light and dark major contrast
Italian Renaissance vs Northern Renaissance
Italian more secular, Northern more religious
