Chapter 4 – Oceania: Key Vocabulary

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30 vocabulary flashcards covering key musical terms, instruments, songs, cultural concepts, and performance practices from the Oceania lecture notes.

Last updated 11:15 PM on 7/24/25
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30 Terms

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Bushfire

Australian spiritual song rooted in animism; features a nasally tenor voice singing vocables over a didjeridu drone.

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Animism

Belief that natural phenomena (animals, plants, landscape) possess a spiritual essence.

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Dreamtime

Australian Aboriginal cosmology describing the time of creation and ancestral journeys that shaped the world.

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Didjeridu

Australian Aboriginal aerophone producing a low-pitched buzzing drone; typically made from hollowed eucalyptus.

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Drone

Sustained, continuous tone that underlies a melody.

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Vocables

Non-lexical syllables (e.g., “hey,” “yo”) sung for musical effect rather than semantic meaning.

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Monophonic Texture

Musical texture consisting of a single melodic line without harmony or accompaniment.

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Mele

Hawaiian chant or song that can hold cultural or spiritual significance; often performed by a kahuna.

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Kahuna

Hawaiian priest or expert who may perform sacred mele.

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Hula

Hawaiian dance that interprets song text through movement and gesture.

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Pahu

Large, low-pitched Hawaiian sacred drum; membranophone carved from a single log and topped with sharkskin.

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Mele Hula

Song (mele) specifically intended to accompany hula dance.

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Hula Pahu

Form of hula accompanied by the pahu drum, highlighting its ritual power.

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Kilu

Small, high-pitched Hawaiian drum that complements the pahu in hula performances.

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Portamento

Sliding smoothly between two pitches in singing or instrumental playing.

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Vibrato

Rapid, slight variation in pitch that enriches tone quality.

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“Kau ka haliʻa i ka Manawa”

Hawaiian mele hula pahu (“A fond remembrance appears to me”) sung by warm alto voice with pahu–kilu rhythm.

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Bino

Traditional Kiribati sitting dance; combines song, clapping, and minimal movement.

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Te Bino

General Kiribati term for the various styles (≈ ten types) of bino sitting dances.

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Battle of Betio

WWII conflict on Tarawa Atoll referenced in the Kiribati song “Kai e titirou e matie.”

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Call and Response

Musical interaction where a leader’s phrase (call) is answered by a group (response).

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Body Percussion

Using the body (e.g., clapping, slapping) to produce rhythmic sounds.

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Tarawa Atoll

Central Pacific atoll in Kiribati; site of the Battle of Betio.

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Lehua

Native Hawaiian flowering tree often symbolizing beauty or love in song poetry.

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Laka

Hawaiian goddess of hula, forest growth, and fertility.

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Aerophone

Instrument producing sound via vibrating air column (e.g., didjeridu).

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Chordophone

Instrument producing sound from vibrating strings (e.g., guitar, ukulele).

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Idiophone

Instrument producing sound from the material of the instrument itself vibrating (e.g., clapping sticks).

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Membranophone

Instrument producing sound via vibrating stretched membrane (e.g., pahu drum).

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Nasal Timbre

Tone quality where sound resonates in nasal cavities, creating a slightly pinched vocal color.