Art Section III: Artists in Transit/Young Woman Reading

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Last updated 11:14 PM on 7/4/26
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81 Terms

1
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Why has global travel been important to many artists?

It is a way to gain inspiration and blend their customs with those from other cultures

2
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When did it become common for artists to travel for the sake of art?

Nineteenth century

3
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What topic did the artists in this section deal with?

How global flows of images and information affect personal identity and inner states of mind

4
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What is the setting of Young Woman Reading?

A brightly lit room

5
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What is the woman in the painting doing?

Kneeling in front of a bookstand and reading the Qur'an

6
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What is the woman wearing?

A fashionable nineteenth-century dress in pale yellow silk and a red-orange head covering

7
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What does the wall behind the woman look like?

It has repeating blue and white tiles that create a complex pattern

8
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What do we see on the left side of the painting?

A view of a tree-filled garden through a metal screen

9
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What decorates the bookstand?

A mosaic of mother-of-pearl squares and a floral cloth

10
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What sits on top of the cloth?

A decorated manuscript with writing in Arabic

11
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What does Young Woman Reading represent?

A modern, active, and education Muslim woman from the late 1800s

12
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What was Young Woman Reading a product of?

The artist's journeys from Turkey to Paris and back home

13
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Where and when was Osman Hamdi Bey born?

Istanbul in 1842

14
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What kind of household was Hamdi raised in?

A highly educated and westernized household

15
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When was the peak of the Ottoman Empire?

Sixteenth century

16
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What area did the Ottoman Empire cover at its peak?

North Africa to the Persian Gulf

17
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What modern day countries did the Ottoman Empire encompass?

Turkey, Albania, Greece, Bulgaria, Serbia, Romania, Hungary, Ukraine, Moldova

18
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Why had the Ottoman Empire become less powerful by the mid-nineteenth century?

European expansion into North Africa and West Asia

19
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Who was Hamdi's father?

İbrahim Edhem Pasha

20
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Where was Edhem born?

Chios

21
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What happened to Edhem as a child?

He was orphaned during the Greek War of Independence, sold into slavery, and adopted by a powerful Ottoman admiral

22
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Where was Edhem educated?

France

23
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Who did Edhem teach?

Sultan Abdulmeçid

24
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What position did Edhem eventually obtain?

Trade minister

25
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When did Edhem sent Osman Hamdi to Paris?

1860

26
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Why did Hamdi go to Paris?

To attend law school

27
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Who was Hamdi's art teacher?

Gustave Boulanger

28
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Who else inspired Hamdi's style?

Jean-Léon Gérôme

29
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What genre did Boulanger and Gérôme work in?

Orientalism

30
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What did Orientalist paintings represent?

An imagined, Western view of "the Orient"

31
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What was the Orient?

The Muslim-majority regions of North Africa and the Middle East

32
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What made Hamdi unique within the genre of Orientalism?

He was one of the few Muslim painters to produce work in a European Orientalist style

33
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Where and when did Hamdi first exhibit his work publicly?

Paris Salon in 1866

34
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What painting did Hamdi exhibit at the Paris Salon?

Femme turque

35
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What was an important part of Hamdi's French training?

Learning to paint human anatomy by studying plaster casts, classical sculptures, and live models

36
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What do some Islamic artistic traditions ban?

Depiction of the human figure

37
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What is the hadith?

A collection of sayings attributed to the Prophet Muhammad

38
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What is proscribed in the hadith?

Making images of holy figures and living beings

39
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What has varied in different Muslim traditions?

Interpretation and application of the hadith

40
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What was the late Ottoman court's view on depicting humans?

They did not prohibit it and even encouraged the development of European-style figure painting

41
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Which European artists were hired by sultans?

Ivan Aivazovsky and Stanisław Chlebowski

42
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Which other Ottomans of Hamdi's generation also painted the human figure in a Western style?

Halil Pasha, Şeker Ahmed Pasha, and Sarkis Diranian

43
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What museum holds several of Halil's drawings of male and female models?

The Sakıp Sabancı Museum

44
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Where did Hamdi go in 1868?

Baghdad

45
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What position did Hamdi hold in Baghdad?

Government administrator

46
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What enabled Hamdi to use the honorific title Bey?

He worked in administrative roles for the rest of his career

47
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What is Hamdi known for today?

His art work and his career as a museum director and archaeologist

48
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What position did Hamdi acquire in 1877?

Inaugural director of the Imperial Museum of Antiquities

49
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What did the Imperial Museum collect?

Coins, sculpture, and other artifacts from ancient Anatolia

50
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What did Hamdi do in 1884?

He helped enact new export regulations that made it harder for foreign archaeologists to export antiquities excavated on Ottoman soil

51
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What position did Hamdi hold after 1880?

Palace painter to Sultan Abdülhamid II

52
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What school did Hamdi become director of in 1882?

Academy of Fine Arts

53
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What did Hamdi oversee?

Excavations that expanded the collections of the Imperial Museum

54
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Until when did Hamdi direct the Imperial Museum?

His death in 1910

55
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What scenes did Hamdi paint?

Everyday life in public and private spaces around Istanbul

56
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Who did Hamdi use as models?

Himself and his family members

57
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What two traditions did Hamdi blend?

Ottoman and French traditions

58
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What are some detailed items of Ottoman material and religious culture in Young Woman Reading?

Qur'an stand, carpet, metalwork, blue and white tiles, and incense burner

59
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What do these detailed items reinforce?

A sense of direct, observed reality

60
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What does the painting celebrate?

A worshipper's personal relationship with Islam

61
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What faction was Hamdi a part of within the Ottoman government?

A modernizing, progressive faction

62
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What are some of Hamdi's paintings that depict figures reading or discussing the Qur'an?

Clerics Talking before a Mosque Entrance (1890) and A Young Emir Studying (1905)

63
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What are some of Hamdi's paintings that depict women as active in modern Turkish life?

At the Mosque Door (1890) and Two Musician Girls (1880)

64
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What is a yashmak?

A gauzy head and face covering popular in the late Ottoman period

65
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What has Edhem Eldem claimed about Hamdi's art?

It also spoke a European visual language

66
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Where were Hamdi's artworks most frequently exhibited?

France, Germany, Britain, and the United States

67
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What venue was Hamdi's work shown at in 1893?

World's Columbian Exposition

68
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What role did Hamdi's paintings take on due to their international audience?

A cross-cultural communicative role as correctives to the fantasies of Western Orientalist painters

69
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What was Orientalism in nineteenth-century Europe?

A set of ideas about how to represent "the Orient"

70
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How did Orientalist painters often depict "the Orient"?

As exotic and different from Europe

71
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Who were the audiences of Orientalist paintings?

Middle-class and elite consumers in Western Europe and the US

72
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What do Orientalist paintings often look like?

Visually appealing, highly detailed, and almost photorealistic

73
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What is an example of scenes that white male Orientalist painters would never have been able to see?

Interactions in the harem

74
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What is the harem?

The female-only part of a private household

75
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What do paintings of the harem suggest about Orientalist works?

Many of them were works of imagination, not factual observation

76
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What did Jules-Antoine Castagnary say in response to the Paris Salon of 1864?

That Orientalist painters had the desire to "run away from the world around them, to escape the real and the present"

77
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What opportunity did paintings like Young Woman Reading offer to Hamdi?

A chance to make the Western view of "the Orient" more complex

78
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What did Zeynep Çelik argue in her article "Speaking Back to Orientalist Discourse"?

Hamdi's art reveals a dialogue between cultures rather than a one-sided imposition of European expectations

79
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What did Hamdi do by using the Orientalist style?

Resist negative narratives created by Europeans and present his subjects as human beings who don't fit the stereotypes created by European painters

80
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How does Young Woman Reading resist European expectations and views?

The woman is modest and fashionable, educated and absorbed in study, and exists in the modern world

81
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What contributed to Hamdi's portrayal of the woman in the painting?

His knowledge of contemporary Ottoman life, his youthful education abroad, and his correspondence with people all over the world