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Italian Renaissance General Characteristics
Stateliness and classical horizontality under 3 main cities: Florence, Rome, and Venice
Italian Renaissance Plan Features
Symmetrical, compact, rectilinear, formal, and grand
Italian Renaissance Wall Features
Rusticated & astylar (façade without columns); materials include pietra forte for exterior and pietra serena for interior
Astyle / Astylar
Treatment of a façade without columns or pilasters
Pietra Forte
Exterior stone material used in Italian Renaissance architecture
Pietra Serena
Dark-colored interior stone material used in Italian Renaissance architecture
Italian Renaissance Arcade Features
Arches supported on piers faced with columns
Italian Renaissance Roof & Dome Features
Low pitch roofs hidden by balusters; domes with lanterns raised on high drums; coffered ceilings
Italian Renaissance Column Features
Doric, Ionic, Corinthian, Tuscan, and Composite orders; pilaster strips; marble accent points; orders superimposed in tiers
Italian Renaissance Molding Features
Classical, refined, original, and intricate
Humanism
Governing intellectual principle of Italian Renaissance based on appreciation of physical beauty and concern for human welfare, values, and dignity
Medici Family
Dominant political and cultural family in Renaissance Florence whose patronage turned Florence into a leading European Renaissance center
Dome of Florence Cathedral (1296-1462)
Largest brick dome ever constructed; designed by Filippo Brunelleschi with lantern completed by Michelozzo Michelozzi; double shell of sandstone, marble, and herringbone brick pattern without scaffolding; blends Renaissance dome with Gothic building by Arnolfo di Cambio
Filippo Brunelleschi
Founding father of Renaissance architecture; Florentine architect/designer recognized as first modern engineer; designed Florence Cathedral dome, S. Spirito, Pazzi Chapel, Palazzo Pitti, and Foundling Hospital
Michelozzo Michelozzi
Florentine architect who completed the lantern of Florence Cathedral dome and designed Palazzo Riccardi
Arnolfo di Cambio
Original Gothic architect of the Florence Cathedral building
S. Spirito - Florence
Begun by Filippo Brunelleschi, finished by Antonio Manetti, campanile by Baccio d'Agnolo; façade left unfinished after Brunelleschi's death in 1446
Antonio Manetti
Finished S. Spirito in Florence after Brunelleschi's death
Baccio d'Agnolo
Designed the campanile of S. Spirito in Florence
Pazzi Chapel - Florence
Designed by Filippo Brunelleschi; funded in 1429 by Andrea Pazzi (head of Pazzi family, second wealthiest to Medici)
Andrea Pazzi
Head of the wealthy Pazzi family who funded the Pazzi Chapel in 1429
S. Maria Novella - Florence
Façade blind arcading designed by Leon Battista Alberti in 1470; one of the first churches to use flanking scrolls to connect aisles and nave
Leon Battista Alberti
Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, cryptographer; wrote 'De Re Aedificatoria' (1452); designed S. Maria Novella façade and Palazzo Rucellai
Palazzo Pitti - Florence (1458)
Residence of Luca Pitti in 1458, bought by Medici family in 1549; designed by Filippo Brunelleschi; astylar design and largest palace in Italy except the Vatican
Luca Pitti
Florentine banker who commissioned Palazzo Pitti in 1458
Palazzo Riccardi - Florence
Designed by Michelozzo Michelozzi in astylar design for the Medici family
Palazzo Strozzi - Florence
Begun by Benedetto da Majano and finished by Cronaca; known for its attractive windows
Benedetto da Majano
Begun construction of Palazzo Strozzi in Florence
Cronaca (Simone Pollaiuolo)
Finished construction of Palazzo Strozzi in Florence
Palazzo Rucellai - Florence
Begun by Leon Battista Alberti and finished by Bernardo Rossellino; features external superimposed pilasters and is the first astylar building of the Renaissance
Bernardo Rossellino
Florentine architect and sculptor who finished Palazzo Rucellai
Palazzo Quaratesi - Florence
Designed probably by Filippo Brunelleschi and executed by Giuliano da Majano
Giuliano da Majano
Executed Palazzo Quaratesi in Florence
Foundling Hospital (Ospedale Degli Innocenti) - Florence
Designed by Filippo Brunelleschi; first institution in Europe to care for abandoned babies; features semi-circular arches with composite order columns and tabernacle windows
Palazzo Pandolfini - Florence
One of Raphael Santi's most famous palace designs, executed by Francesco Sangallo
Francesco Sangallo
Executed Raphael's design for Palazzo Pandolfini
Laurentian Library - Florence
Designed by Michelangelo and continued by Giorgio Vasari; built to display Medici intellectualism; houses private Medici collection of manuscripts and books
Medici Chapel's New Sacristy - Florence
Designed by Michelangelo corresponding to Brunelleschi's Old Sacristy at San Lorenzo; finished with pietra serena and light marble
Uffizi - Florence (1560)
Begun by Giorgio Vasari in 1560 for Cosimo I de' Medici for magistrate offices ('uffizi'); long narrow cortile open to Arno River; opened to public in 1765 housing world's greatest Italian Renaissance art collection
Giorgio Vasari
Begun Uffizi in 1560 for Cosimo I de' Medici and continued Laurentian Library
Cosimo I de' Medici
Grand Duke of Tuscany who commissioned the Uffizi in 1560
Cortile
Internal courtyard in Italian palaces, such as the long narrow cortile of the Uffizi
Palazzo di Venezia - Rome (1455-1503)
Also known as Museo Nazionale del Palazzo di Venezia, attributed to Leon Battista Alberti; built with travertine stones quarried from the Colosseum; medieval exterior with Renaissance interior
Palazzo della Cancelleria - Rome (1486-1498)
Designed by Donato Bramante; first palace in Rome built entirely in full Renaissance style; façade in travertine from the Colosseum
Villa Farnesina - Rome
Built for Agostino Chigi by Baldassare Peruzzi; ground floor lobby features fresco painting by Raphael
Agostino Chigi
Sienese banker who commissioned Villa Farnesina in Rome
Palazzo del Laterano - Rome
Designed by Domenico Fontana; principal residence of popes for ~1000 years until seat transferred to Vatican; now Vatican Historical Museum
Villa Farnese - Rome
Designed by Antonio da Sangallo the Younger
S. Andrea - Rome
Designed by Giacomo da Vignola; first church with an elliptical dome, marking the first step toward Baroque elliptical forms
The Capitol - Rome
Most successful civic work designed by Michelangelo
S. Maria della Pace - Rome (1500-1504)
Designed by Baccio Pontelli; cloister was Donato Bramante's first work in Rome
Baccio Pontelli
Designed S. Maria della Pace in Rome (1500-1504)
Tempietto in S. Pietro - Rome
Designed by Donato Bramante in full Renaissance style resembling a Roman round temple; marks the spot where St. Peter was martyred
Il Gesu Church - Rome
Designed by Giacomo da Vignola with first truly Baroque façade; mother church of Society of Jesus (Jesuits); features 'Triumph of the Name of Jesus' ceiling painting by Giovanni Battista Gaulli
Giovanni Battista Gaulli
Painted 'Triumph of the Name of Jesus' ceiling fresco in Il Gesu Church using trompe-l'oeil technique
Trompe-l'oeil
French term meaning 'deceive the eye'; painting style with realistic imagery creating a 3D effect where figures appear to float out of the frame
St. Peter's Basilica - Rome - History & Capacity
Central church of Roman Catholicism standing on 4th-cent. basilica built by Emperor Constantine over St. Peter's burial; largest worship house in world (50,000-60,000 capacity); rebuilt over 120 years (1506-1626) starting from Pope Julius II's tomb plans
Emperor Constantine the Great
Built original 4th-century Early Christian basilica over St. Peter's burial place
Pope Julius II
Pope whose intention to erect a tomb for himself initiated the rebuilding of St. Peter's Basilica
St. Peter's Architect 1: Donato Bramante (1506)
Chosen design was a Greek cross plan with a central dome on 4 big piers and a tower at each corner
St. Peter's Architect 2: Giuliano da Sangallo - Fra Giocondo - Raphael Santi
Superseded Bramante; Sangallo & Fra Giocondo died 1515; Raphael proposed a Latin cross plan and died 1520
St. Peter's Architect 3: Baldassare Peruzzi
Reverted to Bramante's Greek cross plan; construction halted due to church arguments; died 1536 without plan built
St. Peter's Architect 4: Antonio da Sangallo the Younger
Proposed short nave with elaborate dome; strengthened Bramante's piers
St. Peter's Architect 5: Michelangelo Buonarroti (1547)
Succeeded at age 72; contributed Greek cross plan, strengthened piers, redesigned chapels/apses, and commenced the 2-shell brick dome (drum/tamburo finished before death in 1564)
Tamburo / Drum
Upright cylindrical wall supporting a dome, completed for St. Peter's Basilica before Michelangelo's death
St. Peter's Dome Dimensions & Features
136.57 m high from floor (tallest dome in world), 41.47 m inside diameter; 2 brick shells with 16 stone ribs
Stefan du Pérac (1569)
Engraver whose 1569 engraving depicted Michelangelo's dome as hemispherical
Sistine Chapel Ceiling (1508-1512)
Fresco ceiling scheme by Michelangelo painted at age 33; features 9 Genesis scenes including Creation of Adam, Creation of Eve, Temptation and Fall, and The Flood
The Last Judgment (1536-1541)
Large altar wall fresco in Sistine Chapel painted by Michelangelo ~20 years after ceiling
St. Peter's Architect 6: Giacomo della Porta & Domenico Fontana
Completed St. Peter's dome following Michelangelo's model
St. Peter's Architect 7: Giacomo da Vignola
Added the side cupolas to St. Peter's Basilica
St. Peter's Architect 8: Carlo Maderno
Lengthened the nave into a Latin cross plan and added the gigantic façade to St. Peter's Basilica
St. Peter's Architect 9: Gian Lorenzo Bernini
Erected the 650 ft wide piazza surrounded by 284 columns outside St. Peter's Basilica
Palazzo Barberini - Rome
Designed by Carlo Maderno and executed by Gian Lorenzo Bernini; now a museum
Palazzo Odescalchi - Rome
Designed by Gian Lorenzo Bernini; features a giant Corinthian pilastered order embracing upper 2 floors
S. Susanna - Rome
Designed by Carlo Maderno; features a façade with framed niches and devoid of windows; chief early Baroque figure
San Giovanni in Laterano - Rome
First church built in Rome by Constantine (4th cent.); façade designed by Alessandro Galilei in 1735
Alessandro Galilei
Designed the façade of San Giovanni in Laterano in 1735
S. Andrea del Quirinale - Rome
Best known of Gian Lorenzo Bernini's small churches, widely imitated
San Carlo alle Quattro Fontane - Rome
Designed by Francesco Borromini; iconic masterpiece of Baroque architecture
S. Maria Maggiore - Rome
Last notable Baroque architecture of Rome; entrance façade designed by Fernando Fuga
Fernando Fuga
Last notable Baroque architect of Rome who designed the entrance façade of S. Maria Maggiore
Trevi Fountain (Fontana di Trevi) - Rome
Designed by Nicola Salvi and completed by Pietro Bracci; largest Baroque fountain in Rome
Nicola Salvi
Designed the Trevi Fountain in Rome
Pietro Bracci
Completed the Trevi Fountain in Rome
Palazzo Vendramin - Venice
Designed by Pietro Lombardo; features traceried windows as remnants of medieval past
Pietro Lombardo
Venetian architect and sculptor; designed Palazzo Vendramin and Santa Maria dei Miracoli
Santa Maria dei Miracoli - Venice (1491)
Miniature 'marble church' (white, grey, pink) by Pietro Lombardo and sons Antonio and Tullio; popular Venetian wedding venue preserved in original single-artist design
Antonio & Tullio Lombardo
Sons of Pietro Lombardo who assisted on Santa Maria dei Miracoli; Tullio created perspective reliefs
Scuola Grande di San Marco - Venice
Designed by Martino Lombardo; ground floor features perspective relief panels by Tullio Lombardo
Martino Lombardo
Designed Scuola Grande di San Marco in Venice
S. Giorgio dei Greci - Venice
Graceful small church with mature Renaissance façade in Venice
S. Zaccaria - Venice
Begun by Antonio Gambello and completed by Mauro Codussi; façade shows transition from late Gothic to Renaissance; walls covered with 17th-18th cent. paintings
Antonio Gambello
Begun construction of S. Zaccaria in Venice
Mauro Codussi
Completed S. Zaccaria in Venice
Palazzo Bevilacqua - Verona
Designed by Michel Sanmicheli; features rusticated lower story and elegant piano nobile on upper floor
Piano Nobile
Principal floor of a large house/palace, usually above ground floor, containing main reception and bedrooms
Library of St. Mark (Biblioteca Marciana) - Venice
Most outstanding building designed by Jacopo Sansovino in Venice
Palazzo Grimani - Venice
Considered Michel Sanmicheli's greatest architectural work
Palazzo Corner della Ca' Grande - Venice
Designed by Jacopo Sansovino