Roman Art

0.0(0)
studied byStudied by 2 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/21

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

22 Terms

1
New cards
<p>Origins: Etruscans</p>

Origins: Etruscans

  • an ancient civilization in Italy, known for their sophisticated culture and powerful maritime influence

  • Influenced early Roman religion, art, and urban planning.

  • Skilled in bronze work (e.g., Capitoline She-Wolf).

  • Used arches before Romans adopted and refined them.

2
New cards
<p>Architecture:  Vaults</p>

Architecture: Vaults

Barrel Vault

  • Long, continuous arch forming a tunnel-like ceiling.

  • Used in baths, basilicas, and corridors.

Groin Vault

  • Intersects two barrel vaults at right angles.

  • Allowed for open, flexible interior space (e.g., markets, basilicas).

3
New cards
<p>Greek Orders Adapted: Tuscan &amp; Composite Orders</p>

Greek Orders Adapted: Tuscan & Composite Orders

  • Tuscan: Simplified Doric (no fluting, plain base), used in temples and military buildings.

  • Composite: Combines Ionic volutes and Corinthian acanthus, very ornate, imperial contexts.

4
New cards
<p>Aquaduct: Pont du Gard </p>

Aquaduct: Pont du Gard

  • Aqueduct + bridge

  • Uses multiple arcades: a series of arches supported by columns

  • Roman engineering

5
New cards
<p>Triumphal Arches</p>

Triumphal Arches

  • Arch of Titus: Commemorates Roman victory in Judea.

  • Arch of Septimius Severus: Victory over Parthians; elaborate sculptural relief.

  • Symbolic of imperial propaganda

6
New cards
<p>The Dome: Pantheon</p>

The Dome: Pantheon

  • Temple to all gods, revolutionary dome.

  • Largest unreinforced concrete dome

  • Oculus (central opening) brings light and symbolizes heaven.

  • Combines Traditional Greek exterior with Roman engineering innovation.

  • Roman Concrete: allowed for durable, architectural freedom, large-scale structures. Concrete dome.

7
New cards

Pompeii and Its Characteristics

  • Ancient Roman city

  • Offers exceptional preservation of Roman daily life, art, and architecture

  • Grid street plan introduced

  • Provides insight into Roman urban design and domestic life

8
New cards
<p>Domestic Buildings (1): The Domus</p>

Domestic Buildings (1): The Domus

Type of house occupied by the higher classes

Two types:

  • Domus Italica - House of the Surgeon

    Traditional Roman townhouse with central atrium, compluvium (roof opening), and tablinum

  • Hellenized Domus -

  • House of the Vettii (Decorative, frescoes)

  • House of the Silver Wedding (symmetry)

  • House of the Faun (largest, famous mosaics and sculpture)

    Combines Italic plan with Greek features like peristyle courtyards and elaborate decoration

9
New cards
<p>Domestic Buildings (2): The Villa</p>

Domestic Buildings (2): The Villa

  • Roman country homes, often for elite or agriculture

  • Two types:

    • Villa urbana: near city, luxury retreat

    • Villa rustica: working estate with staff

Villa of the Mysteries

  • Known for the Dionysiac frieze (Second Style wall painting)

  • Combines domestic, spiritual, and ceremonial functions

10
New cards
<p>Domestic Buildings (3): The Insula</p>

Domestic Buildings (3): The Insula

  • Urban apartment blocks for middle/lower-class Romans

  • Often multi-story, with shops on ground level

  • Insula of Diana

    • Courtyard-centered, communal living

    • Offers contrast to elite domus and villas

11
New cards
<p>Mosaics and Sculpture in Homes</p>

Mosaics and Sculpture in Homes

House of the Faun

  • Dancing Faun: bronze statue in atrium, celebrates leisure and Greek influence

  • Alexander Mosaic: large floor mosaic, shows Battle of Issus; based on Hellenistic painting

    • realism, movement, dramatic narrative

Cave Canem Mosaic

  • "Beware of the dog" mosaic in House of the Tragic Poet

  • functional decoration

12
New cards
<p><strong>Roman Wall Painting: First Style </strong>– Incrustation Style</p>

Roman Wall Painting: First Style – Incrustation Style

  • Mimics colored marble panels using tecnique stucco relief: a decorative plaster technique that creates a three-dimensional effect on walls

  • Examples:

    • House of the Vettii, Pompeii

    • Villa of the Mysteries, faux-marble walls

13
New cards
<p><strong>Roman Wall Painting: Second Style </strong>– Architectural Style</p>

Roman Wall Painting: Second Style – Architectural Style

  • Uses illusionistic architecture, linear perspective to open space

    • Villa of P. Fannius Synistor, Boscoreale: painted columns, landscape views

    • Home of Julia Felix still life scenes

    • Villa of the Mysteries: Dionysiac frieze, life-size figures

14
New cards
<p><strong>Third Style </strong> – <em>Ornate Style</em></p>

Third Style Ornate Style

  • Flat, monochrome backgrounds with delicate decorative elements

  • Central miniature scenes framed like artworks

  • Villa of Agrippa Postumus delicate candelabra, mythological panels

15
New cards
<p><strong>Fourth Style </strong>– <em>Composite/Fantastic Style</em></p>

Fourth Style Composite/Fantastic Style

  • Combines elements of previous styles: illusionism + flatness + ornament

  • Often features mythological scenes, framed panels, and elaborate decoration

  • House of the Vettii

    highly ornate, full of fantasy architecture and framed paintings

16
New cards

Roman Forum and Its Characteristics

  • Center of Roman public life

  • Open plaza surrounded by temples, basilicas, arches, and government buildings

17
New cards
<p>Temples</p>

Temples

  • Temple of Vesta: Round plan, symbolic eternal flame

  • Temple of Antoninus and Faustina: Dedicated to a deified emperor and his wife; shows imperial cult integration

18
New cards
<p>Basilicas</p>

Basilicas

  • Large public buildings for law, business, and civic use

  • Basilica of Maxentius and Constantine: Monumental scale; concrete vaulting; transitional to Christian church design

19
New cards
<p>Sculpture</p>

Sculpture

Colossus of Constantine: Giant seated statu, symbolic of emperor’s power; located in basilica

20
New cards
<p>Trajan’s Forum and Its Characteristics</p>

Trajan’s Forum and Its Characteristics

  • Grandest imperial forum; symbol of Roman power and conquest

  • Included Basilica Ulpia, Trajan’s Column, libraries, and a market

  • Celebrated victory over Dacians

21
New cards
<p>Buildings </p>

Buildings

Theatres

  • Semicircular seating, orchestra, and raised stage building (eg. Theatre at Orange; Theatre at Mérida)

Amphitheatres

  • Oval arenas for gladiator games, hunts, and public spectacles (eg. Amphitheatre at Mérida; Colosseum)

Circuses

  • Long, rectangular arenas with central spine for chariot races. Massive spectator capacity.

  • eg. Circus Maximus; Circus at Mérida

Baths

  • Daily public social life, with hot (caldarium), warm (tepidarium), and cold (frigidarium) rooms

  • Included gyms, libraries, gardens

  • eg. Baths of Caracalla, Stabian baths at Pompeii

22
New cards
<p>Portrait Sculpture: Characteristics </p>

Portrait Sculpture: Characteristics

  • Emphasized individual identity, age, status, and political messaging

Key Examples:

  • Statue of a Roman Patrician: Draped toga, veristic realism, conveys wisdom and age

  • Veristic Male Portrait: Hyper-realistic; wrinkles, age, gravitas—Republican ideal of civic virtue

  • Augustus of Primaporta:

    • Idealized yet political; youthful, divine lineage (Cupid & dolphin)

    • Combines Classical Greek style with imperial propaganda