Japanese Sculpture Midterm II

Fig 156

Toji Lecture Hall Interior, c. 839

Fig 158

Fudo Myoo, wood with gold leaf, c. 839, Toji Lecture Hall

Fig 159

Kongōhō Bosatsu 371/4” One of the five Bosatsu (Bodhisattvas) c. 839, Toji Lecture Hall

Fig 160

Yakushi, JIngoji, c 763 (Early Heian), Single wood-block

Fig 162

Five-storied pagoda, Muroji, Late 8th-Early 9th century

Fig 165

Seated Shaka, Mirokudo, Muroji, Late 9th century, Cypress wood, 41 in

Fig 172

Hoodo (Phoenix Hall), Byodoin, Uji, Kyoto Prefecture, 1053

Fig 173

Interior of Hoodo (Phoenix Hall), Byodoin, Uji, Kyoto Prefecture, 1053

Figure 174

Amida Nyorai, Jocho, Hoodo (Phoenix Hall), Byodoin, c.1053, wood with lacquered cloth and gold leaf, 110’ in

Fig 175

Dancing Aspara, Jocho, Hoodo (Pheonix Hall), Byodoin, c.1053, wood

Fig 183

Amidado Images, Joryuji

Fig 184

Amida Nyorai, Main image of 9, Amidado, Joryuji, Late 11th-Early 12th century, cypress with gold leaf and lacquer, 224’ in

Fig 188

1001 Thousand-armed Kannon images 124 survived 1249 fire, rebuilt 1253, Sanjūsangendō 三十三間堂 (Hall of the 33 Bays), Kyoto

Fig 189

Heian-period Kannon by Shōen, 12th century, wood and gold leaf, 65”, Sanjūsangendō, Kyoto

Fig 190

Kamakura-period Kannon by Tankei, wood with gold leaf, 65”, Sanjūsangendō, Kyoto

Fig 195

Shinto Goddess as Empress Jingu, from Hachiman triad, Yakushiji, Nara, Late 9th century, Wood, painted

Fig 196

Hachiman as a monk, from Hachiman triad, Yakushiji, Nara, Late 9th century, Wood, painted

Fig 197

Princess Nakatsu from Hachiman triad, Yakushiji, Nara, Late 9th century, Wood, painted

Fig 202

Portrait of Minamoto Yoritomo, 13th century, wood with paint 35 1/3’ in, Tokyo National Museum

Fig 215

Chogen, Unknown artist(s) of Kei school, Shunjodo, Todaiji, Nara, early 13th century, Wood with pain, 82.2 cm

Fig 216

Pair of Nio, Nandaimon (Great South Gate), Wood with paint, 1203, Todaiji, (left) Agyo by Unkei ,836 cm (right) Ungyo by Kaikei, 842 cm

Fig 217

Miroku Butsu by Unkei, 1212, wood with paint and gold leaf and crystal inlaid eyes, 55 7/8’ in, Hokuendo, Kofukuji, Nara

Fig 220

Muchaku, by Unkei, 1212, Wood with paint and crystal inlaid eyes, 74 in, Hokuendo, Kofukuji, Nara

Fig 221

Senshin, by Unkei, 1212, Wood with paint and crystal inlaid eyes, 74 in, Hokuendo, Kofukuji, Nara

Fig 222

Hachiman by Kaikei, 1201, Wood with paint, 87 cm, Hachimanden, Todaiji, Nara

Fig 223

Yuima by Jokei, 1196, Wood with paint and inlaid eyes, 87.9 cm, East kondo, Kofukuji, Nara

Fig 224

Kuya by Kosho, early 13th century, Wood with paint and inlaid eyes, 46 ¼’ in, Rokuharamitsuji, Kyoto

Fig 225

(left) Tentoki, 78.2, (right) Ryotoki, 77.8 cm, by Koben, Wood with paint and inlaid eyes, 1215, Kofukuji, Nara

Fig 226

Senju Kannon by Tankei, 1254, Wood with gold leaf and metal details, 334 cm, Lead image at Sanjusangendo, Kyoto

Fig 227

(left) Fūjin (God of Wind) (right) Raijin (God of Thunder), 13th century, Wood with gold leaf and paint and inlaid eyes, Sanjusangendo

Fig 229

Myōe, Wood and paint with inlaid crystal eyes, c. 1225 at Kōzanji

Fig 232

Princess Zenmyō by Tankei, Wood and paint with inlaid crystal eyes, c. 1225 at Kōzanji