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Classical Period (1750-1825)
Musical Characteristics
The American and French Revolutions, and the Napoleonic Wars
Vienna
Patronage System v. Free-Lance System
Musical Characteristics: Universal, noble/pure, expressive within bounds (of "good” taste + in the eyes of intellectuals), natural, sings well
The American (George III) and French Revolutions (Shattered Power of French Monarchy): increased nationalism, Napoleonic Wars: Beethoven dedicated Symphony No. 3 to Napoleon but rededicated it to fallen heroes after Napoleon declared himself the emperor of France
Vienna: music center for Haydn, Mozart, and Beethoven
Patronage System v. Free-Lance System
Haydn: Symphony Number 56, in C Major
Classical
Symphony - Sonata Form (Exposition, Development, Recapitulation, [Coda])
![<p>Classical</p><p>Symphony - Sonata Form (Exposition, Development, Recapitulation, [Coda])</p>](https://knowt-user-attachments.s3.amazonaws.com/bf6f0f1d-f063-484c-8e11-edc51f1057c2.png)
Ludwig Van Beethoven
Early
Middle
Late
Early: In the style of Haydn and Mozart
Middle: “Heroic,” such as Symphony No. 3 “Eroica”
Late: "Spiritual,” (or introspective) such as Piano Sonata No. 31
Beethoven: Symphony Number 3, in Eb Major, Op. 55
Classical (w/ a mix of Romanticism), uses classical devices (ex. fugue) for non-classical ends
Symphony - Sonata Form
Hemiolas: when rhythms work at cross-purposes with the prevailing meter (triple-meter starts to sound as though it is in duple meter)
Fermata
Coda - functioned as a second development section
Beethoven embodied the heroic through following stormy, turbulent passages with triumphant, noble themes.
1st movement: sonata form
2nd movement: funeral march
3rd movement: minuet into a scherzo (joke)
4th movement: fugues (episodes + coda)
Romantic Period (1820-1900)
Definition
Musical Characteristics
The Artist and the Public (“Bohemian Existence”)
Definition: A certain, unexpressible something - unexplainable
Musical Characteristics:
Beethoven: Piano Sonata Number 31, in Ab Major, Op. 110
Classical (w/ a mix of Romanticism) explain why
Piano
Schubert: Gretchen am Spinnrade
Romantic
Art Song
R. Schumann: Waldesgesprach (“Forest Conversation”)
Romantic
C. Schumann: Fugitive Piece No. 1
Romantic
Piano
Chopin: Nocturne in F-sharp
Romantic
Piano
Berlioz: Symphonie Fantastique
Romantic
Symphony
Bellini: Norma, Act I, scene 4
Romantic
Opera
Wagner: Der Ring des Nibelung, Die Walküre
Romantic
Musical Drama