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Dutch tilt/canted angle
Represents his life as chaotic and unstable
Cool blue tones
Adds to realism and grittiness
Indie genre often has gritty/real representations
Shots of the brothers
Having fun, smiling, hugging etc
Signifies their close relationship
Challenges conventional representations of masculinity by showing men being emotionally close
Close ups of Tom Grennan
Represent him as being important and help to engage viewers
Locations
Urban, working class style locations eg block of flats, corner shops, create an image of people from a low income and adds realism
Facial expressions
Grennan’s anguished facial expressions represent him as angry and struggling emotionally (reflecting traditional ideas of masculinity)
Shot reverse shot of them watching swimming
Signifies that he dreams of sporting success
Training montage
Shows the brothers’ financial difficulties, and also shows the older brother being supportive and caring, as well as encouraging
Arguably shows toxic masculinity
Low angle shots - we look up to them. Boys need someone to look up
Context
2021 - COVID
People were struggling with mental health
Post-‘me too’, the video questions what it is to be a man
The director of the video said they wanted to tackle challenging issues such as masculinity rather than having a typical pop video
Violence between the brothers
Shows toxic masculinity
Shows turbulent relationship
Costume code
He wears pink, feminine. Challenging hegemonic views of masculinity
Canted angle, roll shot combined with low key lighting
Link to his mental anguish and instability
Red low key lightning
Polysemic
Violence, anger
Mental anguish
Economic contexts
Relatively low budget, from when Grennan was less popular
Avant Garde, experimental
Social and historic contexts - masculinity
Mainstream media representations play a role in reinforcing ideas about what it means to be a “real” man. In most media portrayals, male characters are rewarded for self-control and the control of others, aggression and violence, financial independence and physical desirability: “for boys, violence and dominance are aligned with norms of masculinity”
Little Bit of Love attempts to challenge this. It openly comments on mental health. He wears pink
Social contexts - Class and Age
Working classes are often connected to crime with the suggestion that they must turn to crime to make ends meet. Aggression and anti-social behaviour have also been linked to a demonised working class. Young people have also been associated with these aspects in deprived areas. On the flip side of this, youth is often stereotypically as a time of innocence
Tom Grennan turns to crime, reinforces this
However he has character development
The characters are stripped of their innocence and childhood
Dyer - Star identity
A ‘star’ is a construct, not a real person
Their identity is made from a variety of different marketing materials - adverts, music videos etc
Their image is carefully constructed to appeal to a target audience
Stars are constructed, artificial images even if they’re represented as “real people”
Grennan tries to present himself as a real, relatable person rather than a ‘star’ in order to capitalise on this. He does this by showing his mental anguish and struggles as well as being in front of a council estate
Gauntlett - identification
The construction of Grennan’s star persona makes him very relatable to his audience. In addition, we are often presented with a plurality of representations of masculinity, and audiences are encouraged to pick and mix from these
We are arguably positioned to identity with Grennan
Levi-Strauss
Consider how meaning is constructed through binary oppositions: the difference between the relationship between Grennan and his brother which is shown to be tender and caring, and the fact that he also exists in a violent world in which he is trapped
Van Zoonen
Men are represented differently to women
Gender representations have changed over time, Little Bit of Love reflects this