PerLecture 8 (AIver) - Colour Perception Lecture Notes

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Practice flashcards covering the physical, biological, and psychological aspects of colour perception based on the lecture transcript.

Last updated 9:53 PM on 8/24/26
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30 Terms

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Isaac Newton's Perception of Colour

The idea that rays of light are not themselves coloured, but possess a 'certain Power and Disposition to stir up a Sensation' of colour in the beholder.

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3D Colour Perception Dimensions

The three dimensions that define perceptual colour space: Hue, Lightness, and Saturation.

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Visible Spectrum Range

The range of electromagnetic radiation visible to humans, typically spanning from approximately 300nm300\,\text{nm} or 400nm400\, \text{nm} to 700nm700\, \text{nm}.

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Spectral Colours

Colours that consist of just one specific wavelength of light.

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Additive Mixture

The process of mixing light (such as in TV or computer monitors), where adding primary colours like Red, Green, and Blue results in brighter colours or white light.

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Subtractive Mixture

The process of mixing pigments, paints, or inks where wavelength components are reduced due to absorption, leading to darker results (e.g., CMYK).

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Rod Photoreceptors

Receptors in the retina responsible for vision in low light; they do not perceive colour, explaining the phrase 'All cats are grey at night.'

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Cone Photoreceptors

Three types of receptors (S, M, and L) responsible for colour vision under daylight conditions.

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S-cone

The short-wavelength cone, often associated with the perception of blue.

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M-cone

The medium-wavelength cone, often associated with the perception of green.

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L-cone

The long-wavelength cone, often associated with the perception of red.

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Blind Spot

The region in the retina where the optic nerve exits and there are no photoreceptors (rods or cones).

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Fovea

The central point of the retina containing a high density of cones but no rods and no S-cones at the very center.

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Cone-Opponency

The second stage of colour processing involving comparisons between cone signals, creating dimensions such as LML-M (red-green) and (L+M)S(L+M)-S (blue-yellow).

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Trichromacy

The condition of having three types of cone photoreceptors, which allows for a three-dimensional colour space.

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Lateral Geniculate Nucleus (LGN)

The subcortical part of the thalamus that processes colour information before relaying it to the primary visual cortex (V1).

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Ventral Stream

Known as the 'what pathway' (including V2 and the V4 complex), this cortical pathway is primarily responsible for processing colour to identify objects.

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Dorsal Stream

Known as the 'where pathway,' this cortical pathway generally does not process colour information.

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Protanopia

A type of dichromacy resulting from the complete absence of L-cones.

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Deuteranopia

A type of dichromacy resulting from the complete absence of M-cones.

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Tritanopia

A type of dichromacy resulting from the complete absence of S-cones.

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Daltonism

A common term for red-green colour blindness, caused by the absence of L-cones or M-cones; it is inherited via the X chromosome.

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Ishihara-Plates

A standard vision test used for the diagnosis of colour deficiencies, where observers identify numbers within patterns of coloured dots.

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Achromatopsia

Complete colour blindness, which can be retinal (due to a lack of cones, such as rod monochromatism) or cerebral (due to cortical lesions).

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Colour Constancy

The ability of the visual system to perceive the stable colour of an object or surface despite variations in the physical properties of the illumination.

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Adaptation

A mechanism of colour constancy where the visual system adjusts its sensitivity to specific colours over time, leading to phenomena like afterimages.

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Local Contrast

A mechanism of colour constancy where the perception of a colour is determined relative to the colours immediately surrounding it in a scene.

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Brightness Anchoring

A mechanism of colour constancy where the brightest part of a perceived scene is interpreted as 'white.'

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Scene Interpretation

A high-level mechanism of colour constancy that accounts for shadows and transparency to determine the true lightness of a surface.

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Dominant Hue

The representative colour of an object (e.g., 'a banana is yellow') derived from a polychromatic colour distribution.