1/57
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
|---|
No study sessions yet.
transduction
sensory messages/signals are transformed into neural impulses
sensory adaptation
decreasing responsiveness to stimuli due to constant stimulation (example: probably felt your socks when you put them on this morning, but stopped feeling them after a while)
sensory habituation
our perception of sensations is partially due to how focused we are on them
cocktail-party phenomenon
the ability to focus one’s attention on a single talker among a mixture of conversations and background noises
sensation
activation of our senses
perception
process of understanding and organizing these sensations; can be affected by your culture
cornea
a protective covering where light first enters the eye; helps focus the light
pupil
lets more or less light in
iris
the muscle that controls the pupil to either dilate or become smaller
lens
focuses the light that entered the pupil; curved and flexible
retina
the screen on the back of your eye; where all the receptors are; includes the cones and rods
cones
part of the retina that is responsible for color; concentrated towards the center of the retina
rods
part of the retina that is responsible for vision in low-light; respond to black and white; outnumber cones by 20:1; distributed throughout the retina; peripheral vision relies on rods
fovea
an indentation at the very center of the retina that contains the highest concentration of cones
blind spot
where the retina has no rods or cones
trichromatic theory
3 cones in a retina that detect blue, red, and green (primary colors of light)
opponent-process theory
the sensory receptors arranged in the retina come in pairs: red/green, yellow/blue, black/white
amplitude
the height of the wave and determines the loudness of the sound
frequency
the length of the wave and determines the pitch of the sound
high pitch —> high frequency (waves are densely packed)
low pitch —> low frequency (waves are spaced apart)
pinna
outer ear
ear canal
auditory canal; where the sound waves first travel down
eardrum
tympanic membrane; a thin membrane that vibrates as the sound waves hit it
ossicles
series of three small bones in the midear
hammer
malleus
anvil
incus
stirrup
stapes
oval window
where the vibration of the eardrum is transmitted to
cochlea
a structure shaped like a snail’s shell filled with fluid; when the oval window vibrates, the fluid moves; has vestibular sacs that helps with balance
basilar membrane
the floor of the cochlea
organ of Corti
neurons activated by the movement of hair cells; when the fluid of the cochlea moves, the hair cells move, and transduction occurs, firing the organ of Corti
place theory
hair cells in the cochlea respond to different frequencies of sound based on where they are located in the cochlea
frequency theory
we sense pitch because the hair cells fire at different rates (frequencies) in the cochlea
conduction deafness
when something goes wrong with the system of conducting the sound to the cochlea; hearing aids can help
nerve / sensorineural deafness
when the hair cells are damaged, usually by loud noise; hair cells do not regenerate, making it harder to treat
gate-control theory
explains that some pain messages have a higher priority than others; a “gate” swings open for high priority messages and shuts for low priority messages (won’t feel the pain)
papillae
where taste buds are located on; the bumps you see on your tongue
olfactory bulb
gathers the messages from the olfactory receptor cells and sends information to the brain
sense of smell
goes directly to the amygdala and hippocampus; may explain why smell is such a powerful trigger for memories
vestibular sense
tells us about how our body is orientated in space
kinesthetic sense
gives us feedback about the position and orientation of specific body parts
absolute threshold
the minimum amount of stimulus needed to detect something
difference threshold
aka just-noticeable difference; the minimum amount of change needed in a stimulus before we detect a change
Weber’s law
principle that two stimuli must differ by a constant minimum percentage (abt 2%; difference threshold)
signal detection theory
predicts how and when we detect the presence of a faint stimulus amid background stimulation
top-down processing
using prior experiences for perception; example (using background knowledge to perceive the random shapes of clouds as organized shapes)
perceptual set
a predisposition to perceiving something in a certain way
bottom-up processing
only use the features of the object to build a complete perception
figure-ground
organization of the visual field into objects that stand out from the surroundings
size and shape constancy
we know that the size and shape of an object does not change even when our retinas produce different images
stroboscopic effect
an effect used in movies or flip books where images in a series of still pictures are presented at a certain speed to appear to be moving
phi phenomenon
a series of lights turned on and off at a particular rate will appear to be one moving light
visual cliff experiment
used to detect depth perception
monocular cues
depth cues that do not depend on having two eyes
binocular cues
need two eyes to pick cues up
binocular (retinal) disparity
two retinas are taking in two different things
convergence
when an object gets closer to our face, our eyes come together to keep focus on the object
semi-circular canal
fluid that helps with balance
synesthesia
when two or more sensations compete/collide (ex: Science - Yellow)