Revenge Tragedy Semester 1 Vocab

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22 Terms

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revenge tragedy

A dramatic genre in which the protagonist seeks vengeance for a perceived wrong, often resulting in moral ambiguity and excessive violence

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Senecan tragedy

A roman dramatic tradition emphasizing rhetoric, ghosts, long speeches, and excessive violence. Senecan tragedy heavily influenced Elizabethan revenge drama.

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catharsis

the process of releasing or purging strong or repressed emotions

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anagnorisis

a moment of critical discovery by the protagonist, leading to reversal or recognition of fate

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peripeteia

a sudden reversal of fortune or change in circumstances, especially in tragedy

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soliloquy

a speech by a character alone on stage, revealing inner thoughts and motivations

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monologue

a lengthy speech by one character in a play, directed to other characters

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aside

a remark or passage in a play that is intended to be heard by the audience but unheard by one or more of the characters in the play

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machination

a plot or scheme, especially one meant to bring about a downfall

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momento mori

a symbolic reminder of the inevitability of death

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macabre

disturbing and horrifying because of involvement with or depiction of death or injury

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miasma

a foul “pollution”

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ghost

a special figure returning to incite revenge; central o plays like Hamlet, The Spanish Tragedy, and Thyestes

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madness

a common motif in revenge drama—questions of sanity and insanity often coincide with themes of metatheatre and performance

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dramatic irony

when the audience knows more than the characters, creating tension and foreshadowing

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usurpation

the unlawful seizure of power, often motivating revenge tragedy

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metatheatre

theatre that reflects on its own nature; eg, plays within plays or self-awareness

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stoicism

a Roman philosophy emphasizing rational control over emotion; contrasted with passion

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justice

a central theme in revenge tragedy, depicted as divine, legal, or personal

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fatalism

the belief that events are fixed and humans are powerless to change them

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mimesis

representation or limitation of the real world in art or literature

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hamartia

inherent defect or shortcoming in the hero of a tragedy, who is in other respects morally superior; Aristotelian: “error in judgement”