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revenge tragedy
A dramatic genre in which the protagonist seeks vengeance for a perceived wrong, often resulting in moral ambiguity and excessive violence
Senecan tragedy
A roman dramatic tradition emphasizing rhetoric, ghosts, long speeches, and excessive violence. Senecan tragedy heavily influenced Elizabethan revenge drama.
catharsis
the process of releasing or purging strong or repressed emotions
anagnorisis
a moment of critical discovery by the protagonist, leading to reversal or recognition of fate
peripeteia
a sudden reversal of fortune or change in circumstances, especially in tragedy
soliloquy
a speech by a character alone on stage, revealing inner thoughts and motivations
monologue
a lengthy speech by one character in a play, directed to other characters
aside
a remark or passage in a play that is intended to be heard by the audience but unheard by one or more of the characters in the play
machination
a plot or scheme, especially one meant to bring about a downfall
momento mori
a symbolic reminder of the inevitability of death
macabre
disturbing and horrifying because of involvement with or depiction of death or injury
miasma
a foul “pollution”
ghost
a special figure returning to incite revenge; central o plays like Hamlet, The Spanish Tragedy, and Thyestes
madness
a common motif in revenge drama—questions of sanity and insanity often coincide with themes of metatheatre and performance
dramatic irony
when the audience knows more than the characters, creating tension and foreshadowing
usurpation
the unlawful seizure of power, often motivating revenge tragedy
metatheatre
theatre that reflects on its own nature; eg, plays within plays or self-awareness
stoicism
a Roman philosophy emphasizing rational control over emotion; contrasted with passion
justice
a central theme in revenge tragedy, depicted as divine, legal, or personal
fatalism
the belief that events are fixed and humans are powerless to change them
mimesis
representation or limitation of the real world in art or literature
hamartia
inherent defect or shortcoming in the hero of a tragedy, who is in other respects morally superior; Aristotelian: “error in judgement”