Art History Ancient Greece: Archaic Period

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Last updated 7:57 PM on 9/21/26
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6 Terms

1
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<p>Terms </p>

Terms

Archaic: phase of ancient Greek art development from 650-480 BCE, bridging the Geometric and Classical Periods

Stylized: intentional departure from realism to exaggerated real life forms

Naturalized: the process of making a subject look lifelike and convincing

Egyptianizing Stance: specific pose in archaic greek sculptures

Kouros: type of sculpture of a young nude male

Archaic smile: expression in archaic art to bring a lifelike quality rather than a state of joy

Kore: type of statue showing a young clothed female figure

Peplos: a body-length woolen garment worn by women in ancient Greece

Pediment: triangles at the top of temples which show art

2
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<p>New York Kouros </p>

New York Kouros

Style: Inspired by Egyptian Ka sculptures

Purpose: Highlight heroism (heroic nude) of a man

  • Greek sculptures have more human form and more life to them since they focus on living → rather than Egyptians who focused on death + afterlife

  • Greek ideal → idea of the importance of striving for beauty and perfection

  • Archaic smile

  • New York vs. Anavysos Kouros: represent the evolution of Archaic Greek sculpture over a span of 50 years from geometric to organic naturalism


<p><u>Style:</u> Inspired by Egyptian Ka sculptures </p><p><u>Purpose:</u> Highlight heroism (heroic nude) of a man </p><ul><li><p>Greek sculptures have more human form and more life to them since they focus on living → rather than Egyptians who focused on death + afterlife </p></li><li><p>Greek ideal → idea of the importance of striving for beauty and perfection </p></li><li><p>Archaic smile</p></li><li><p>New York vs. Anavysos Kouros: represent the evolution of Archaic Greek sculpture over a span of 50 years from geometric to organic naturalism </p></li></ul><p></p>
3
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<p>Peplos Kore</p>

Peplos Kore

  • Freestanding vertical cylindrical column-like sculpture, more naturalistic in the face and softer in bodily rendering than earlier Archaic works

  • Archaic smile

  • Shows crease to imply legs


<ul><li><p>Freestanding vertical cylindrical column-like sculpture, more naturalistic in the face and softer in bodily rendering than earlier Archaic works</p></li><li><p>Archaic smile</p></li><li><p>Shows crease to imply legs </p></li></ul><p></p>
4
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<p>Exekias, Achilles, and Ajax Dice game </p>

Exekias, Achilles, and Ajax Dice game

  • Trojan War heroes Achilles and Ajax sit on low stools facing each other, hunched over a block serving as a gaming table

  • Speech bubbles emerge from their mouths with inscriptions recording the score—Achilles calls out "four" and Ajax calls out "three" showing Achilles is winning

  • Both men wear partial armor and hold their spears, while their shields and helmets rest nearby, showing they are pausing between battles

  • Achilles wears hat to show status

  • Shows tension in Ajax’s face as he loses


<ul><li><p><span>Trojan War heroes Achilles and Ajax sit on low stools facing each other, hunched over a block serving as a gaming table</span></p></li><li><p><span>Speech bubbles emerge from their mouths with inscriptions recording the score—Achilles calls out "four" and Ajax calls out "three" showing Achilles is winning </span></p></li><li><p><span>Both men wear partial armor and hold their spears, while their shields and helmets rest nearby, showing they are pausing between battles</span></p></li><li><p><span>Achilles wears hat to show status </span></p></li><li><p><span>Shows tension in Ajax’s face as he loses </span></p></li></ul><p></p>
5
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<p>Dying Warrior - West Pediment of the Temple of Aphaia </p>

Dying Warrior - West Pediment of the Temple of Aphaia

  • Pose: Rigid, highly stylized, and unnatural. He faces outward toward the viewer rather than acknowledging his own pain or the ground.

  • Facial Expression: Features the signature Archaic smile, which looks detached or mismatched for a man dying in battle.

  • Anatomy: Stylized, geometric musculature and patterned, beaded "Egyptian-style" hair, typical of the Archaic period rather than true organic decay or real human suffering.


<ul><li><p><span><strong>Pose:</strong> Rigid, highly stylized, and unnatural. He faces outward toward the viewer rather than acknowledging his own pain or the ground.</span></p></li><li><p><span><strong>Facial Expression:</strong> Features the signature <strong>Archaic smile</strong>, which looks detached or mismatched for a man dying in battle.</span></p></li><li><p><span><strong>Anatomy:</strong> Stylized, geometric musculature and patterned, beaded "Egyptian-style" hair, typical of the Archaic period rather than true organic decay or real human suffering.</span> </p></li></ul><p></p>
6
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<p>Dying Warrior - East Pediment of the Temple of Aphaia </p>

Dying Warrior - East Pediment of the Temple of Aphaia

  • Subject: a fallen hero from the first Trojan War led by Heracles

  • Style: It marks the transition from the rigid Archaic style to the naturalism of the Early Classical period

  • Is in better condition/more detailed because the East pediment was always decorated last

  • Unlike the western counterpart that features an "archaic smile," the eastern warrior displays human suffering, strain, and concentrated anguish as he tries to support his collapsing body with his shield

  • Shows real agony

  • Features advanced anatomy and a dynamic twisting pose


<ul><li><p><u>Subject:</u> a fallen hero from the first Trojan War led by Heracles</p></li></ul><ul><li><p><u>Style:</u> It marks the transition from the rigid Archaic style to the naturalism of the Early Classical period</p></li><li><p>Is in better condition/more detailed because the East pediment was always decorated last</p></li><li><p>Unlike the western counterpart that features an "archaic smile," the eastern warrior displays human suffering, strain, and concentrated anguish as he tries to support his collapsing body with his shield</p></li><li><p>Shows real agony</p></li><li><p>Features advanced anatomy and a dynamic twisting pose</p></li></ul><p></p>