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AVC-I codec
Form of H264 used for HD Broadcast (AS-11)
Aspect Ratio
The proportional relationship between the width and height of an image or screen, commonly expressed as 16:9.
Video Resolution
The number of pixels arranged by width and height on a screen or image, measuring the image's pixel count.
Digital Cameras
Cameras that capture and store photographs and videos in digital format, offering various features like frame size, compression levels, and chroma subsampling.
Arri Alexa
A renowned camera brand with a history dating back over 100 years, known for setting industry standards and widely used in modern filmmaking.
RED
A camera manufacturer that gained popularity in the 2000s, particularly known for its DSMC and DSMC2 systems used in commercial and indie filmmaking.
Panavision
A company specializing in creating anamorphic lenses and motion picture equipment, including cameras and lenses, with notable partnerships and camera models.
Common Codecs
Compression-decompression algorithms used to encode and decode audio and video data, with examples like MPEG2, AVC-Intra, and H.264.
Image Sequences
A series of images displayed in succession, with formats like EXR offering lossless high bit depth storage and dynamic range capabilities.
ProRes
An Apple codec, with ProRes 4444 XQ being the highest-quality version for 4:4:4:4 image sources, including alpha channels.
Apple ProRes 4444 XQ
Preserves dynamic ranges several times greater than Rec. 709 imagery
Apple ProRes 4444
High-quality codec for 4:4:4:4 image sources with alpha channels
Apple ProRes 422 HQ
Higher-data-rate version of Apple ProRes 422 for 4:2:2 image sources
Avid DNxHD
Avid's codec for organizing original source footage into a single format
Avid DNxHR
Handles frame sizes up to 8K, in contrast to DNxHD's HD limit
Avid DNxHR LB
Low Bandwidth (8-bit 4:2:2) Offline Quality variant of DNxHR
Avid DNxHR HQX
High Quality (12-bit 4:2:2) UHD/4K Broadcast-quality variant of DNxHR
MXF
Common wrapper format for media files
H265 (HEVC) codec
Used for UHD deliverables
JPEG2000 codec
Used for DCP & IMF (Interoperable Mastering Format)
AS-11
Delivery specification for material acquisition, post-production, and delivery
AS-11 QC checks
Quality control checks for AS-11 compliance including GOP structure, audio-video duration match, and more
dBFS
'Full Scale' audio signal level with 0 dBFS being the highest achievable
-10dBFS
Popular max sound level in digital audio WAV files
-24LKFS
Loudness level measurement accounting for human perception of sound