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rhythm, stress/ intonation in speech
prosodics
body movements and gestures regarded as a form of non-verbal communication.
kinesics
how space and distance is used
proxemics
fillers, unintentional repetition, voiced/timed pauses, false starts + reformulation, repairs, hesitations
non fluency features
a dramatically sudden action or turn of events
coup de theatre
excessive pride or self confidence
hubris
a fatal mistake that a character makes that brings about their downfall
hamartia
a sudden reversal of fortune or change in circumstances
peripeteia
the point in which a principal character recognizes or discovers another character's true identity or the true nature of their own circumstances
anagnorisis
an event causing great and usually sudden damage or suffering; a disaster
catastrophe
he process of releasing, and thereby providing relief from, strong or repressed emotions
catharsis
the final part of a play, film, or narrative in which the strands of the plot are drawn together and matters are explained or resolved
denouement
new state of balance or stability that emerges after a change or disruption in a system
new equilibrium
should occur within 24 hours to focus on a cohesive and complete, maintain a sense of immediacy and realism, and to avoid unnecessary delays in the narrative
unity of time
This principle emphasises a single, main plot with minimal subplots or extraneous events. The focus is on a cohesive and complete narrative, where every element contributes to the central story
unity of action
the play should take place in a single location or a limited number of locations. creates a sense of spatial consistancy, allows thee audience to focus on narrative without being distracted by a change of scene
unity of place