HOA102-Final Exame

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1
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Which of the following images have not been found in Paleolithic caves?

a. human faces

b. animals

c. human hands

d. abstract patterns

a. human faces

2
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Sculptural works from the Paleolithic era consist of all of the following EXCEPT:

a. life-size sculptures of humans

b. figurines

c. beads

d. decorative utilitarian objects

a. life-size sculptures of humans

3
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Which of the following is LEAST characteristic of the Stone-age, dating back about 32,000 years across Europe and Russia

a. creation of places of worship

b. cave paintings

c. domestication of plants and animals

d. preservation of skulls of the dead

b. cave paintings

4
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Fill in the blank. There were cave paintings developed in which depicted animals mammoths, bison, hyenas, and horses be found in ____.

a. Lascaux

b. Jericho

c. Persia

d. Israel

a. Lascaux

5
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Fill in the blank. These were applied by ____sometimes by hand inside the caves.

a. Ash or moss

b. Bones

c. Sticks, feathers, or moss

d. Sticks, ocher

c. Sticks, feathers, or moss

6
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What was a small limestone statue of a woman, found in Austria and dating between 32,000 and 27,000 years old, once called?

a. Mother Goddess

b. Venus

c. Eve

d. Shamans

b. Venus

7
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Which of the following contributed to the representation that Sumerian society was a society with a well-developed sense of the power of visual imagery?

a. Sumer's surplus of storable food allowed the population to settle in one place

b. Remnants of ceramic shards, a few frayed marble statues

c. Sumer was the site of early development of writing called cuneiform

d. All of these answers

b. Remnants of ceramic shards, a few frayed marble statues

8
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Which of the following was created in the most schematic and crude style?

a. Bison, Lascaux Cave in France

b. Woman from Willendorf, Austria

c. Humanoid - 17000 DC - Lascaux Cave, France

d. Weighing of the Heart against the Feather of Truth, Book of the Dead - C. 1250 BCE

c. Humanoid - 17000 DC - Lascaux Cave, France

9
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Fill in the blank. The prevalent religion of ancient Egypt is best described as ____.

a. Polytheistic

b. Monotheistic

c. Atheistic

d. Dynastic

a. Polytheistic

10
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Which of the following best identifies the overall theme of most content of Egyptian art?

a. Almost unchanged

b. War

c. Peace

d. The ephemeral

a. Almost unchanged

11
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Which of the following statements about ancient Egyptian art during the Early Dynastic Period is true?

a. Imagery was highly realistic.

b. The color black was used to represent death.

c. Colors were expressive and symbolic rather than natural.

d. The color yellow was used to represent royalty.

c. Colors were expressive and symbolic rather than natural.

12
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Painting and sculpture of the Early Dynastic Period of Ancient Egypt tended to:

a. be highly stylized and symbolic.

b. be crude and rudimentary.

c. consist primarily of pottery glazing.

d. be highly realistic.

a. be highly stylized and symbolic.

13
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Which answer best describes the block statue seen during the Middle Kingdom of ancient Egypt?

a. block-like figures represented in action

b. animal figures depicted in angular forms

c. portrait sculptures with exaggerated features

d. male figures squatting with their knees drawn up to their chests

d. male figures squatting with their knees drawn up to their chests

14
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Which of the following is NOT true of the Ancient Egyptian Book of the Dead?

a. The Book of the Dead consisted of magic spells

b. There was a single Book of the Dead

c. The Book of the Dead was written in cursive hieroglyphs, with lavish illustrations between the text

d. The Book of the Dead saw the afterlife as being part of the underworld

b. There was a single Book of the Dead

15
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Which of the following is NOT true of Egyptian art of The New Kingdom period?

a. Paintings were done in true fresco style: i.e., applied directly to wet plaster

b. Paintings were created so as to show a profile view and a side view of the animal or person

c. The main colors were red, blue, black, gold, and green

d. Paintings were done with the intent of making a pleasant afterlife for the deceased

a. Paintings were done in true fresco style: i.e., applied directly to wet plaster

16
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What are the characteristics of ancient Egyptian art?

a. The sizes of the figures denote status: The greater its importance nakedness also indicated inferiority.

b. The figures stand on a common ground but there is no attempt to represent the space

c. Egyptian art was almost entirely symbolic, intended to convey precise meanings

d. All of these answers

d. All of these answers

17
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What is the name of the best-known work in Minoan Crete?

a. Minoan vase painting

b. Bull-leaping fresco c. 1500 BCE, Athens

c. both of these answers

d. neither of these answers

Bull-leaping fresco c. 1500 BCE, Athens

18
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Minoan wall paintings utilized what technique?

a. fresco

b. panel painting

c. mosaic

d. none of these answers

a. fresco

19
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What was the purpose of Mycenaean death masks?

a. to hide the face of death

b. to record the main features of the dead

c. to be worn by dancers at burial ceremonies

d. to assist the dead in reaching the afterlife

b. to record the main features of the dead

20
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What was emphasized about the extent from the heavily fortified remains at Mycenae ?

a. This was a society run by a warlike warrior class.

b. Their world is not only rich in material things.

c. They have sophisticated technical capabilities.

d. All of these answers

d. All of these answers

21
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What were the characteristics of the visual arts in Greece from 800 BCE to 500B CE?

a. the idealized naturalism

b. the adoption of the male nude as its chief subject.

c. both of these answers

d. neither of these answers

c. both of these answers

22
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Fill in the blank.

Fifth-century BCE Athens saw an astonishing burst of ____, establishing an artistic canon that would not only dominate the Roman world but, when rediscovered by renaissance Europe.

a. artistic creation

b. cultural movements

c. new religion

d. aesthetic trend

a. artistic creation

23
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What groups of sculptures did the Parthenon have?

a. At either end of the building were large-scale free-standing groups Greek sculptures containing numerous figures.

b. Below these as well as along both sides were nearly 100 individual reliefs.

c. Behind the outer colonnade and running around the entire building was a relief, 525 ft 1160 ml long, depicting the Great Panathenaic, a religious festival in honor of Athena.

d. All of these answers

d. All of these answers

24
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What are the characteristics of the classical Greek painting

a. Perspective, foreshortening, and the naturalistic representation of figures.

b. Greek painting suggests high levels of technical achievement.

c. both of these answers

d. neither of these answers

d. neither of these answers

25
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During the Geometric period in Greek art, geometric shapes of human, animal, and abstract figures could be seen in which of the following?

a. ceramic vessels

b. monumental sized kraters and amphoras

c. small scale sculptures

d. all of these answers

d. all of these answers

26
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Which of the following is evidence of Egyptian and Near Eastern influence on Greek art during the Orientalizing Period?

a. Sculptures portrayed rigid, plank-like bodies with a reliance on pattern to depict texture.

b. Human figures were depicted extensively on vases.

c. Small-scale pyramids were built in honor of the deceased.

d. Funerary scrolls became common-place items in tombs and burial sites.

a. Sculptures portrayed rigid, plank-like bodies with a reliance on pattern to depict texture.

27
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What was one key difference between Greek kouros and korai statues?

a. Kouros depicted the warrior elite, whereas korai represented commoners and farmers.

b. Male kouros were typically nude, whereas female korai were clothed in elaborate drapery.

c. Kouros were highly idealized, whereas korai were more realistic.

d. Male kouroi were depicted with the "archaic smile," whereas female korai were somber.

b. Male kouros were typically nude, whereas female korai were clothed in elaborate drapery.

28
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During Greece's archaic period, vase painting became possible with the advent of which characteristics of figure painting?

a. decoration contains complex and that have a real sense of space and depth.

b. decoration contains complex but that have not a real sense of space and depth.

c. the decor is simple and has a real sense of space and depth.

d. none of these answers

a. decoration contains complex and that have a real sense of space and depth.

29
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Which Greek best - known sculpture of the Hellenistic art showed naturalism, a sense of movement and drama?

a. the Artemision Bronze

b. the Riace Warriors

c. Laocoon Hagesandros, Polydorus, and Athenodorus

d. Kritios Boy

c. Laocoon Hagesandros, Polydorus, and Athenodorus

30
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Which revered Greek sculptor is known for his chryselephantine statue of Zeus at Olympia?

a. Phidias

b. Myron

c. Polykleitos

d. Kallikrates

a. Phidias

31
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How did Hellenistic sculpture differ from Classical sculpture in ancient Greece?

a. Hellenistic sculpture is much more somber than Classical.

b. Hellenistic sculpture depicts themes of religious piety.

c. Hellenistic sculpture embraced drama, pathos, theatricality, and a new level of naturalism.

d. Hellenistic sculpture was limited to houses of religious worship.

c. Hellenistic sculpture embraced drama, pathos, theatricality, and a new level of naturalism.

32
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Where and when did Etruscan civilization flourish?

a. in central Italy during the first millennium BCE

b. in southern Italy during the first millennium BCE

c. in Greece during the second millennium BCE

d. in Greece during the first millennium BCE

a. in central Italy during the first millennium BCE

33
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Which of the following statements best describes Rome's relationship with Greek art?

a. Rome actively sought to differentiate itself from Greek art, barely using any Greek elements at all.

b. Roman art sought to faithfully imitate Greek art.

c. Roman art borrowed certain details from Greek art, but adapted those details to their own needs.

d. Roman art only borrowed from Greek sculpture.

c. Roman art borrowed certain details from Greek art, but adapted those details to their own needs.

34
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Which of the following were the most highly prized values of the leaders of Republican Rome, as depicted in its portraiture?

a. Authority and experience

b. Youth and athleticism

c. Bravery and military might

d. Wealth

a. Authority and experience

35
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Which of the following statements regarding verism in Roman portrait sculpture is FALSE?

a. The portrait sculpture hyper-realistic portrayal of a subject's facial characteristics.

b. While the subject body would be idealized, the face would often reveal wrinkles and warts.

c. The style of portrait sculpture originated from Egyptian and Near Eastern influences.

d. The portrait sculpture diminished during the Late Republic.

c. The style of portrait sculpture originated from Egyptian and Near Eastern influences.

36
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Fill in the blank.

The Arch of Constantine in Rome: The early reliefs are all carved in the fully naturalistic tradition inherited from____.

a. Minoan civilization

b. Egypt

c. Greece.

d. Neither of these answers

c. Greece.

37
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The Arch of Trajan is an artistic feat that depicts __________.

a. Trajan's dedication to public works.

b. imperial piety and divinity.

c. Trajan's military conquest over the Dacians.

d. an era of peace and prosperity.

c. Trajan's military conquest over the Dacians.

38
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What is Constantine most noted for?

a. the legalization of Christianity

b. the establishment of the tetrarchy

c. the war and instability of his regime

d. the building of the Caracalla's bath complex

a. the legalization of Christianity

39
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Fill in the blank.

The most important subject of Byzantine art was...........

a. Christianity

b. Buddhism

c. Confucianism

d. Taoism

a. Christianity

40
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Unlike earlier Christian art, Byzantine representations of religious figures

a. depicted icons in their human form.

b. relied on allegory and symbolism.

c. none of these answers

d. portrayed gods as animals

a. depicted icons in their human form.

41
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How did the Byzantines use mosaics to convey a sense spirituality in their

a. They placed gold backing behind the clear glass tesserae so the mosaics would emit light.

b. Stone and glass of the mosaics reflected light in a way paint could not.

c. They used mosaics not only on floors, but on walls in place of painted scenes.

d. all of these answers

d. all of these answers

42
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What is Emperor Justinian noted for?

a. all of these answers

b. the codification of Byzantine laws

c. the rebuilding of the Hagia Sophia

d. the construction of numerous glorious churches

a. all of these answers

43
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Which of the following descriptions applies to both The Hagia Sophia in Constantinople ?

a. It has emotional tension, and the figures are no longer static.

b. It has mosaics and vast, shadowy recesses evoke an astonishing sense of the grandeur and mystery at the heart of imperial Byzantium.

c. It eliminates a tendency to move away from spirituality.

d. It represents Russia's iconic painting at its best.

b. It has mosaics and vast, shadowy recesses evoke an astonishing sense of the grandeur and mystery at the heart of imperial Byzantium.

44
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Which of the following is NOT true of Late Byzantine art?

a. A renewed interest in landscape and setting can be seen in mosaics, frescoes, and psalters

b. The settings are quite complex, and never pastoral

c. Mosaics of single scenes and figures are replaced by frescoed narrative cycles and biblical stories

d. Architecture begins to be depicted more often, which renews the use of perspective

b. The settings are quite complex, and never pastoral

45
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Which of the following best describes how far-reaching influence

of Byzantine art ?

a. -They would exercise a profound influence on the spreading world of "orthodox" Christianity

b. The "icons" of Byzantine art were increasingly valued as aids to contemplation.

c. both of these answers

d. neither of these answers

c. both of these answers

46
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Fill in the blank.

Belt buckle from Sutton Hoo early 7th century, gold, London: British Museum. Inlaid with garnets and colored glass, the piece shows clear affinities with the intricately intertwined patterns of ____ jewellery and illuminated manuscripts.

a. Celtic

b. Saxon

c. Viking

d. Byzantine

a. Celtic

47
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Fill in the blank.

In the 6th century, Pope Gregory I had affirmed the didactic purpose of religious imagery" ____ . Under Charlemagne, narrative images of this kind became a fixed part of the Western tradition.

a. "What philosophy is to the educated, images are to the ignorant".

b. "What images are to the educated, are scripture to the ignorant".

c. "What scripture is to the educated, images are to the ignorant".

d. "What scripture is to the educated, philosophy is to the ignorant".

c. "What scripture is to the educated, images are to the ignorant".

48
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What are the characteristics of the early Gothic cathedrals?

a. Their roofs are round arches.

b. The roof is low and pointed.

c. Their soaring verticals reach out to the domes.

d. Their soaring verticals reach up to pointed arches.

d. Their soaring verticals reach up to pointed arches.

49
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The floor-to-ceiling stained-glass windows is a feature of which architectural style?

a. Gothic architecture

b. Byzantine architecture

c. Romanesque architecture

d. Roman architecture

a. Gothic architecture

50
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Romanesque depictions of the human form tend to do which of the following?

a. All of the answers

b. Be elongated

c. Focus on linear details, especially in describing hair and drapery folds

d. Seem removed from any contextual setting, rather seeming to float in space

a. All of the answers

51
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The sculptures in the main facade of Central Portal on the West facade of the Cathedral of St. Lazare, Autun serve what purpose?

a. to teach the masses of Christian ethics

b. purely decorative

c. to display the wealth of the church

d. to act as symbolic protection of the congregation

a. to teach the masses of Christian ethics

52
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[file: Unit1_1_Laocoon Hagesandros, Polydorus, and Athenodorus.png]

This statue is called "Laocoon Hagesandros, Polydorus, and Athenodorus". What is the era of this work?

a. Classical Greece Art

b. Hellenistic Greek Art

c. Late Roman Art

d. Early Christian Art

b. Hellenistic Greek Art

53
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[file: Unit2_1_ David (1440s) - Donatello.png]

Who is the author of the status David (1435-53)?

a. Donatello

b. Michelangelo

c. Benvenuto Cellini

d. Gian Lorenzo Bernini

a. Donatello

54
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What does it mean for the term "Renaissance"?

a. Rebirth

b. Innovation

c. Change

d. Improvement

a. Rebirth

55
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Fill in the blank.

In the 19th century that "Renaissance" was used to explain the cultural flowering of the ____ that launched the intellectual framework and artistic traditions of the modern world.

a. 12th and 13th centuries

b. 14th and 15th centuries

c. 15th and 16th centuries

d. 15th century

b. 14th and 15th centuries

56
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What characteristics are known as "Gothic International"?

a. The art became decorative and elegant with sophisticated patterns and rhythms, and the fusion between Italian and Northern European styles is known as "International Gothic".

b. The art became decorative and elegant with sophisticated patterns and rhythms, and the fusion between French and Northern European styles is known as "International Gothic".

c. The fusion between French and Northern European styles is known as "International Gothic".

d. The fusion between Italian and Northern European styles is known as "International Gothic".

a. The art became decorative and elegant with sophisticated patterns and rhythms, and the fusion between Italian and Northern European styles is known as "International Gothic".

57
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Who brought a new level of realism to art, which would establish the framework for Western art until 20th-century Modernism changed the rules?

a. Giotto di Bondone

b. Limbourg brothers

c. Brunelleschi

d. Masaccio

a. Giotto di Bondone

58
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Which of the following themes is found in Giotto's program of frescoes decorating the Scrovegni Chapel

a. Scenes from Dante's Inferno

b. The Last Judgement

c. Scenes of David and Goliath

d. Scenes from Genesis

The Last Judgement

59
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What are the outstanding features of Giotto's paintings:

a. All of these answers

b. The faces expressing genuine emotion; meaningful gestures; strong; how shape and movement of incidentals

c. Rich perspective or anatomy, and a convincing sense of weightlessness.

d. Gold is often used along with vivid hues of red, blue, and green.

b. The faces expressing genuine emotion; meaningful gestures; strong; how shape and movement of incidentals

60
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Which of the following would be found in a Gothic cathedral:

a. sculpture

b. panel paintings

c. stained glass frescoes

d. All of these answers

d. All of these answers

61
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The Early Renaissance style of sculpture in Italy combined which styles of sculpture?

a. classical Roman and Gothic

b. Gothic and Byzantine

c. classical Roman and Byzantine

d. Byzantine and Rococo

a. classical Roman and Gothic

62
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Giotto's use of naturalism can best be described as

a. a return to the early Classical style.

b. a continuation of the Byzantine style.

c. an exaggeration of the Byzantine style.

d. a rejection of the early Classical style.

a. a return to the early Classical style.

63
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Botticelli's "Birth of Venus" is based on which concept most explicitly related to subject matter?

a. Religious narrative

b. Mythologies

c. Classical sculpture

d. Portraiture

b. Mythologies

64
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Of the choices given, which best describes Botticelli's style?

a. Characters of great dignity, strange and distant, with dream-like unreality and distortions

b. The painted deeply-felt religious pictures and pioneering large-scale mythologies

c. both of these answers

d. neither of these answers

c. both of these answers

65
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Humanists of the early Renaissance were most closely associated with which endeavor?

a. Studying Greek and Roman texts

b. Studying the Old Testament

c. Translating the New Testament from Hebrew to Latin

d. Interpreting the Gospels

a. Studying Greek and Roman texts

66
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Which of the following was NOT a goal of Humanism?

a. to support practical, pre-professional and scientific studies for job preparation

b. to create a citizenry able to speak and write with eloquence

c. to revive the cultural legacy and moral philosophy of classical antiquity

d. to realize humanity’s potential for achievement

a. to support practical, pre-professional and scientific studies for job preparation

67
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Who is credited with inventing linear perspective?

a. Brunelleschi

b. Ghiberti

c. Masaccio

d. Donatello

a. Brunelleschi

68
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Which of the following BEST describes the techniques that Masaccio introduced to Italian painting?

a. The human figure is the central feature, according to the Renaissance principle that human beings are the measure of all things.

b. proportional and anatomically accurate representations of the human body and naturalistic landscapes

c. color and pageantry

d. All of these answers

a. The human figure is the central feature, according to the Renaissance principle that human beings are the measure of all things.

69
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What is the name of the artist who had a workshop where Leonardo da Vinci trained.

a. Donatello

b. Paolo Uccello

c. Verrocchio

d. Botticelli

c. Verrocchio

70
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At early renaissance, which artist's work are recognizable for the schematic use of perspective?

a. Paolo Uccello

b. Donatello

c. Masaccio

d. Verrocchio

a. Paolo Uccello

71
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Fill in the blank.

Art in northern Europe was ____in the sense of rediscovering an antique past. It was crucially reinvigorated, above all by the development and almost immediate maturity of a new medium: oil painting.

a. not "re-born"

b. "re-born"

c. both of these answers

d. neither of these answers

a. not "re-born"

72
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As exemplified in the work of Caravaggio, which of the following best characterizes Baroque paintings?

a. Diagonal thrust and close-up action

b. Distance of figures and symmetry

c. Idealization of figures and strong outlines

d. Elongation of figures and attention to natural daylight

a. Diagonal thrust and close-up action

73
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[file: Unit2_2_ botticelli-spring-primivera.png]

This oil painting is called "La Primavera" (Spring) painted by Botticelli. What is the era of this work?

a. Gothic

b. Early Renaissance

c. Renaissance

d. Mannerism

b. Early Renaissance

74
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Which of the following was NOT associated with 15th century Florentine sculpture?

a. Michelangelo

b. Ghiberti

c. Donatello

d. Brunelleschi

a. Michelangelo

75
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Mannerism has been defined as which of the following?

a. All of these answers

b. a degeneration of High Renaissance classicism

c. an interlude between High Renaissance and Baroque

d. a style notable for its intellectual sophistication, as well as its artificial qualities

a. All of these answers

76
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The innovative techniques that make Leonardo's work unique include all of the following EXCEPT:

a. his realistic depiction of landscape

b. his innovative use of the human form in figurative composition

c. his use of the sfumato technique

d. his use of subtle gradation of tone

a. his realistic depiction of landscape

77
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Raphael's "School of Athens" fresco is focused on which two historical figures?

a. Plato and Aristotle

b. Pope Julius II and Cosimo de Medici

c. God the Father and Jesus

d. Leonardo and Michelangelo

a. Plato and Aristotle

78
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Which of the following would NOT be found among Raphael's works in the Stanze rooms of the Vatican?

a. Deposition of Christ

b. The School of Athens

c. The Parnassus

d. Disputa

a. Deposition of Christ

79
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Which of the following statements about Michelangelo's "David" is true?

a. "David" is larger than life size AND the sculpture was intended to be placed on the exterior of the Duomo

b. "David" is larger than life size.

c. The sculpture was intended to be placed on the exterior of the Duomo.

d. None of these answers

a. "David" is larger than life size AND the sculpture was intended to be placed on the exterior of the Duomo

80
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The Sistine Ceiling program was based on which of the following?

a. Genesis, from the Old Testament

b. The Passion, from the New Testament

c. The Life of Christ

d. None of these answers

a. Genesis, from the Old Testament

81
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In painting, Michelangelo is renowned for the ceiling and Last Judgement of the Sistine Chapel, where he depicted which of the following?

a. Genealogy of Christ

b. David and Goliath, the Downfall of Man, the Promise of Salvation, and Sodom and Gomorrah

c. Creation, the Downfall of Man, the Promise of Salvation, and the

d. Creation, the Twelve Apostles, the Promise of Salvation, and the Genealogy of Christ

c. Creation, the Downfall of Man, the Promise of Salvation, and the

82
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Which of the following describes the Mannerist painting style?

a. exaggerated elegance with exquisite attention to surface and detail

b. elongated forms and precariously balanced poses

c. a collapsed perspective and irrational settings

d. theatrical lighting

a. exaggerated elegance with exquisite attention to surface and detail

83
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Fill in the blank.

Robern Campin, Jan Van Eyck, and Rogier Van de Weyden showed similarities in their work through their ____.

a. realistic portrayals

b. abstract representations

c. advancements in fresco technique

d. advancements in watercolor technique

a. realistic portrayals

84
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Which Northern European Renaissance painter was most influenced by European and Italian?

a. Albrecht Dürer

b. Jan Gossaert

c. Hieronymus Bosch

d. Rogier van der Weyden

a. Albrecht Dürer

85
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Which of the following was NOT associated with German art of the 16th century?

a. Jan van Eyck

b. Matthias Grünewald

c. Albrecht Durer

d. Lucas Cranach the Elder

a. Jan van Eyck

86
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The High Renaissance art was a perfect union of ____.

a. the human and Divine,

b. Christian and pagan antique

c. nature and imagination

d. All of these answers

d. All of these answers

87
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What objects were decorated by Raphael to complement Michelangelo's religious theme in the Sistine Chapel?

a. Philosophy, Theology, Poetry, and Law

b. Human folly, deadly sin (notably lust), the seductive temptations of the flesh,

inevitable fate of eternal damnation.

c. Philosophy, Theology, inevitable fate of eternal damnation.

d. Poetry, and Law,human folly

a. Philosophy, Theology, Poetry, and Law

88
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Who changed the status of the artist from artisan to gentleman and was pivotal in the creation of the High Renaissance period of Florentine art?

a. Michelangelo

b. Raphael

c. Albrecht Durer

d. Leonardo da Vinci

d. Leonardo da Vinci

89
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What is Leonardo's most remarkable legacy in his notebooks filled with writings and sketches?

a. he explored his private thoughts about art and science

b. observations from nature

c. diagrams for visionary scientific and mechanical projects.

d. All of these answers

d. All of these answers

90
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In high Renaissance painting, who helped raise the social status of artists from craftsman to intellectuals?

a. Raphael

b. Porta Bartolommeo

c. Michelangelo Buonarroti

d. Benvenuto Cellini

a. Raphael

91
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In high Renaissance art, who was the outstanding genius (and infant prodigy), sculptor, painter and architect?

a. Raphael

b. Leonardo da Vinci

c. Michelangelo Buonarroti

d. Benvenuto Cellini

c. Michelangelo Buonarroti

92
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In painting, what are the main colors used by Michelangelo Buonarroti?

a. fiery reds and yellows against gray

b. yellows against gray gray or blue

c. fiery reds, blue and orange

d. fiery reds and yellows against gray or blue

d. fiery reds and yellows against gray or blue

93
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Who is considered the master of Renaissance colors?

a. Titian

b. Raphael

c. Leonardo da Vinci

d. Michelangelo Buonarroti

a. Titian

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What artistic name was given to the predominant artistic style of the period bridging the High Renaissance and the Baroque, which can be noted throughout Europe until after 1700?

a. Rococo.

b. Mannerism

c. Art Decor.

d. Jugendstil.

b. Mannerism

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The cradle of Mannerism was Rome, where the style was developed by artists influenced by the late works of Raphael and Michelangelo. Mannerist tendencies can be noted throughout Europe until after 1700.

a. Leonardo da Vinci and Michelangelo

b. Leonardo da Vinci and Raphael

c. Raphael and Michelangelo

d. Titian and Michelangelo

c. Raphael and Michelangelo

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What are the characteristics of Mannerism art?

a. often with a nightmarish, conflicting style; a huge step away from the harmony of High Renaissance.

b. often with a nightmarish, conflicting style; a huge step away from the harmony of High Renaissance.

c. both of these answers

d. neither of these answers

a. often with a nightmarish, conflicting style; a huge step away from the harmony of High Renaissance.

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What are the main subjects of Mannerist works?

a. religious scenes viewed from an unusual aspect;

b. portraits whose sitters wear unexpected expressions;

c. mythological or allegorical scenes, often characterized by a sinister form of symbolism.

d. All of these answers

d. All of these answers

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Which art style does the following passage refer to?:

"In sculpture, look for a sense of movement, realism, exaggerated postures, strongly muscled anatomy.

+In paintings, look for a similar style to Raphael, but exaggerated; also look for realism, muscular anatomy, and a strong sexual overtone".

a. Mannerism

b. Memphis.

c. Rococo.

d. High Renaissance

a. Mannerism

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[file: Unit3_1_The last Supper.png]

Who is the author of this oil painting?

a. Raphael

b. Leonardo da Vinci

c. Michelangelo Buonarroti

d. Benvenuto Cellini

b. Leonardo da Vinci

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[file: Unit3_2_Creation-of-Adam-by-Michelangelo.png]

Who is the author of this oil painting?

a. Raphael

b. Leonardo da Vinci

c. Michelangelo Buonarroti

d. Benvenuto Cellini

c. Michelangelo Buonarroti