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FIRST PERSON
The narrator is a character in the story; told with 'I' and 'me', etc.
THIRD PERSON OBJECTIVE
The narrator is not a character in the story and reports only what can be seen and heard; the reader does not have access to any character's thoughts and feelings.
THIRD PERSON LIMITED OMNISCIENT
The narrator is not a character in the story; reports one character's thoughts and feelings.
THIRD PERSON OMNISCIENT
The narrator is not a character in the story; reports multiple characters' thoughts and feelings.
PLOT
The carefully constructed series of events in a narrative.
PLOTLESS SHORT STORY
Describes characters in a situation without conflict or resolution.
IN MEDIA RES
A narrative that begins somewhere in the middle, usually at some crucial point in the plot.
FRAME STORY
A large, overarching story that contains smaller stories within it.
CONFLICT
The interplay between opposing elements. There are three types of conflict: protagonist vs. self, protagonist vs. others, protagonist vs. environment.
SETTING
The time and place of events in a literary work. Setting has three functions: to help in understanding of the characters and their actions, to help create mood and atmosphere, to facilitate plot development by being involved in the conflict.
PATHETIC FALLACY
Using the setting, or nature, to parallel or mirror the mood of a character or of the story.
FORESHADOWING
A literary device used to give an indication or hint of what is to come later in the story; useful for creating suspense, a feeling of unease, a sense of curiosity, or a mark that things may not be as they seem.
FLASHBACK
An interruption in a text's 'present' to show readers a scene that unfolded in the past.
EXPOSITION
Gives background information on the characters, setting, and other elements necessary for understanding the story; introduces conflict.
COMPLICATION
Situation that makes a plot more complex or difficult; develops conflict and creates suspense.
TECHNICAL CLIMAX
The turning point in the plot at which the outcome is determined. Often, the protagonist changes or has an opportunity to change at this point; after this point, the conflict begins to come to an end.
DRAMATIC CLIMAX
The point of greatest interest or intensity of the story; this is subjective and may not be the same as the technical climax.
RESOLUTION
The events following the technical climax in which the outcome is actually worked out.
CONCLUSION
The final event of a story's plot.
SITUATIONAL IRONY
When something happens that is opposite of expectations.
VERBAL IRONY
A statement which is opposite of the speaker's intent.
DRAMATIC IRONY
A situation in which the reader has a better understanding of events than the characters in a story do.
PROTAGONIST
The central character in a work of fiction; the character who sets the action of the plot in motion.
Antagonist
The principal opponent of the protagonist.
Foil Character
A character who contrasts in some important way with a more important character; underscores the distinctive characteristics of another.
Stock Character
A character that relies on common literary or social stereotypes for personality; often used as simple props to help develop the main characters or story.
Round Character
A character who is well described and whose thoughts and actions are clearly revealed in a story.
Flat Character
A character who is not well developed in a story.
Dynamic Character
A character who grows, learns, or changes in a significant way throughout a story.
Static Character
A character who resists change or refuses to change during the story.
Motivation
The reason that explains a character's thoughts, feelings, actions, or speech.
Characterization
The technique a writer uses to create and reveal characters in a work of fiction.
Expository Character Revelation
Telling what a character is like.
Dramatic Character Revelation
Showing what a character is like through descriptions of thought, dialogue, action, etc.
Atmosphere
A story's general feeling; usually established by the setting's description.
Tone
The author's or speaker's attitude toward the characters, events or audience.
Mood
The reader's state of mind and emotions while reading a text.
Diction
The choice of words and phrases in a text.
Syntax
The arrangement of words and phrases to create sentences in a text.
Theme
The controlling idea of a literary work that is a general truth or commentary about life, people, and the world that is brought out in a story.
LOVE
LOVE CAN OVERCOME ALL OBSTACLES.
NARRATIVE
A long story told in verse form; an epic is an example of a narrative poem.
LYRIC POEM
A brief, personal poem that uses many sound devices, as well as rhythm and meter, and is filled with emotion; sonnets, odes and elegies are types of lyrics.
BALLAD
A type of poem that is actually meant to be sung and is both lyric AND narrative in nature.
RHYMED VERSE
Has regular meter and rhyme scheme.
BLANK VERSE
Unrhymed iambic pentameter (unstressed-stressed / 10 syllables).
FREE VERSE
No regular metrical rhythm or end rhyme.
SIMILE
A comparison between two dissimilar things using words such as 'like,' 'than,' 'as,' or 'resembles.'
METAPHOR / DIRECT METAPHOR
A comparison between two unlike things.