AP Language and Composition: Syntax, Rhetorical Appeals, Diction, and Figurative Language

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A complete set of vocabulary flashcards covering syntax styles, rhetorical appeals, diction, figurative language, and parts of speech as outlined in the AP Lang Summer $$2026$$ notes.

Last updated 2:48 AM on 8/5/26
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84 Terms

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Syntax

The way an author chooses to join words into phrases, clauses, and sentences; it is differentiated from diction in that it refers to groups of words rather than individual words.

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Segregating style

Consists of relatively short, uncomplicated sentences which are strong, repetitive, and emphatic, often writing at most 750750 words a day.

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Freight-train style

A style that couples short independent clauses to make longer sequential statements to link events, ideas, or impressions as immediately as possible.

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Parataxis

A style where independent clauses are butted together without conjunctions, using semicolons or commas for a lack of fluidity.

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Triadic sentence

A freight train sentence composed in 33 units that provides a clearer structural principle and tends to be repetitive.

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Cumulative sentence

Consists of an initial independent clause followed by a number of subordinate constructions that accumulate details about a person, place, event, or idea, such as in the example of 70007000 Romaine St.

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Parallelism

Means that two or more words or constructions stand in an identical grammatical relationship to the same thing, making it pleasant to hear and economical.

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Balanced sentence

Consists of two parts roughly equivalent in both length and significance and divided by a pause.

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Loose sentence

A sentence where the main clause comes first and is followed by the subordinate clauses and phrases.

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Periodic sentence

A sentence where subordinate constructions precede the main clause which closes the sentence, often used to increase importance by delaying the principal thought.

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Convoluted sentence

A sentence where the main clause is split in two, opening and closing the sentence, while subordinate constructions intrude between the parts.

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Centered sentence

A sentence where the main clause occupies the middle and is both preceded and followed by subordinate constructions.

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Fragment

A single word, phrase, or a dependent clause standing alone as a sentence; generally a fault in formal writing but valuable for eye-catching emphasis.

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Rhetorical appeal

The persuasive device by which a writer tries to sway the audience's attention and response to any given work.

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Logos

A rhetorical appeal that employs logical reasoning combining clear ideas with well-thought-out and appropriate examples and details.

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Ethos

A rhetorical appeal that establishes credibility in the speaker by reflecting common attitudes, beliefs, and characteristics of a group or time period.

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Pathos

A rhetorical appeal that plays on the reader's emotions and interests to draw upon their understanding and gain acceptance for assertions.

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Active voice

A sentence structure where the subject performs the action expressed in the verb, such as 'The dog bit the boy.'

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Passive voice

A sentence structure where the subject receives the action expressed in the verb, such as 'The boy was bitten by the dog.'

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Antithesis

The opposition or contrast of ideas; the direct opposite.

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Aphorism

A terse statement of known authorship that expresses a general truth or a moral principle.

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Chiasmus

A figure of speech based on inverted parallelism where two clauses are related to each other through a reversal of terms.

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Juxtaposition

Placing dissimilar items, descriptions, or ideas close together or side by side, especially for comparison or contrast.

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Punctuation

How an author uses marks in a sentence to affect its meaning.

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Repetition

The exact or approximate duplication of any element of language, such as sound, word, phrase, clause, or grammatical pattern.

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Alliteration

The repetition of sounds, especially initial consonant sounds in two or more neighboring words.

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Diction

Refers to the writer's word choices, especially regarding their correctness, clearness, or effectiveness in complementing the author's purpose.

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Abstract words

Words that signify things that cannot be perceived, such as honor, generosity, idea, or democracy.

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Concrete words

Words that refer to perceptible things, such as a rose, a clap of thunder, or the odor of violets.

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Ambiguity

The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage.

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Colloquialism

The use of slang or informalities in speech or writing, including local or regional dialects, giving a conversational tone.

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Pretentious diction

Using big words to no purpose except perhaps to show off.

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Clichés

Trite expressions devalued by overuse, such as 'dead as a doornail' or 'light as a feather.'

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Euphemism

A more agreeable or less offensive substitute for a generally unpleasant word or concept, derived from the Greek for 'good speech.'

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Jargon

Technical language that is misused.

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Connotation

The non-literal, associative meaning of a word; the implied, suggested meaning involving ideas or emotions.

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Denotation

The strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color.

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Formal vs. informal usage

Levels of usage referring to the kind of situation in which a word is normally used, such as exacerbate versus bug.

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Hyperbole

A figure of speech using deliberate exaggeration or overstatement, often producing irony.

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Idiom

A combination of words functioning as a unit of meaning, such as 'to take the bus home.'

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Onomatopoeia

A figure of speech in which natural sounds are imitated in the sounds of words, like buzz, hiss, or hum.

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Tone

Describes the author's attitude toward his material, the audience, or both, similar to mood.

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Simile

A brief comparison between two items, usually introduced by the words like or as.

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Metaphor

A figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other.

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Personification

A figure of speech in which the author endows concepts, animals, or inanimate objects with human attributes or emotions.

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Allusion

A direct or indirect reference to something commonly known, such as an event, book, myth, place, or work of art.

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Irony

The contrast between what is stated explicitly and what is really meant, or the difference between what appears to be and what is true.

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Verbal irony

A type of irony where the words literally state the opposite of the writer's or speaker's meaning.

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Situational irony

A type of irony where events turn out the opposite of what was expected.

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Dramatic irony

A type of irony where facts are unknown to a character but known to the reader, audience, or other characters.

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Overstatement

Another term for hyperbole; the deliberate use of exaggeration.

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Understatement

The ironic minimalizing of fact, presenting something as less significant than it is; the opposite of hyperbole.

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Litotes

A figure of speech by which an affirmation is made indirectly by denying its opposite, such as 'He was not averse to drinking.'

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Meiosis

The Greek term for understatement or belittling, used when something is referred to in terms less important than it deserves.

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Pun

A word employed in two senses or used in a context that suggests a second term sounding like it, usually for comic effect.

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Imagery

Sensory details or figurative language used to describe, arouse emotion, or represent abstractions through the five senses.

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Allegory

The device of using character or story elements symbolically to represent an abstraction in addition to the literal meaning.

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Analogy

A similarity or comparison between two different things or the relationship between them used to explain the unfamiliar.

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Apostrophe

A figure of speech that directly addresses an absent/imaginary person or personified abstraction that cannot answer.

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Conceit

A fanciful expression, usually an extended metaphor or surprising analogy, that displays intellectual cleverness through unusual comparison.

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Extended metaphor

A metaphor developed at great length, occurring frequently in or throughout a work.

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Metonymy

A Greek term meaning 'changed label,' where the name of one object is substituted for that of another closely associated with it.

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Oxymoron

A figure of speech where an author groups apparently contradictory terms to suggest a paradox, such as 'jumbo shrimp.'

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Paradox

A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains truth or validity.

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Symbol

Anything that represents itself and stands for something more abstract, categorized into natural, conventional, and literary types.

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Natural symbols

Objects from nature used to symbolize ideas commonly associated with them, such as a rose symbolizing love.

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Conventional symbols

Symbols invested with meaning by a group, such as religious icons or national flags like the Star of David or the eagle.

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Literary symbols

Symbols found in a variety of works that are generally recognized but may be more complicated within a specific work like Heart of Darkness.

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Zeugma

The use of a word to modify or govern two or more words although its use may be grammatically or logically correct with only one.

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Voice

The quality of a verb indicating if the subject acts or is acted upon, or the distinctive style of an author or narrator.

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Adjective

The part of speech that modifies a noun or pronoun.

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Adverb

The part of speech that modifies a verb, adjective, or other adverb.

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Antecedent

The noun or noun phrase referred to by a pronoun.

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Complement

A word or word group that completes the predicate in a sentence.

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Conjunction

The part of speech that serves to connect words, phrases, clauses, or sentences.

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Noun

The part of speech used to name a person, place, thing, quality, or action.

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Predicate

One of the two main parts of a sentence, modifying the subject and including the verb, objects, or phrases governed by the verb.

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Pronoun

A word that takes the place of a noun.

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Subject

The part of a sentence or clause that indicates what it is about.

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Synecdoche

A figure of speech in which a part is used to represent the whole or the whole is used to represent a part.

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Transition

The connection between two parts of a piece of writing that contributes to coherence.

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Verb

The part of speech that describes an action or occurrence or indicates a state of being.

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Thesis

The main idea of an essay or report, often written as a single declarative sentence.

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Asyndeton

The omission of conjunctions between words, phrases, or clauses.