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Comprehensive vocabulary flashcards detailing art movements from Classicism to Expressionism, including key dates, artists, and their representative works as found in the lecture notes.
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Classicism
An artistic style that takes the art of anciente Greece and Rome as its model (1750−1830), focusing on Beaty, Balance, and Harmony.
LOUIS DAVID
French artist (1748−1825) known for The Death of Morat (1793), Napoleon crossing the Alps (1801), The Oath of the Horatii (1784), and The death of Socrates (1787).
DOMINIQUE INGRES
French artist (1780−1867) known for The Grand Odalisque (1814), The Apotheosis of Homer (1827), and The turkey bath 1862.
Romanticism
An artistic movement (1790−1850) that emerged as a reaction against Neoclassicism, emphasizing Feelings and emotions, Nature, and Fredom and imagination.
EUGÈNE DELACROIX
French artist (1798−1863) known for Liberty Leading the People (1830), The Death of Sardanapalus (1827), Women of Algiers in Their Apartment (1824), and Horse Frightened by Lightning: (1829).
THÉODORE GÉRICAULT
French artist (1791−1824) who painted The Raft of the Medusa (1818−1819), The Charging Chasseur (1812), and Epsom Derby (1821).
HENRY FUSELI
British artist (1741−1825) who painted The Nightmare (1781), Lady Macbeth Sleepwalking, and Titania and Bottom.
WILLIAM BLAKE
British artist (1757−1827) who created The Ancient of Days (1794), Newton (1795−1805), and The Great Red Dragon and the Woman Clothed with the Sun (1805−1810).
FRANCISCO DE GOYA
Spanish artist (1746−1828) associated with Romanticism, Rococo, and Neoclassicism; painted The Third of May 1808 (1814), The Clothed Maja (1800−1807), and Saturn Devouring His Son (1819−1823).
JOSEPH MALLORD WILLIAM TURNER
British artist (1775−1851) known for landscapes such as The Fighting Temeraire (1839), The Great Western Railway (1844), and The Slave Ship (1840).
JOHN CONSTABLE
British landscape painter (1776−1837) known for The Hay Wain (1821), Dedham Vale (1802), and Salisbury Cathedral from the Meadows (1831).
Realism
Art movement (1840−1880) originating in France where artists painted everyday life and ordinary people instead of idealized subjects with accurate, detailed representation and natural colors.
JEAN-FRANÇOIS MILLET
French Realist artist (1814−1875) who painted The Gleaners (1857).
ROSA BONHEUR
French Realist (1822−1899) who painted The Horse Fair (1852−1855) and Ploughing in the Nivernais (1849).
GUSTAVE COURBET
French artist (1819−1877) known for The Stone Breakers (1849), Burial at Ornans (1849−1850), and The Painter's Studio (1855).
Pre-Impressionism
A transitional movement (1860−1874) between Realism and Impressionism focusing on modern life, light, and freer painting techniques.
MCNEILL WHISTLER
American artist (1834−1903) associated with Pre-Impressionism; painted Whistler's Mother (1871), Nocturne in Black and Gold (1875), and The White Girl (1862).
ÉDOUARD MANET
French artist (1832−1883) known for Le Déjeuner sur l'herbe (1863), Olympia (1863), and A Bar at the Folies-Bergère (1882).
Impressionism
Art movement beginning in France in 1874 that focused on capturing light, color, and atmosphere using loose brushstrokes and bright colors.
CLAUDE MONET
French Impressionist (1840−1926) famous for Impression, Sunrise (1872), Water Lilies (1897−1926), and Woman with a Parasol (1875).
AUGUSTE RENOIR
French Impressionist (1841−1919) who painted Dance at Le Moulin de la Galette (1876), Luncheon of the Boating Party (1881), and The Swing (1876).
EDGAR DEGAS
French artist (1834−1917) known for The Ballet Class (1874) and the sculpture Little Dancer of Fourteen Years (1881).
BERTHE MORISOT
French female Impressionist (1841−1895) who painted The Cradle (1872), Summer's Day (1879), and Woman at Her Toilette (1875−1880).
AUGUSTE RODIN
French sculptor (1840−1917) known for The Thinker (1880−1904) and The Kiss (1882).
Post-Impressionism
Movement (1886−1905) that developed after Impressionism, keeping bright colors but focusing more on structure, emotion, symbolism, and personal expression.
PAUL CÉZANNE
French artist (1839−1906) known for Mont Sainte-Victoire (1882−1906), The Card Players (1890−1895), and Still Life with Apples (1895−1898).
PAUL GAUGUIN
French artist (1848−1903) known for Where Do We Come From? What Are We? Where Are We Going? (1897−1898), Vision After the Sermon (1888), and Spirit of the Dead Watching (1892).
GEORGES SEURAT
French artist (1859−1891) known for A Sunday Afternoon on the Island (1886), Bathers at Asnières (1884), and The Circus (1891).
VINCENT VAN GOGH
Dutch Post-Impressionist (1853−1890) who painted The Starry Night (1889) and The Bedroom (1888).
Symbolism
Art movement (1880−1910) that used symbols, myths, and dreams to express emotions and spiritual ideas instead of reality; characterized by mystery and dreamlike atmospheres.
GUSTAVE MOREAU
French Symbolist (1826−1898) known for Oedipus and the Sphinx (1864), The Apparition (1876), and Jupiter and Semele (1894−1895).
MAURICE DENIS
French artist (1870−1943) who painted April (1892), The Muses (1893), and Homage to Cézanne (1900).
Gabriel Rossetti
English artist (1828−1882) known for Beata Beatrix (1864−1870), Proserpine (1874), and The Beloved (1865−1866).
ODILON REDON
French artist (1840−1916) who created The Cyclops (1914), The Eye, Like a Strange Balloon, Mounts Toward Infinity (1882), and Ophelia Among the Flowers (1905−1908).
PIERRE PUVIS DE CHAVANNES
French artist (1824−1898) who painted The Poor Fisherman (1881), Summer (1873), and The Sacred Grove, (1884−1889).
Expressionism
Art movement (1905−1920) that emphasized emotion over realism, using distorted forms and intense, non-naturalistic colors.
EDVARD MUNCH
Norwegian artist (1883−1944) who painted The Scream (1893), Madonna (1894−1895), and The Sick Child (1885−1886).