CSI CIN 100 Week 1-6

studied byStudied by 0 people
0.0(0)
learn
LearnA personalized and smart learning plan
exam
Practice TestTake a test on your terms and definitions
spaced repetition
Spaced RepetitionScientifically backed study method
heart puzzle
Matching GameHow quick can you match all your cards?
flashcards
FlashcardsStudy terms and definitions

1 / 63

encourage image

There's no tags or description

Looks like no one added any tags here yet for you.

64 Terms

1

Mise-en-scène translates to?

"place on a stage"

New cards
2

Auteur

the French term for the Director

New cards
3

Oeuvre

a French term that refers to the entire body of work of a single director.

New cards
4

Art director

completes research and primary design sketches

New cards
5

What is referred to when mentioning mise-en-scene?

Everything seen in the frame- Lighting, costumes, make-up, décor, and people

New cards
6

What can placements of these objects suggest?

A thematic idea.

New cards
7

MGM Studio

specialized in glamour and luxury

New cards
8

RKO Studio

known for their white polished Art Deco sets

New cards
9

Famous Auteurs:

Alfred Hitchcock (UK/US)

Orson Welles (US)

Martin Scorsese (US)

Spike Lee (US)

Vittorio de Sica (Italy)

François Truffaut (France)

Jean-Luc Godard (France)

Chantal Ackerman (France)

Akira Kurosawa (Japan)

Dorothy Arzner (US)

John Ford (US)

Howard Hawks (US)

New cards
10

What does one look for to identify an auteur's work?

Similarities, patterns, or repetitions in lighting, performance and mise-en-scène

New cards
11

Setting

a fictional or real place where the action and events of the film occur

New cards
12

Set

A constructed setting, often on a studio soundstage.

New cards
13

Realism

an accurate and truthful depiction of a society, people, or some other aspect of life; aims to achieve verisimilitude

New cards
14

Verisimilitude

the quality of fictional representation that allows readers or viewers to accept a constructed world, its events, its characters, and their actions as plausible; literally "having the appearance of truth"

New cards
15

Performance

describes the actor's use of language, physical expression, and gesture to bring a character to life and to communicate important dimensions of that character to the audience

New cards
16

Blocking

the arrangement and movement of actors in relation to each other within the single physical space of a mise-en-scène

New cards
17

Directional lighting

may appear to emanate from a natural source and defines and shapes the object, area, or person being illuminated.

New cards
18

Three-point lighting

a common style that uses three sources: a KEY LIGHT to illuminate the object, BACKLIGHT to pick out the object from the background, and FILL LIGHTING that minimizes shadows.

New cards
19

High-key lighting

diffused, low-contrast lighting, flattering effect

New cards
20

Low-key lighting

high-contrast style, harsh effect

New cards
21

Citizen Kane by-

Orson Welles, 1941

New cards
22

Strangers on a Train by-

Alfred Hitchcock, 1951

New cards
23

The cinematographer is also known as:

Director of Photography (DP)

New cards
24

when did color experimentation begin?

as early as 1910. grew in popularity after WW2, in 1930

New cards
25

Early color styles

Hand-tinted/Hand-painted

New cards
26

1930's color style

Technicolor

New cards
27

What type of lens is used to record distant objects and make them appear closer?

Telephoto/ Long Lenses

New cards
28

What is another name for Normal lenses?

Standard Lenses

New cards
29

What type of lens has a wider field of view than standard lenses?

Wide-Angle / Short Lenses

New cards
30

What is Depth of Field?

A focus in which multiple planes in the shot are all in focus simultaneously.

New cards
31

What type of cinematography produces Depth of Field?

Wide-angle cinematography.

New cards
32

Which film notably used Depth of Field?

Citizen Kane.

New cards
33

Shot length

The duration of individual shots

New cards
34

What is fast film stock?

Highly sensitive to light and can register images with little illumination.

New cards
35

What is fast film stock good for?

It is good for documentary filmmakers who want to catch images impromptu.

New cards
36

What is slow film stock?

Insensitive to light and requires a great deal of artificial light.

New cards
37

What is slow film stock good for?

It is good to capture precise color in a studio setting.

New cards
38

Gauges

Four principal film gauges:

8mm and super 8mm

▪ during the 1970s, many directors trained on these

▪ very popular for home use, family outings

16mm

▪ used by young filmmakers at college to learn the basic mechanics of working a camera.

35mm

▪ the standard gauge which is shown is most movie houses

70mm

▪used at movie theaters for special presentations of big screen, blockbuster films

New cards
39

Storyboards are...

Hand-drawn sketches that represent individual frames for each shot of a film

New cards
40

7 basic moving camera shots

1. Pan

2. Tilt

3. Dolly Shot or Tracking Shot

4. Crane Shot

5. Zoom Shot

6. Handheld Shot

7. Aerial Shot

New cards
41

Panning

horizontal movement of the camera

New cards
42

Tilt Shot

vertical movement of the camera

New cards
43

Dolly Shot or Tracking Shot

taken from a moving vehicle of some sort

New cards
44

Crane Shot

Airborne Dolly shot

New cards
45

Zoom Shot

Done with zooming lenses, no camera movement

New cards
46

Aerial Shot

a shot from high above, usually from a crane or helicopter

New cards
47

5 Basic Mechanical Distortions

1. Animation

2. Fast Motion

3. Slow Motion

4. Reverse Motion

5. Freeze Frames

New cards
48

What is the purpose of animation?

To create the illusion of movement in an animated production.

New cards
49

How many drawings are necessary for an average 90-minute animated feature?

Over 129,600 drawings.

New cards
50

Fast Motion

achieved by having events photographed as a SLOWER rate than 24fps

New cards
51

Slow Motion

produced by recording the images at a faster rate than 24fps and then projecting those images at a standard rate

New cards
52

Reverse Motion

photographing an action with the film running in reverse

New cards
53

Freeze Frames

suspends movement and time on the screen.

New cards
54

Casablanca by-

Michael Curtiz, 1943

New cards
55

Continuity Editing

preserves the fluidity of an event without literally showing all of it

ex: we do not see every detail of a person driving home from work

New cards
56

Jump Cut

occurs when movement onscreen appears jumpy or fragmented

New cards
57

Which key filmmaker helped establish continuity editing as a Hollywood standard?

DW Griffith

New cards
58

Classical Cutting

editing for dramatic intensity and emotional emphasis

New cards
59

CLASSICAL CUTTING SEQUENCE

1. A film sequence begins with a MASTER SHOT or ESTABLISHING SHOT (coverage) 2. CUT to Camera

2 (over the shoulder)

3. CUT to Camera 3 (reverse shot, over the shoulder)

Conclude scene: return to ESTABLISHING SHOT -OR remain in a close-up of one of the characters to register their final emotional response

New cards
60

Two important rules of continuity editing:

Eyeline match

180° rule

New cards
61

What is an eyeline match in film?

A technique that involves two shots shot at eye level of a character.

New cards
62

What does an eyeline match create for the spectator?

An illusion of the character's point of view matched with that of the spectator.

New cards
63

What is the 180° rule in filmmaking?

The camera must stay on one side of an imaginary line on the axis of action.

New cards
64

What happens if the 180° rule is violated?

The spectator's point of view is confused.

New cards
robot