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when was baroque
1600-1750
baroque dynamics
terraced
baroque devices
- basso continuo
- figured bass
- ornamentation
baroque rhythm
energetic and relentless
baroque structures and form and genres
- binary
- ternary (da capo)
- rondeau
- variations
- ritornello
- fugue
- suite
- sonata
- oratorio
- chorales
- trio sonata
baroque styles
- concerto grosso
- solo concerto
baroque melody
- at first simple melodies
- but as period developed these became length and spun out
- ornamented melodies
baroque instruments
- harpsichord
- organ
- strings
- recorders
- flutes
- small orchestra
baroque textures
- homophony
- complex contrapuntal
- polyphonic
baroque harmony
major/minor key system
baroque composers
Bach, Handel, Vivaldi
when was classical period
1750 to 1830ish
classical dynamics
much wider range of dynamics
classical devices
alberti basslines
classical structures + forms
sonata
ternary
rondo
theme + variations
minuet and trio
classical styles
symphony
solo concerto
string quartet
serenade
divertimento
sonata
classical melody
less complex
balanced regular phrases
classical instruments
slightly larger orchestra
woodwind section developed to include clarinet
piano introduced
classical textures
mainly homophonic
counterpoint still used
frequent changes in instrumental timbre
classical harmony
functional harmony
classical composers
Haydn, Mozart, Beethoven
when was romantic
1830- 1910 ish
romantic dynamics
huge variation in use of dynamics
romantic devices
development of instrumental playing techniques
romantic rhythm
greater rhythmic freedom
romantic structures and form
extended symphonic works
"Symphonie Fantastique"
Cyclic works
Lyrical solo piano pieces
romantic styles
Symphonic poem
Programmatic works
Concert Overture
Opera
Lieder
Choral Works
Symphony
Concerto
Chamber music
romantic melody
Lyrical melodies with thematic ideas - LETIMOTIF
Use of folk tunes/ nationalist ideas in melodies
Expressive
romantic instruments
Large orchestra
Development of piano
Expansion of brass section
romantic textures
much more expressive music using a range of textures
romantic harmony
much richer harmonies
chromaticism
extended chords
sudden and unexpected key changes
nationalistic melodies
folk tunes use of pentatonic and modal ideas
romantic composers
Tchaikovsky
Grieg
Schumann
Dvorak
Brahms
Verdi
Wagner