1/18
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
“If I ever read Satan’s signature upon a face, it is on that of your new friend”
U implies that he has been branded by the devil, not just reminded
Satanic seal of approval
Juxtaposition between friend —> not kind of friend we keep
Implies a depth in the relationship
Reflection of V society, and darker secrets that the men of society were required to keep
Homosexuality
“I incline to Cain’s heresy,” […] “I let my brother go to the devil”
Sons of Adam —> Cain killed Abel
Cain was thought to be the origin of greed and hubris
Irony suggests that we are more in tune with evil to God
Implies that when Cain killed Abel, he let Abel go to the devil —> JAB AT RELIGION
Irony suggests that Hyde wishes to take over Jekyll
Foreshadows the text —> Jekyll is his brother
Juxtaposition between letting brother and going to devil
Ignoring of each other’s sins
Speaks in restricted and formal sentences to reflect his profession and his societal standards
“I felt younger, lighter, happier in body”
Tricolon
Symbolic of addiction (to sin)
Slave to his desires
Superlative form invites idea that acceptance to your sin is better
When religion leaves, evil takes its place
“Man is not truly one but truly two”
Epigrammatic statement which encapsulates central theme of duality
Suggests that all humans possess both good and evil
Repetition of “truly”
Certainty of the division
Reinforces Stevenson’s argument that Victorian ideals of morality are an illusion
Foreshadows Jekyll’s downfall
His attempt to separate two sides of humanity leads to moral and physical degredation
Implicit that J and H were two sides of society: the hidden one and the presented one
Hidden desires of the Victorian society
Admittance of this —> Jekyll understands how he becomes a slave to evil
Hyde is imaginary until he discovers potion that will embody the divisions he feels in his soul
Obsessive conformity to codes of respectability in society
Duality in the structure
Fragmented outsider perspective
Final revelation comes from Jekyll himself, suggesting that we can only learn the truth from what they tell us
Repression
Society teaches us to repress and hide ourself just as the structure of the novella does
“The animal within me licking the chops of memory”
Metaphor, Jekyll’s disarray
Hyde is the animal, licking its lips to get out
“Licking” —> eagerness, desire, man’s true nature
Even though its bad, Stevenson argues that human nature wants what human nature wants
Wants to get out —> troglodytic
“If I’m the chief of sinners, I am the chief of sufferers also”
Highlights key theme of many gothic novels (Frankenstein) —> do not mess with God
Parallel structure of this phrase and the antithesis of sufferer and sinner
It is also a paradox- how can he be both?
How does it represent the theme of duality and the fact that he is both Jekyll (sufferer) and Hyde (sinner)?
Is the novel a moral allegory concerning sin and the consequences of evil- is Jekyll justly punished?
Acceptance that he had sinned and therefore suffered in turn
Penance of God
“My devil had long been caged, he came out roaring”
Continued savage imagery that the reader would come to associate with Hyde
His lack of morals is what is so scary about him
Biblical imagery surrounding Hyde
Startled largely Christian audience
Used to represent the sin that poses a threat to Victorian society
Duality
“My” —> he is intrinsically linked to Jekyll
“Caged” —> Hyde is a threat that must be caged
Recognises the horrors of Hyde
Arguably also an expose of the dangers of Victorian societal pressures of repression
The issue is not his “devil” per say but rather his “cag[ing]”
Can reflect how Jekyll himself feels caged
“Ape-like fury”
Relates to Darwin’s Theory of Evolution
He has not evolved —> animalistic
Refuses Victorian society —> almost impossible by their standards as Victorian men are by all means perfect
“Juggernaut”
Religious symbol
Wagon that Hindu god Krishna used —> people threw themselves under
Representative of sacrifice —> Jekyll sacrificed himself for Hyde’s evil ways
Destructive and profuse force —> Hyde
Jab at religion —> Stevenson was atheist
“Man trampled calmly”
Juxtaposition and oxymoron
ID in perfect view —> trampling a GIRL —> pure animalistic nature
Allowing desires to rule you
The reaction of the viewers was overly dramatic
Victorian society is too eager to judge someone from the appearance
He is aware of what he is doing
Lacks human ability to decipher right from wrong
Inhuman
Perhaps Stevenson is saying that he is not only aware but choosing to do this
Furthered by trampling of an “aged and beautiful gentleman with white hair”
Connotations of white = innocent
“Beautiful” = feminises him, can be exploited
“The street shone out in contrast to its dingy neighbourhood”
The street on which the house can be found is generally very pretty
Contrast/duality in London
Juxtaposition of the aspect of light + dark, metaphor
“An air of invitation like a row of smiling saleswomen” vs buildings being “sinister”
Juxtaposition
Street being inviting and nice compared to the buildings being sinister
Jab at women too, presenting them as fake
Sibilance: creates serpentine sound
Presents an appropriate backdrop for the novella and the characters duality
Prepares for conflict between good and evil
Based on Edinburgh
Women and Feminity
There are no female characters
The characters that are female are represented negatively
Maid recounted the tale of Carew's murder often
Implies that women are blood thirsty and find delight in the gothic
Mocking the female addiction to violence
Amplifies this by presenting the murder as horrific ("audibly shattered", "body jumped upon the roadway")
The maid "fainted", which is an attack of Victorian literature: how could she faint if she was so excited?
Most of his readers would be women
Misogynistic literature
The housekeeper
"Ivory faced" juxtaposed to "evil face"
Just used to develop the atmosphere of fear surrounding the house
Women are just Hyde and Jekyll
However women's evil can be seen surface level whereas Jekyll's is within himself
Christianity and Religion
Stevenson was not Christian
Uses over-exaggerated language
Uses this to take a jab at Christianity
"Scrawling in my own hand blasphemies"
Attack on Christianity
Hyde has understood that religion is a story
Religious reader would be satisfied that Hyde would be doing this as a satanic character
Early readers saw it as a parable with a profound allegory
Fight about good and evil in human soul
Stevenson was Presbyterian by upbringing
Appearances
We never know what explicitly Hyde looks like
Stevenson wants us to know that we cannot tell what evil is just from looking outside
“I never saw a man I so disliked yet scarcely know why”
Does not believe in the dichotomy of good vs evil (rejection of Manicheanism)
Jekyll
Presented as attractive (“large handsome face”)
S does not agree with V society so argues we cannot know that someone is good because they look good
Jekyll was effectively not purely good
Duality
Novel is scary because it engages Lombroso’s theory of atavistic criminal type
However monster of Hyde is used to reflect onto those who defined it: lawyers and physicians
Is perhaps the real villain public opinion?
Fear of reputation and public opinion
Destruction of reputation is considered “the next best thing” to death
Starts as a somewhat detective like novel but Utterson does the opposite of traditional detective
Does not seek to uncover secrets but rather wants to protect his friend’s reputation
Even Lanyon puts restrictions on who can know the truth
Can only be opened after death of Jekyll
Setting and House
House is representative of Jekyll
"For even in the house the fog began to lie thickly; and thee, close up to the warmth, sat Dr Jekyll, looking deadly sick
Even as Jekyll becomes more evil, the house does too embodying pathetic fallacy
House of Hyde
Evil.
"Blistered and disdained"
Connotations of hell
Boy "had tried his knife"
Ideas of the original sin
Setting
Set in London within a respectable individual
Creates much more horrifying tale for readership
No traditional distancing of place and time
Psychogeography
Use of location reinforces dichotomy of Jekyll and Hyde
Vice ridden Soho vs neighbourhood of Jekyll
Soho is an enclave of poverty within wealthy West End of London
Allegorical for Hyde within Jekyll
Drugs
Drugs were legal
Drugs in the book were presented as evil
"Maladies that both torture and deform"
Fears of overdosing
"Fortress of identity"
Drugs apparently break them
His whole book speaks of how this is a social construct
By speaking negatively of drugs that cause this, he is saying that drugs can free you
Science
Theme of evolution
Our desires are animal-like
Originate from monkeys and apes
Unreason vs reason
Animals have no reason so cannot be evil whereas humans do, and by actively disregarding this they are evil
Stevenson further understood (more widely) Darwin's ideas
People don’t become better and more moral
They become better at surviving
Scientific experiment
Lends plausibility to supernatural nature of Hyde
Adds elements of realism and modernity
Use of letters
Adds veracity and suspense as outcome never truly known
Heightens emotional impact with first-person immediacy that are also trusted individuals
Physicians and lawyer
Irony of scientific progress
Lead to evolution where Hyde is presented as animalistic
Is the physical expression of moral lowness according to post-Darwinian thought
Repression and Homosexuality
Many authors would hide more controversial themes within gothic genre as it would not be widely accepted otherwise
Male friendship as a proxy for homosexuality
It is never described what Hyde explicitly does
Readers never learn of more murders or crimes despite frequent transformations
“Quiet pleasures” were more private vices than public scandals
Warning against repression and seclusion
"Queer street"
Homosexual relationship between Jekyll and Hyde from Enfield
Repression in Utterson
Dreamt of Jekyll asleep
Where "[Jekyll] must rise and do [Hyde's] bidding"
Sexually charged
Euphemism
Utterson cannot even admit to himself what he is thinking
Bed is undressed in the same way that Utterson wishes he could be
Jekyll “had gone to bed Henry Jekyll, but awakened as Edward Hyde”
Most quintessential sexual location
Homosexual duality has been realised
Belief that all men has "capers of his youth"
Is so normalised to Utterson that all men have homosexual relationships
All characters are unmarried
Tragedy of our society is that we do not accept them as they are
Repression in Jekyll
Mystery surrounding his bizarre relationship with Hyde
Suffered from the “perennial war among [his] members”
Metaphor of war suggests violent internal conflict, emphasising how repression fractures and divides identity
Religious allusion of “members” with biblical language links to his feelings of sin and guilt
Indulged in “undignified pleasures” which he “concealed”
Euphemism of “pleasure” hints at a taboo and shameful act
Confessional tone in final chapter shows emotional burden