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the fauves were led by

henri matisse

Henri matisse and the favuse were influenced by

van Gogh

Thea attacking of natural form was seen in jjjjjj

Paris around 1908

who explained the human experience is much more than can be gathered by a single view from a fixed vantage point

psychologist

when we remember any scene we remeber it as

an overlay of different visual impressions seen from different angels and times

waht did picasso and braque do with their figures

broke them up into multiple overlapping perspectives

cubist wer einflutended by african art, which they viewed

to be more intuitive and closer tonture than european art

cubist works reaches against

the naturalistic sentimental artworks popular in europe during 19th and early 20th centuries

in germany an art that developed emphasized

emotional response

die brucke inclued

Ernest Ludwig Kirchner and Emil noble,

die Brücke took arbitrary color of fauvists idc combine it with

intense feeling found in the work of norweign artist Edvard munch

movement to make the inner workings of the mind visible

expressionism

exrpeswionis groups in germany

die Brücke and der blaute Reiter

who led Der blaue Reiter

Russian Vasily Kandinsky

when did lkadinsky begin to paint totally abstract pics with no pictorial subject

1913

piioneers of total abstraction

Russian Kandinsky, Russian Kazimir Malevich, Dutch Piet Mondrain

de stijl canvases, consisitng of flat field of primary color, have become

a hallmark of modern art

th armory show was arranged by the

barnes foundation

the armory show was help between

feb 17 through mar 15, 1913

which works shocked american viewers with their challenging approaches to figure and space

marcel du champs “nude descending a staircase” 1912 and Picasso’s “Les Demoiselles D Avignon” 1907

the kiss - by branusci added to american art outrage with its

abstracted block like figures

the opening chorus of daisy bell 1 is performed by

a monophonic synthesizer

steady qtr note pulses on beats 2 and 3

voice supported by background elemets in

born to be wild 7

two main types of polyphony

counterpoint and imitative polyphony

in counterpoint

the simultaneous melodies are usually in different measures

imitative poly is when

one melody it played by different people with staggered intervals

immitatavie only

are you sleep

the largest moving object contatains brief passages of

imitative polyphone

clarinet partials are strong `

1st anx 3rd

Padstow

gradual changes many times

legato

smooth connected not overlapping

building blocks of musical for

motive phrases cadences and themes

principle

repitition variation development contrast

747 bus plunge short ride march to

ostinato

abstract expressionism people

Kooning crasher Kline pollock

color feild

rothko albers

dan flavin

neon tubing `