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aleatoric music
music that is created through computer algorithms; composition by chance
overtone series
a sequence of pitches that occur simultaneously with a fundamental note, where each overtone's frequency is an integer multiple of the fundamental's frequency
sensual level of listening
the level of listening which is the surface impact of sound itself and the effect it has on the body
perceptual level of listening
the level of listening which includes the impact of sound on the body, but also how the sounds are related to one another
imaginal level of listening
the level of listening which includes the impact of sound on the body, how the sounds are related to one another, but also an anticipation of what might be coming next
texture
the relationship between the different voices/instruments within a piece of music; can be thick (dense) or thin (sparse)
monophony
simplest texture, consisting of a single, unaccompanied melody; can include more than one voice/instrument at multiple registers, but always the same melody
polyphony
texture of music which includes two or more melodies played simultaneously, both vying for attention; can be imitative or non-imitative
homophony
texture of music which includes a melody with accompaniment
melody
a coherent succession of pitches played/sung in rhythm; horizontal direction in music
range
the total span from the lowest to the highest pitch in a piece
intervals
the distance between two pitches; can be steps (two adjacent notes) or leaps (two non-adjacent notes)
modes
types of tonality; can be major, minor, atonal, or other
length
number of measures the melody consists of; can be long or short
cadence
the notes or chords ending a section of music; can be conclusive (terminal) or inconclusive (transient), strong or weak
direction
upwards and downwards motion in the melody
shape
whether the melody moves predominantly by step (smooth) or by leap (jagged)
register
relative placement of pitches from high to low
rhythm
aspects of music having to do with the duration of the notes in time
tempo
the speed of music
ritardando/rallentando
slows the tempo
accelerando
quickens the tempo
beat
grouping in music; can be strong or weak
simple beat
beat divided into two equal parts (duple, triple, quadruple)
compound beat
beat divided into three equal parts (duple, triple, quadruple)
irregular beat
beat divided into two and/or three equal parts(duple, triple, quadruple)
quality (rhythm)
aspects of rhythm
duration
length of the notes (quarter, eighth, whole)
articulation
how the notes are played; e.g. staccato (detached) or legato (smooth)
accents
a feeling of stress or weight given to a beat or rhythmic value; can be strong or weak and regular or irregular
rubato
pushing and pulling the tempo for effect; translates as "robbed time"
harmony
study of chords and chord relationships; vertical direction in music
structure
simple or complex
quality (harmony)
consonant or dissonant
consonant
intervals/chords that sound relatively stable and free of tension
dissonant
intervals/chords that sound unstable and relatively tense
tonality
whether or not the music sounds nice, basically
tonal
the feeling that one note (and its chord) is central to a piece of music
atonal
the absence of any feeling of tonality
density
thickness or thinness of the texture
modulation
changing the key within a piece; few or many, gradual or abrupt, usual or unusual
harmonic rhythm
the rate at which harmony changes within a piece of music; is often totally independent of the tempo
prominence
whether the harmony is mainly an accompaniment or the main content
timbre
the sonorous quality of a particular instrument, voice, or combination of the two
dynamics
indication as to volume or loudness
forte (f)
loud
piano (p)
soft
mezzo (m)
moderately
fortissimo (fff)
very loud
pianissimo (ppp)
very soft
crescendo (cresc)
get gradually louder
diminuendo (dim)
get gradually softer
largo
very slow
adagio
slow
andante
slow, but not too slow
moderato
moderate tempo
allegretto
fast, but not too fast
allegro
fast
presto
very fast
Strings Include
Violin, Viola, Violoncello (cello), Double bass
Violin
the soprano member of the string family
Viola
The alto member of the string family
Violoncello (Cello)
The tenor/baritone member of the strings family
Double Bass
The bass member of the string family
Arco
Sound produced by pulling a bow over the strings
Pizzicato
Plucking of the strings
Woodwinds include
Flute, Clarinet, saxophone, oboe, bassoon
Flute
Sound produced by blowing over a hole in the instrument and putting down keys to get the different pitches, pitched very high, soprano flute is what we usually see, there is also alto and bass flutes
Clarinet
Single reed instrument, sound is produced by putting air through a mouth piece, allowing the reed to vibrate and produce sound, b flat is the most common, but there is also E - flat, A and bass clarinets
Saxophone
Considered more of a jazz instrument, single reed instrument, alto sax is most common, also soprano, tenor and bass saxs
Oboe
Double reed instrument, sound is produced by both reeds vibrating, sending energy and air into instrument producing sound, the oboe is considered a soprano instrument, lower pitches counterpart is and English horn
Bassoon
Double reed instrument, produced sound like oboe, lower pitched or bass double reed instrument, for comedic relief in orchestra
Brass includes
Trumpet, French horn, trombone, Euphonium, Tuba
Trumpet
Sound produced by putting air through the tubing, pushing piston valves will shorten and lengthen the tubing produces higher and lower pitches, piccolo trumpet, although the C trumpet is also common,
French Horn
sound production similar to trumpet, uses rotary valves as opposed to piston valves to shorten and lengthen tubing, have a thumb trigger that changes the key of the horn, considered mezzo-soprano/alto brass instrument
Trombone
Sound production is similar to trumpet but higher and lower pitches are accomplished by using a slide to shorten and lengthen tubing, most common is the tenor trombone, some soprano, alto, base trombones - considered the tenor/baritone brass instruments
Euphonium
sound production is similar to trumpet, smaller and more portable version of the tuba - considered the baritone brass instrument
Tuba
Sound production is similar to trumpet although the valves are more similar to the French horn - tuba is considered the bass brass instrument
Percussion pitched
Marimba, vibraphone, xylophone, tympani, wood blocks, Pianos, harpsichords, harps are often considered part of the percussion family primarily because their role in the orchestra is generally a rhythmic one.
Percussion non pitched
Snare drums, tom-toms, cymbals, tambourines, maracas, triangle, cowbell
What is music
Organization of sound and can be composed or natural
Listening
To give attention or focus to someone or something in order to hear them
Hearing
To receive or become conscious of sound using your ears
Difference between listening and hearing
Level of activity and engagement, level of cognition and level of skill development
Ways to perceive and hear music
sensual, perceptual and imaginal
Timbre
The sonorous quality of a particular instrument, voice or combination of the two
Dynamic
Indication of volume or loudness
Tempo Indication
The tempo of the piece can be indicated by metronome marking or terms
Binary Form
Common in dances of the Baroque period, binary form movements are written in two sections, each repeated. Repeat signs are as noted as follows |: section of music :| then AB structure that is preformed AABB
Rounded Binary
Variant of binary form, the B section of binary form is ended with a repetition of the A theme
|:A:| |:B:| - A A BA BA
Ternary Form
ABA, simple principle of presentation of a theme, a second or contrasting theme, followed by a return of the first theme, the contrasting B theme will also emphasize a different key than A theme
Found in the Da Capo Aria, in instrumental genres, the Minuet and Trio or Scherzo and Trio
Rondo
ancient musical structure which a return continually alternates with contrasting material
A B A B A
A B A C A
A B A C A B A
General style of this movement is typical of the lively rondo and tends to be lighter and more jovial in spirit than does a movement in sonata allegro form