3RD QUARTER MUSIC EXAM

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29 Terms

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KARNATAK
southern Indian music
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HINDUSTANI
northern Indian music
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IMPROVISATION
on-the-spot
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GAMAKAS
ornaments
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GURU
teacher
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SHISHYA
student
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NARA
symbolic ceremony between teacher and student
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RASAS
nine mythological feelings or emotions
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related to music
Affection, sympathy, bravery, and serenity
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related to drama
Fear, happiness, rage, amazement, repulsion
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RAGA
melodic patterns or framework, composed of five to nine tones
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THAAT
basic SCALE
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SWARAS
basic TONES (SA, RI, GA, MA, PA, DHA NI)
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SHRUTIS
microtones (tones whose intervals are smaller than half tone)
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PURVANGA
lower tetrachord (LOWER SA, RI, GA, MA)
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VADI
Lead note of purvanga
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UTTARANGA
upper tetrachord (HIGHER SA, PA, DHA, NI)
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SAMVADI
Lead note of uttaranga
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"RAGA MARU
BIHAG" - is an evening Raga
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TALA
rhythmic time cycle of India
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MATRAS
set number of beats (3-108 beats)
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TEENTAL
16 beats
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TALA DADRA
6 beats
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JHUMRATAL
14 beats
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TIVRATAL
7 beats
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TALA JHAPTAL
10 matras
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VILAMBITA
slow tempo
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MADHYA
moderate tempo
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DRUTA
fast tempo