Cinematic Compositions EMOTIONS

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Description and Tags

These describe how certain cinematic compositions make you feel.

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33 Terms

1
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Positive Negative
*Sometimes it’s best to not let the details distract from seeing the bigger picture.*

Tense; can be Direct or Indirect
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Shadows Reveal Shapes
*One need not fully understand something to embrace it.* *Can be*

Calm or Tense; Indirect
3
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In and Out of Shadow
*Sometimes being given the answer will not illuminate the truth, sometimes one must ask the question.*

Tense; Indirect
4
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Depth
*Hierarchy allows for a clear understanding of community.*

Tense; Direct
5
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Interesting Division of Space
*Maybe what’s important is not so much the subject, but the subject’s relationship to their environment.*

Calm or Tense; Direct
6
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Size Exaggeration
 *An imbalance of Power is unfair. Deal with it.*

Tense; Direct
7
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Dimensions
*The world is a big place, and often what people do has little impact.*

Tense; Direct
8
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Open Space
*Universally speaking, people are very small, and perhaps inconsequential. This could be good or bad.*

Calm or Tense; Direct
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Changing Horizons
*Unless a comparison between multiple environments is made, the true state of the world may be hard to see.*

Calm or Tense; Direct
10
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Size Difference Reverse
*Do not allow an advantageous situation to lower your guard.*

Tense; Direct
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Size Difference Reverse Out-of-Focus
*Judging an object by its small size will place you at a disadvantage.*

Tense; Direct
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Implied Direction
*One needs to keep moving in order to create change.*

Calm or Tense; Direct
13
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Different Levels Depth
*Too much of even a good thing can become bad.*

Calm or Tense; Direct
14
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Motion Parallax
*The culminating details of the world around us is where the truth of the world can be found.*

Calm or Tense; Direct
15
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Dramatic Down
*Sometimes punishment is necessary.*

Tense; Direct
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Dramatic Up
*Power should be respected.*

Tense; Direct
17
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Dutch Angle
*Sometimes chaos or excitement exists only in the mind of the viewer.*

Tense; Direct or Indirect
18
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Diagonals
*Perceivably calm things can be full of energy.*

Tense; Direct
19
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Close-Up/Cut-Off
*Never take things at face value, an important detail can be missed.*

Calm or Tense; Direct
20
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Beauty of Nature
*The little or peripheral details often have a greater effect than initially realized.* 

Calm or Tense; Direct
21
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Interesting Cutting
*Understanding the sum parts of the whole sheds ignorance.*

Calm or Tense; Direct
22
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Still Patterns
*A world of order brings many opportunities.*

Calm or Tense; Direct
23
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Moving Patterns
*Complex organization can have many moving parts, where all parts must work in synchronicity for the better of the whole.*

Calm or Tense; Indirect
24
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Organized Chaos
*Disorder is just a difficult to see pattern.*

Tense; Indirect
25
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Interesting Pattern
*Disorder is just a difficult to see pattern.*

Calm or Tense; Indirect
26
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“Breaking the Rule”
*There is merit in breaking form or structure—go improvise, keep things flexible.*

Tense; Direct
27
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Softness
*Even if untrue, one can perceive the world as a better place than what it is.* 

Calm; Direct or Indirect
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Distortion
*Things aren’t always what they appear to be.*

Tense; Indirect
29
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Out of Focus Foreground
*Some situations offer no control—whether you can come to terms with this or not is sometimes the only control.*

Tense; Direct
30
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Unusual Composition
*Until one starts to think outside the box, and not take things literal, learning is hindered.*

Tense; Indirect
31
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Rhythm/Graphic Abstraction
*There are some situations where there is no control—whether you can come to terms with this or not is sometimes the only control.*

Tense; Indirect
32
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Frame within Frame
*The world has power to trap or elevate you.*

Tense; Direct
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Interesting Framing
*There is always a possibility to hope even in the most despairing of times.*

Tense; Direct