late medieval italian art moves away from medieval style in italy (byzantine style -- not naturalistic; very decorative and rich) pisa - north of florence south of milan
Nicola Pisano: Pisa Baptistery Pulpit (1260)
Media + Influences:
colored marble
ancient and northern gothic and greco roman characteristics
Patron: Archbishop Federigo Visconti
Significance:
separate baptistery bcs it was important
saves babies from bad faith and die and into christianity
socially: creates citizens and creates social network for citizens
pulpit — pastor stands there to preach
contains narrative panels, leafy capitals, multicolored marble columns, gothic church characteristic pointed arcs
Location: Pisa Cathedral Baptisery (1260)
Detail: Nativity and Annunciation
narrative panel, ancient roman
almost full relief
multiple images within single panel to tell story annunciation included in this panel
birthing attendants and christ having first bath
joseph included
Bonaventura Berlinghieri, The St. Francis Altarpiece (1235)
Media + Influences:
tempera on panel altarpiece
late byzantine style — more naturalistic but still byzantine
Patron:
Significance:
In a church, to help promote
the cult of a new saint and
a new order of monks
Location: San Francesco Pescia
Media of 14th-century Italian Art:
Tempera
Gesso
Fresco
Fresco Secco
Tempera: ground pigments mixed with egg yolk,
painted on a prepared panel
Gesso: animal glue or sizing applied to a wooden panel or canvas to make paint adhere
Fresco: ground pigments mixed with water and applied to wet plaster
Fresco Secco: pigments applied to dry wall, doesn’t stick so well
Cimabue, Madonna Enthroned with Angels and Prophets (1285)
Media + Influences: (12’8’’ x 7’4’’)
Location: Santa Trinita, Florence
Ambrogio Lorenzetti, Peaceful City and Peaceful Country
details from the Effects of Good Government in the City and in the Country, Palazzo Pubblico, Siena,
significance: represents what a good government looks like for the people, shows