AP Art History - Ch 8/9/10/11/12 Test (v. 2)

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(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) This era bridges the classical _____ world and the early _________/________ world, marked by the decline of _____-_____ _________ and the rise of ___________, __________, and ______ __________.

  • c. 25-313 CE - Christian art develops underground (catacombs) due to persecution

  • 313 CE - Edict of Milan: Christianity legalized under Constantine

  • 330 CE - Constantinople established as the new Roman capital

  • 380 CE - Christianity becomes the state religion of the Roman Empire

  • 476 CE - Fall of Western Roman Empire

  • 527-565 CE - Emperor Justinian’s reign (Byzantine glory: San Vitale, Hagia Sophia)

  • c. 600-800 CE - Early Byzantine and Islamic artistic development

  1. Roman

  2. Christian/medieval

  3. Greco-Roman traditions

  4. Christianity

  5. Byzantium

  6. Islamic influences

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) Name this piece!</p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) Name this piece!

Catacombs of Priscilla!

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Location

  • Rome, Italy

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Era

  • Late Antiquity

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Artist

  • Unknown

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Form

  • tufa & fresco

    • loculi = (marble & terracotta)

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Patron

  • Priscilla

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Date

  • 200-400 CE

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Function

  • Subterranean burial space for early Christians

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Vocabulary: <u>CATACOMB</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Vocabulary: CATACOMB

  • underground passageway for burial

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Vocabulary: <u>CUBICULA</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Vocabulary: CUBICULA

  • small room in a catacomb used for mortuary chambers

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Vocabulary: <u>LOCULI</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Vocabulary: LOCULI

  • openings (like shelves) in walls to serve for burials

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Vocabulary: <u>ORANT FIGURE</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Vocabulary: ORANT FIGURE

  • figure with both hands raised in prayer

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Content (visual evidence)

  • Loculi →

    • wealthy: sealed with marble & fresco

    • others: terracotta & fresco

  • about 40,000 people buried

  • 87 miles of tunnels & burials

  • The Greek Chapel (cubicula)

    • (named for 2 Greek inscriptions)

    • orant figure

    • JC as the Good Shepherd (Christians = flock of sheep)

    • earliest iconograph!

  • maaaaybe… earliest

    • Last Supper

    • Virgin Mary & wee baby Jesus

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Context (what is happening historically)

  • Priscilla: the wife of a consul who was killed by Roman Emperor Domitian for converting to & practicing Christianity

  • Burial for popes (leaders of the Catholic church) & martyrs (people put to death for their faith)

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#48: Catacombs of Priscilla</strong></p><ul><li><p>Other Art Connections</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #48: Catacombs of Priscilla

  • Other Art Connections

  • Tomb of the Triclinium (subterranean burials)

<ul><li><p><strong>Tomb of the Triclinium</strong> (subterranean burials)</p></li></ul><p></p>
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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) Name this piece!</p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) Name this piece!

Santa Sabina!

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Location

  • Rome, Italy

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Era

  • Late Antiquity

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Artist

  • Peter of Illyria

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Form

  • Brick & stone (wooden roof)

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Patron

  • Dominican Christians

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Date

  • 422-432 CE

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Function

  • Oldest basilica-plan Church & mother church of the Dominican Order

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Vocabulary: <u>AXIAL/BASILICA PLAN</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Vocabulary: AXIAL/BASILICA PLAN

  • based on Roman courts of law, a structure organized along a central line (axis)

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Vocabulary: <u>SPOLIA</u></p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Vocabulary: SPOLIA

  • piece of architecture taken from a structure & re-purposed in a new one

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Content (visual evidence)

  • simple brick exterior

  • colonnades line the nave (corinthian columns)

  • terminating apse

  • clerestory windows

  • gypsum windows (early mineral used for glass)

  • lighter walls

  • rich interior decoration

  • coffered ceiling

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Context (what is happening historically)

  • site used to be of an imperial roman home & the Temple of Juno Regina

  • on the Aventine Hill (symbolizes Christianity’s rise of popularity)

  • Sabina: martyr, beheaded by Hadrian in 126 CE (later made a saint)

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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Draw the Art!</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Draw the Art!

knowt flashcard image
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<p>(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) <strong>#49: Santa Sabina</strong></p><ul><li><p>Other Art Connections</p></li></ul><p></p>

(Unit 3 Chapter 8: Late Antiquity (c. 250 CE - 800 CE)) #49: Santa Sabina

  • Other Art Connections

  • Basilica Ulpia (Trajan’s Forum)

    • direct copy

      knowt flashcard image

  • Clerestory…

    • Temple of Amun-Re

knowt flashcard image

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(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE))

Early Byzantine Period (330-726 CE)

  • Begins with the founding of ______________ by Emperor Constantine.

Middle Byzantine Period (843-1204 CE)

  • Follows the end of Iconoclasm (726-843 CE), when the veneration of icons was banned and then restored. Flourishing of ____ ________, cross-in-square ________, and _______. Emphasis on more _________, formalized images of Christ, Mary, and saints.

Late Byzantine Period (1261-1453 CE)

  • Begins with the recapture of Constantinople from Crusaders. Art becomes more _________ and __________, with rich color and gold backgrounds. Ends with the fall of Constantinople to the Ottoman Turks in 1453.

  1. Constantinople

  2. icon painting

  3. churches

  4. mosaics

  5. spiritual

  6. emotional

  7. expressive

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!</p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!

Vienna Genesis!

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Location

  • Vienna, Austria

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Era

  • early byzantine art

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Artist

  • unknown

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Form

  • tempera, gold, silver on velum

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Patron

  • unknown

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Date

  • 500-550 BCE

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Function

  • earliest first surviving chapter of the Bible

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Vocabulary: <u>VELLUM</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Vocabulary: VELLUM

  • fine parchment made originally from the skin of a calf

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Content (visual evidence)

  • Rebecca & Eliezer at the well

  • Jacob wrestling the Angel

  • illuminated manuscript

  • flat 2D, little perspective

  • Rebecca offers water to Abraham’s servant and his camels, signaling that she is the divinely chosen wife for Isaac as God guides the encounter

  • Jacob wrestles through the night with a mysterious angel figure who blesses him and renames him Israel, marking his spiritual transformation & covenant w/ God

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Context (what is happening historically)

  • earliest surviving chapter of Bible → Genesis

  • upper-class luxury item

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#50: Vienna Genesis</strong></p><ul><li><p>Other Art Connections</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #50: Vienna Genesis

  • Other Art Connections

  • passage of time → Judgement of Hu-Nefer

<ul><li><p>passage of time → <strong>Judgement of Hu-Nefer</strong></p></li></ul><p></p>
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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!</p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!

San Vitale!

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Location

  • Ravenna, Italy

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Era

  • Byzantine Art

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Artist

  • unknown

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Form

  • brick, marble, & stone

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Patron

  • Julianus Argentarius (rich banker helped finance)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Date

  • 547 C.E.

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Function

  • central-planned church for Saint Vitalis, Ravenna’s patron saint

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Vocabulary: <u>CENTRAL PLANNED</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Vocabulary: CENTRAL PLANNED

  • church having a circular plan w/ the altar in the middle

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Vocabulary: <u>PATEN</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Vocabulary: PATEN

  • a plate, dish, or bowl used to hold the Eucharist at a Christian ceremony

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Vocabulary: <u>XP</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Vocabulary: XP

  • a monogram of the Greek CHI & PHO for KHRISTOS (JC)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Vocabulary: <u>AMBULATORY</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Vocabulary: AMBULATORY

  • a rounded hallway that encircles entire interior of a church with an apse at the back

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Vocabulary: <u>NARTHEX</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Vocabulary: NARTHEX

  • entry-lobby

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Content (visual evidence)

  • octagon shape & clerestory windows

  • brick exterior = spolia (re-used architecture)

  • Apse Mosaic: Saint Vitalis & angel on right, JC in the middle (mandorla), Bishop & angel on left

  • Justinian: right-hand side (North wearing purple color of royalty wall)

  • court surrounds him (religious and military figures), Eucharist Paten, frontal & floating, less naturalism, lengthening of figures for accuracy when seen below

  • centrally-planned → San Vitale = 2 apses mirroring each other

  • Theodora (South wall): equal to Justinian (but not quite…) on left of JC

  • Halos show divinity, outside the inner sanctuary, Eucharist chalice, more color/disaster, still floating, frontal

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Context (what is happening historically)

  • originally created under the rule of the Goths, later dedicated to Byzantine rulers

  • narthex is off-center because it had to accommodate for other buildings

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#51: San Vitale</strong></p><ul><li><p>Other Art Connections</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #51: San Vitale

  • Other Art Connections

  • San Sabina - basilica-planned church

<ul><li><p><strong>San Sabina -</strong> basilica-planned church</p></li></ul><p></p>
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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!</p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!

Hagia Sophia!

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Location

  • Istanbul, Turkey (Constantinople)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Era

  • Byzantine Art

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Artist

  • Anthemius of Tralles & Isidorus of Miletus

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Form

  • ceramic, stone, mosaic

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Patron

  • Justinian & The odora

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Date

  • 532-537 C.E.

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Function

  • central & basilica planned church

  • later a mosque (Sultan Mehmed II) to symbolize triumph of Islam over West & Christianity

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>PIER</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: PIER

  • a vertical support for a pendentive that holds up an arch or vault

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>PENDENTIVE</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: PENDENTIVE

  • a triangle shaped transition b/w flat walls & the base of a round dome

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>MIHRAB</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: MIHRAB

  • indicates direction of prayer/Mecca

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>MINARETS</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: MINARETS

  • towers to call people to worship (Islam)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>DEESIS</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: DEESIS

  • prayer

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Vocabulary: <u>PANTOKRATER</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Vocabulary: PANTOKRATER

  • ruler of the world (Christ in Majesty)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Content (visual evidence)

  • windows & light (power & faith)

  • layers of colonnades & arcades for height

  • iconographical mosaics

  • grand display of power by Justinian… shows he is the Emperor and head of church (under God)

  • Theotokos Mosaic:

    • Theotokos: one who gives birth to Christ located in the APSE

    • Madonna & Child: Virgin Mary & baby JC on lap

    • 4 minarets

  • Deesis Mosaic, located in the South gallery

  • Pantokrater enthroned, carrying a book, with Mary & Saint J.C.

  • encouraging prayer calligraphy medallions (Allah, Muhammad)

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#52: Hagia Sophia!</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #52: Hagia Sophia!

  • Context (what is happening historically)

  • burned down twice (riots against Justinian) so this is the 3rd version

  • largest dome of the time

  • Deesis Mosaic covered when became a mosque

    • why a bunch is missing

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!</p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) Name this piece!

Virgin Theotokos & Child b/w Saints Theodore & George!

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Location

  • monastery of St. Catherine

  • Mount Sinai, Egypt

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Era

  • Byzantine Art

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Artist

  • unknown

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Form

  • Encaustic on wood

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Patron

  • unknown

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Date

  • Early 7th century

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Function

  • Devotional object for an altar

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Vocabulary: <u>ENCAUSTIC</u></p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Vocabulary: ENCAUSTIC

  • type of painting where pigments are added to wax & affixed on a surface

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Content (visual evidence)

  • Halos & gold show DIVINITY

  • Theotokos = Throne of Wisdom (JC = wisdom of salvation)

  • Frontal/balanced/symbolic (no naturalism)

  • compositional movement (In & Up)

  • T = left, G = right

  • angels of hand of God above

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<p>(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) <strong>#54: </strong>Virgin <u>Theotokos &amp; Child</u> b/w Saints Theodore &amp; George!</p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 9: Byzantine (c. 330 CE - 1453 CE)) #54: Virgin Theotokos & Child b/w Saints Theodore & George!

  • Context (what is happening historically)

  • T & G are soldier saints

  • monasteries are sites of artistic production (books & more!)

  • 3 “Sections” (maybe 3 diff artists??)

    • Mary & JC

    • T & G

    • Angels & God’s Hand

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(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE))

  • c. 400-800 CE

    • ________, _________ _________ by tribes, like the Visigoths, Lombards, Anglo-Saxons

  • Hiberno-Saxon / Insular Art (c. 600-900 CE)

    • ________ _______ in British Isles (Ireland, England). Famous for ___________ ___________ with _________ ________ and _________ _________

  • Carolingian Renaissance (c. 768-877 CE)

    • (under Charlemagne and successors) Revival of _________ ______ ______ in architecture and manuscripts

  • Ottonian Art (c. 919-1024 CE)

    • Germanic empire that continued Carolingian traditions. Emphasis on __________ _________ and __________ __________ ________.

  1. Portable, intricate, metalwork

  2. Monastic culture

  3. illuminated manuscripts

  4. interlace patterns

  5. Christian iconography

  6. classical Roman forms

  7. monumental sculpture

  8. expressive religious imagery

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) Name this piece!</p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) Name this piece!

(Frankish) Merovingian Looped Fibula!

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Location</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Location

  • Arles, France

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Era</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Era

  • Early Medieval Art

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Artist</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Artist

  • unknown

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Form</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Form

  • silver (base)

  • gilt (covered in gold) w/ garnet & stone inlay

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Patron</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Patron

  • unknown

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Date</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Date

  • 550 C.E.

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Function</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Function

  • clasp used to fasten a garment (at the shoulder)

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Vocabulary: <u>MEROVINGIAN</u></p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Vocabulary: MEROVINGIAN

  • related to the Frankish dynasty, founded by ruler Clovis, & occupying Gaul & Germany

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Vocabulary: <u>CLOISONNE</u></p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Vocabulary: CLOISONNE

  • color enamel/stone separated by thin bands of metal

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Content (visual evidence)</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Content (visual evidence)

  • Chasing technique

    • ornamenting metal by indenting in to the surface (similar to incising in stone)

  • zoomorphic imagery

    • eagle (OG → pagan symbol… now for St. John)

  • fish (JC story!)

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Context (what is happening historically)</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Context (what is happening historically)

  • Luxury item

  • found in a grave… but connected to daily life (practice & functional)

  • & less funerary

  • reveals more about real people & the way they dressed at this time!

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<p>(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) <strong>#53: (Frankish) Merovingian Looped Fibula</strong></p><ul><li><p>Draw the Art!</p></li></ul><p></p>

(Unit 3 Chapter 10: Early Medieval (c. 500 CE - 1000 CE)) #53: (Frankish) Merovingian Looped Fibula

  • Draw the Art!

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