MUSIC HISTORY TEST 3

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151 Terms

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Diverging Traditions

Musical developments and identities diverging in different regions, particularly in the 19th century.

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Paris Conservatoire

An important institution in France, founded in 1795, central to music education and orchestral performance.

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Société Nationale de Musique

Founded in 1871, it promoted French composers and works, reviving earlier French music.

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César Franck

A Belgian-born composer and organist who became a prominent figure in French music during the late 19th century.

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Thematic transformation

A technique used by Liszt and Franck, where themes are altered while retaining their basic identity.

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Prelude, Chorale, and Fugue

A work by Franck that showcases Baroque styles while incorporating chromaticism and counterpoint.

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Symphony in D Minor

César Franck's most popular symphony, recognized for its cyclic form.

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Cyclic form

A compositional structure where themes recur throughout a work, often altered in character.

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Gabriel Fauré

A French composer known for his contributions to song (mélodie), chamber music, and his distinct musical style.

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La bonne chanson

A song cycle by Fauré, known for its innovative use of poetry and fragmented melodic lines.

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Tchaikovsky

A prominent Russian composer whose works include operas, ballets, symphonies, and concertos.

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Symphony No. 4

A symphony by Tchaikovsky with a cyclic structure symbolizing fate.

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The Mighty Five

A group of Russian composers who sought to create a distinct Russian musical identity.

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Borodin

A member of The Mighty Five, known for significant works in chamber music and symphonic forms.

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Musorgsky

A notable Russian composer best known for his operatic and non-operatic works like 'Pictures at an Exhibition'.

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Nadezhda von Meck

Tchaikovsky's patron who provided financial support during his career.

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Edvard Grieg

A Norwegian composer who developed a distinct national style in his music, particularly in piano works.

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Slavonic Dances

A series of dances by Dvořák, reflecting his use of folk themes and rhythms in classical forms.

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Elgar

An English composer associated with the 'English Musical Renaissance' known for his symphonic works.

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Theme and variation

A musical form that involves presenting a theme and altering it in subsequent iterations.

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Folk music

Traditional music passed down orally within cultural groups, often reflecting their social and cultural experiences.

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Moans and shouts

Vocalizations characteristic of African American musical traditions, especially in spirituals.

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Syncopation

A rhythmic effect that involves accenting normally unaccented beats, common in African American music.

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Tin Pan Alley

An area in New York City known for its music publishers and the production of popular songs in the late 19th century.

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Call and response

A musical form often used in African American music, consisting of a leader singing or playing a phrase and a group responding.

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Impressionism

A musical style characterized by mood, atmosphere, and evocation rather than strict form and structure.

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Chorale

A type of musical composition or style that incorporates hymns, typically associated with sacred music.

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Dances and marches

Common forms in band music, which blend serious and popular music styles.

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Nationalism in music

The incorporation of national elements into musical compositions, expressing a sense of cultural identity.

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Modal melody

Melody that utilizes modes other than the traditional major and minor scales, often used in religious or folk music.

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Programs in music

The use of a title or descriptive outline to suggest the narrative context or thematic elements of instrumental works.

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Orchestral color

The unique tonal quality produced by different orchestral instruments, creating a specific mood or ambiance.

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Ritornello form

A musical structure featuring a recurring section, commonly used in Baroque concertos.

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Romantic harmony

Harmonic language developed during the Romantic period, often characterized by chromaticism and expanded tonality.

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Dissonance

The use of intervals or chords that create tension and a sense of conflict in music.

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Cyclic return

The repetition of musical themes throughout a piece, creating cohesion and unity.

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Aesthetic of simplicity

A principal characteristic of Fauré's work, focusing on clear, lyrical lines and restrained emotional expression.

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Program notes

Written explanations provided for concert attendees about the music being performed, offering insights into the works.

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Lyrical themes

Melodic ideas characterized by expressive and song-like qualities.

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Innovative approaches

New methods or styles introduced by composers to refresh traditional musical forms and genres.

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Django Reinhardt

A pioneering Sinti-Jazz guitarist known for his unique blend of jazz with traditional Romani music.

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Mélodie

A French art song, a significant genre for composers like Fauré that emphasizes piano and vocal collaboration.

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Texture in music

The way musical lines and elements are combined, which influences how a piece is perceived.

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Chamber music

A form of classical music composed for small ensembles, emphasizing interplay between instruments.

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Folk songs

Songs that originate within the culture of a particular community, often passed down through generations.

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Symphonic poems

Orchestral works intended to evoke a story or theme, often associated with Romantic composers.

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Dichotomies

Contrasting concepts or categories that highlight differences, such as old versus new.

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Musicology

The scholarly study of music, particularly historical music.

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Revival of past music

A renewed interest in and performance of historical musical works.

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Brahms

a leading German composer known for his symphonies and personal style.

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Wagner

a German composer known for his operas and ideas on musical drama.

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Nationalism in music

A movement where composers draw inspiration from their native folklore and cultural heritage.

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Absolute music

Music that is not explicitly about anything; purely instrumental.

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Program music

Instrumental music with a narrative or descriptive intention.

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Classical versus popular music

The distinction between serious, composed music and informal, often improvised music intended mainly for entertainment.

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Piano Concerto No. 1

A significant orchestral work by Brahms, composed in D Minor.

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Ein deutsches Requiem

A major choral work by Brahms, featuring a German text based on the Old and New Testament.

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Symphony No. 1

Brahms's first symphony, notable for its C minor to C major transition and lyrical elements.

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Symphonic poems

Orchestral works designed to convey a narrative or story, often associated with Liszt.

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Thematic transformation

A compositional technique where a theme is developed and altered through variations.

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Hungarian Romani style

A musical style that incorporates elements of Hungarian folk music.

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Chaconne,

A form characterized by variations over a repeated bass line.

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Developing variation

A principle used by Brahms where musical ideas are constantly transformed throughout a piece.

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Lied

A type of German song, typically for solo voice with piano accompaniment.

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Opus

A term used to denote a work or collection of works by a composer, often abbreviated as 'Op.'

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Romanticism in music

A music period characterized by emotional expressiveness and individualism.

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Choral music

Vocal music composed for multiple singers, typically in parts.

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Dichotomy between tradition and innovation

The tension or conflict between maintaining traditional forms and exploring new styles.

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Concertizing

Performing in concerts as a musician or group.

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Folklore,

The traditional beliefs, customs, and stories of a community, often inspiring composers.

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Violin Concerto in D Major

A significant violin work by Brahms, ranked alongside Beethoven's.

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Romantic composers

Composers during the Romantic era who emphasized emotional experience and personal expression.

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Instrumentation

The arrangement of musical instruments in a composition.

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Art songs

Songs composed with consideration for literary text and vocal expression.

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Baroque influences

Musical elements derived from the Baroque period, often seen in Brahms's works.

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Symphonic structure

The framework and organization of symphonic compositions.

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Contrapuntal lines

Multiple independent melody lines that create harmony when played together.

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Harmonic palette

The range and variety of harmonies used in a musical work.

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Cecilian movement

A movement in church music advocating for a clearer expression of liturgical texts.

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A German Requiem

Brahms's choral work that prioritizes the experience of grieving and comfort.

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Opera

A theatrical work combining music, singing, acting, and often dance.

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Chromatic harmony

Harmonies that include notes outside the standard scale, often used for emotional effect.

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Piano sonatas

Solo piano compositions typically structured in several movements.

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20th century influences

How the developments and trends of the 20th century affected later compositions.

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Folksongs

Songs that have originated in folk culture, often passed down orally.

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Lieder cycle

A set of related songs designed to be performed in sequence.

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Theme and variations

A musical form consisting of a theme followed by a series of variations.

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Melodic spans

The range or extent of melodies in a piece of music.

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Chorale-like themes

Melodies structured similarly to hymns or choral music.

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Ritornello form

A musical structure consisting of a recurring theme or refrain.

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Folk-inspired melodies

Melody lines that draw from traditional folk music elements.

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Romantic Lieder

Songs from the Romantic era characterized by expressive melodies and deep texts.

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Self-critical nature

A tendency in an artist to critically evaluate or doubt one's own work.

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Orchestral techniques

Methods and approaches applied in orchestration and orchestral composition.

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Ambiguity in meter

Uncertainty or fluidity in the perception of musical meter.

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Audience engagement

The interaction and behavior of audience members during a performance.

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Tonal relationships

The connections between different musical tones and their functions within harmony.

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Broad melodic appeal

Melodies crafted to resonate with a wide audience, often through simplicity.

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Musical adaptation

The process of modifying existing works to fit different contexts or ideas.

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Symbolism in music

Using musical elements to convey deeper meanings or represent ideas.