Speech Science

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lec 4 pgs 23-29; COMPLEX TONES/INTERFERENCE/POWER SPECTRUM

Last updated 2:37 AM on 9/19/26
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23 Terms

1
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<p>frequency + period have a ___ relationship</p>

frequency + period have a ___ relationship

inverse relationship

the more cycles/frequencies the less the period/duration each cycle will have

the longer the duration/period the less cycles/frequencies will happen

2
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periodicity and frequencies algebraic relationship

f=1/T

f= frequency

1= 1 second

T= duration or the period


if f=1/t then T is T=1/F (bcs of their inverse relationship)

3
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<p>what is the period (T) of this waveform? </p>

what is the period (T) of this waveform?

0.01 secs 10ms

4
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<p>what is the frequency of this waveform? (how many cycles occur per second)</p>

what is the frequency of this waveform? (how many cycles occur per second)

100Hz

5
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if the frequency of sound is 200Hz then what is the period?

5ms

6
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3 types of interference

constructive interference

destructive interference

complex interference

7
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interference means

multiple waves in a medium at once, simultaneous sounds set up multiple wave patterns, complex sounds transmit multiple frequencies simultaneously, waves bouncing off objects set up reflected waves

8
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what might happen during interference patterns

a sound may be louder in some places and softer in others

9
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<p>in phase </p>

in phase

2 waves that align either peak + peak or valey + valey equal 1 wave with larger amplitude making it louder; waves crest and trough at the same time

10
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<p>90 degrees out phase </p>

90 degrees out phase

slight minor change, waves crest and trough at different times

little effect on speech sounds the human ear wont notice

11
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<p>180 degrees out of phase </p>

180 degrees out of phase

misaligned waves crest and through at different times resulting in slience

12
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phase described how patters relate to each other

  • in phase: higher amp or higher loudness (constructive interference)

  • out of phase: mostly cancels each other out (destructive interference)


13
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phase essentially describes

where the sinewave begins; a measure of the position along the sinusoidal vibration important for sound localization

14
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<p>constructive interference </p>

constructive interference

compression meets compression

rarefaction meets rarefaction

leads to reinforcement (wave has greater intensity) of comp and rarefactions

15
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<p>destructive interference</p>

destructive interference

comp meets rarefactions

leads to cancellation of compressions and rarefactions

waves have weaker intensity or slience

16
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<p>complex interference </p>

complex interference

most common, not completely constructive or destructive


17
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boundaries

sound meets an obstruction as it travels, interference between 2 mediums

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3 boundary behaviors

  • reflection: bouncing off

  • diffraction: bending around

  • transmission: going through


19
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reflection

  • incident wave: og wave

  • reflected wave: part of that og wave goes back (reflected waves) in vocal tract

the amount of energy reflected back depends on the similarity between 2 mediums

20
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<p>complex tones </p>

complex tones

  • have a periodic wave

  • 2 or more pure tones of different frequency are added


21
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superposition principle

combine amplitude when 2 or more waves meet at a point resultant displacement equals the vector sum of all individual displacements at that point and time

Y= y1+y2

22
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what does our ear do when hearing complex tones?

our ear decomposes complex tone into a set of pure tones (sine waves)

23
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fourier’s theorem

any complex waveform can be decomposed into a set of sine waves