Race, Ethnicity, and Film

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4 Terms

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Third Cinema

1960s as challenge to dominant First Cinema (corporate Hollywood) and differentiated from nation-state based Second Cinema

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Edward SAID’s Orientalism

  • Western scholarship constructs an idea of the “Orient” (North Africa, Middle East, Asia) in order to have authority over it

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Postcolonial film studies

Interest in questions of representation, epistemological violence and colonization of the imagination, role of aesthetics in politics

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Ousmane SEMBÈNE

Select filmography: La Noire de…(1966), Mandabi (1968), Xala (1975), Ceddo (1977), Camp de Thiaroye (1988)