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Minoan and Mycenean
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Throne room, Palace of Knossos, Crete,
1400 BC
Minoan Art
*Composite form peacock head/lion body
*Labrys axe on either side of throne
*Evans restored
Labyrinth

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Toreador fresco, Palace of Knossos Crete,
1400 BC
Minoan Art
Spanish sport of bullfighting, bull-leaping
*Profile view
*Schemata of human form compares to entasis of minoan column

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Mycenaean Warrior vase,
1200 BC,
Mycenaean art
*Composite view
Handle: lion’s head. Symbolic imagery.
- Separated soldiers and focusing on details like shields and weapons. Marching
sequence. (unlike minoan)
- No overlapping, not minoan scheme for human form

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Harvester’s vase,
1500 BC,
Minoan art
*harvest of olives, frontal eye, profile face
Overlapping together, smiling,
- Celebration of nature seasons, earthly existence.
- Minoan columns through human body (torso, broad shoulders, etc

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Queen’s chamber: “dolphin” fresco
1400 BC
Minoan Art
Putting puzzle like pieces together
- Reference to crete as an island
- Representing the dolphins realistically (swimming on the wall with other fish)

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Snake goddess, Knossos,
1600 BC
Minoan Art
Lots of depictions of females holding snakes
- Narrow waist, and if legs were there, they would be elongated
- Maybe giving reference to the minoan columns

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“Cupbearers procession” fresco, Knossos,
1400 BC
Minoan Art
Bringing an offering in, walking forward
- Profile view, frontal eye
- Apart of a celebration
- Schema for representing the human form (narrow shoulders, tiny waist).
- Resemblance to the minoan column

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“Springtime” fresco, Thera,
1650 BC
Minoan Art
- Representing the beauty of island setting and nature.
- Iris is growing on outcroppings, birds flying, colorful, decorated.
- Scene about beauty, no history telling

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“Fisherman” fresco, Thera,
1650 BC
Minoan Art
Appropriate to island.
- No consistent profile view
- Schema for representing the human form through the minoan column

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“Wrestlers” fresco, Thera,
1650 BC
Minoan Art
Overlapping, realistic post.
- Gesture are punching each other.
- Representing if its taking place
- Realism
- References Minoam column through human body

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Octopus vase,
1500 BC
Minoan Art
Made out of clay
- Representing island existence.
- Its existing, conforms to the curve of the vase

Citadel, Mycenae
Military stronghold
- Fortified city, walls 20 feet thick.
- Shaft graves
- Burial with full sets of armor and weapons
- Corbel;corbelling

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shaft grave circle,
1400 –1200 BC
Mycenaean Art
in shaft graves found full sets of armor and weapons
- Heavily fortified, fortified within fortified.
- Massive stones to produce fortification.
-Entire city is designed with these stones
corbelling
one stacked in levels progressively projected
forward until they meet at the top. Formed a curve

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Lions Gate,
1300-1250 BC
Mycenaean Art
Corbelling
- Mycenaean guardian figure, propagandistically.
- Two lions, minus their heads. Mutilation to their heads by another culture.
Propogandisitc
- Minoan column in the middle → representing the defeat of the minoan civilization

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“Treasury of Atreus,” Mycenae,
1300-1250 BC
Mycenaean Art
Named by schliemann
Atreus: a king of Mycenae → Father of Agamemnon, Menelaus
- Subterranean
- Grave circle inside
- 48 feet in diameter, 50 feet tall at highest point. Massive
- Beehive tomb: corbelled in the round (domelike)
- Corbelling right over the door
- Lintel stone above doorway: 120 tons

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Funeral Masks,
1600-1400 BC
Mycenaean Art
Found in the grave circle
- Masked placed over the deceased.
- Zoomorphism: lion and human
- Repousse
Repousse
a metalworking technique in which a sheet of gold is hammered against a form; the details on the form are then transferred to the gold sheet
Connoisseurship
making judgements about quality, skill or excellence.

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Dagger Blades,
1400 BC
Mycenaean Art
Ceremonial, not for weapon
- Bronze with gold, silver inlay
- Found in Mycenae
- Buried in the grave circles
- One has the schema in the Minoan human form. Symbolic of the battle against them. Consistent with Mycenaean imagery. Overlapping, representing motion
- Other dagger from has no minoan schema .
- Minoan gold workers and Mycenaean gold worker (probably happened when Mycenaean brought over Minoan workers when they defeated them )
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Vaphio cups,
1400 BC
Mycenaean Art
Found in Mycenae but by minoan metalworks
Style: minoan (they still worked in their own style).
“How to capture a bull” in one cup
Answer is to dance or do battle with the bull. Outcome is tragic. Human is trampled over by the bull
Repousse:
- Other cup has a depiction of tricking the bull rather than going into battle with thebull.
- Neck to back of minoan column

Minoan Column
Capital at the top, shaft in the middle, base at the bottom.
- Entasis:
- Cushion capital (curved area)
- Entasis:
change in diameter of shaft from top to base. Larger d at the top
Arthur Evans
Archaeology of “restoring”
Minoan Columns
Palace of knossos
Henirich Schliemann
Archeology of “Preserving” - maintaining the artifact in the condition it was found during excavation
- Archaeologist of mycenae and troy