SET 3 - History of Art: ID-2242: Exam 2

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Minoan and Mycenean

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<p>Name?</p><p>Date?</p><p>Period?</p><p>Facts?</p>

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Throne room, Palace of Knossos, Crete,

1400 BC

Minoan Art

  • *Composite form peacock head/lion body

  • *Labrys axe on either side of throne

  • *Evans restored

  • Labyrinth

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Toreador fresco, Palace of Knossos Crete,

1400 BC

Minoan Art

  • Spanish sport of bullfighting, bull-leaping

  • *Profile view

  • *Schemata of human form compares to entasis of minoan column

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Mycenaean Warrior vase,

1200 BC,

Mycenaean art

  • *Composite view

  • Handle: lion’s head. Symbolic imagery.

  • - Separated soldiers and focusing on details like shields and weapons. Marching

  • sequence. (unlike minoan)

  • - No overlapping, not minoan scheme for human form

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Harvester’s vase,

1500 BC,

Minoan art

  • *harvest of olives, frontal eye, profile face

  • Overlapping together, smiling,

  • - Celebration of nature seasons, earthly existence.

  • - Minoan columns through human body (torso, broad shoulders, etc

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Queen’s chamber: “dolphin” fresco

1400 BC

Minoan Art

  • Putting puzzle like pieces together

  • - Reference to crete as an island

  • - Representing the dolphins realistically (swimming on the wall with other fish)

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Snake goddess, Knossos,

1600 BC

Minoan Art

  • Lots of depictions of females holding snakes

  • - Narrow waist, and if legs were there, they would be elongated

  • - Maybe giving reference to the minoan columns

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“Cupbearers procession” fresco, Knossos,

1400 BC

Minoan Art

  • Bringing an offering in, walking forward

  • - Profile view, frontal eye

  • - Apart of a celebration

  • - Schema for representing the human form (narrow shoulders, tiny waist).

  • - Resemblance to the minoan column

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“Springtime” fresco, Thera,

1650 BC

Minoan Art

  • - Representing the beauty of island setting and nature.

  • - Iris is growing on outcroppings, birds flying, colorful, decorated.

  • - Scene about beauty, no history telling

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“Fisherman” fresco, Thera,

1650 BC

Minoan Art

Appropriate to island.

- No consistent profile view

- Schema for representing the human form through the minoan column

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“Wrestlers” fresco, Thera,

1650 BC

Minoan Art

  • Overlapping, realistic post.

  • - Gesture are punching each other.

  • - Representing if its taking place

  • - Realism

  • - References Minoam column through human body

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Octopus vase,

1500 BC

Minoan Art

  • Made out of clay

  • - Representing island existence.

  • - Its existing, conforms to the curve of the vase

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<p>Citadel,<span style="background-color: unset; line-height: unset; font-size: unset; color: transparent;"> </span>Mycenae</p>

Citadel, Mycenae

  • Military stronghold

  • - Fortified city, walls 20 feet thick.

  • - Shaft graves

  • - Burial with full sets of armor and weapons

  • - Corbel;corbelling

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shaft grave circle,

1400 –1200 BC

Mycenaean Art

  • in shaft graves found full sets of armor and weapons

  • - Heavily fortified, fortified within fortified.

  • - Massive stones to produce fortification.

  • -Entire city is designed with these stones

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corbelling

one stacked in levels progressively projected

forward until they meet at the top. Formed a curve

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Lions Gate,

1300-1250 BC

Mycenaean Art

  • Corbelling

  • - Mycenaean guardian figure, propagandistically.

  • - Two lions, minus their heads. Mutilation to their heads by another culture.

  • Propogandisitc

  • - Minoan column in the middle representing the defeat of the minoan civilization

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“Treasury of Atreus,” Mycenae,

1300-1250 BC

Mycenaean Art

  • Named by schliemann

  • Atreus: a king of Mycenae Father of Agamemnon, Menelaus

  • - Subterranean

  • - Grave circle inside

  • - 48 feet in diameter, 50 feet tall at highest point. Massive

  • - Beehive tomb: corbelled in the round (domelike)

  • - Corbelling right over the door

  • - Lintel stone above doorway: 120 tons

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Funeral Masks,

1600-1400 BC

Mycenaean Art

  • Found in the grave circle

  • - Masked placed over the deceased.

  • - Zoomorphism: lion and human

  • - Repousse

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Repousse

a metalworking technique in which a sheet of gold is hammered against a form; the details on the form are then transferred to the gold sheet

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Connoisseurship

making judgements about quality, skill or excellence.

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Dagger Blades,

1400 BC

Mycenaean Art

Ceremonial, not for weapon

- Bronze with gold, silver inlay

- Found in Mycenae

- Buried in the grave circles

- One has the schema in the Minoan human form. Symbolic of the battle against them. Consistent with Mycenaean imagery. Overlapping, representing motion

- Other dagger from has no minoan schema .

- Minoan gold workers and Mycenaean gold worker (probably happened when Mycenaean brought over Minoan workers when they defeated them )

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Vaphio cups,

1400 BC

Mycenaean Art

  • Found in Mycenae but by minoan metalworks

  • Style: minoan (they still worked in their own style).

  • “How to capture a bull” in one cup

  • Answer is to dance or do battle with the bull. Outcome is tragic. Human is trampled over by the bull

  • Repousse:

  • - Other cup has a depiction of tricking the bull rather than going into battle with thebull.

  • - Neck to back of minoan column

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<p>Minoan Column</p>

Minoan Column

  • Capital at the top, shaft in the middle, base at the bottom.

  • - Entasis:

  • - Cushion capital (curved area)

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- Entasis:

change in diameter of shaft from top to base. Larger d at the top

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Arthur Evans

  • Archaeology of “restoring”

  • Minoan Columns

  • Palace of knossos

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Henirich Schliemann

  • Archeology of “Preserving” -  maintaining the artifact in the condition it was found during excavation

  • - Archaeologist of mycenae and troy