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Machaut's profession and place of work
church canon, Reims Cathedral
period of time Machaut was alive [format (c. -)]
(c. 1300-1377)
Period of time rossini was alive
(c. 1792-1868)
type of music Rossini initially focused on composing
opera buffa
places Rossini composed before his retirement
Naples and Paris
year of Rossini's retirement
1832
why Machaut composed at the end of his life
occupational requirements
why Rossini composed at the end of his life
recreational pleasure
The first composer's full name
Guillaume de Machaut
The second composer's full name
Gioachino Antonio Rossini
setting for machaut's mass
liturgical - for use in a church
reasons for the first composition
for his brother's memorial, use in the Saturday Lady Mass
setting for Rossini's mass
concert - for use in a performance
who likely commissioned the second composition
Count Alexis Pillet-Will
second composition's purpose
celebrating the opening of Count Alexis Pillet-Will's new ballroom
style of the first composition
Ars Nova
time period of the second composition
Romantic Period
style of the second composition
Late Classical
two composers pushing the boundaries of the second composition's time
Wagner and Liszt
first composition's title
Messe de Notre Dame (Mass of Our Lady)
second composition's title
Cum Sanctu Spiritu (from the Petite Messe Solenelle)
What are the four voice parts in the first composition?
Tenor, duplum/motetus, triplum and contratenor
What are the five principal movements of the Mass Ordinary?
Kyrie, Gloria, Credo, Sanctus and Agnus Dei
The dismissal formula for the first composition
Ite, missa est
What are the five main ways the first composition was more developed than previous pieces of the time?
Polyphony, scale and duration, cyclical unity, isorhythms, artistic merit
What is the tenor line built on in the first composition?
Cantus firmus/Vatican Kyrie IV
When was the first composition composed
Early 1360s
When was the second composition composed
1863
What famous operas did rossini composed before he was 21?
The Barber of Seville, William Tell and The Italian Girl in Algiers
At what age did rossini retire
39
1st part of structure of a fugue
Subject: 4-8 bars long, modulates to the dominant key by the end of the theme (F-C)
2nd part of structure of a fugue
Answer: almost the same as the subject but with slight variation to return to original key (C-F)
3rd part of structure of a fugue
Counter-subject: what a part plays while another plays the answer. Less strictly ordered and provides melodic interest
4th part of structure of a fugue
Episode: included for variety
5th part of structure of a fugue
Stretto: caused by overlapping of themes (subjects and answers) to add variation and build energy and excitement
Who was the master of fugal writing (include period, heritage and occupation)
J.S. Bach, a Baroque German composer
Examples of fugues from the master of fugal writing
The Little Fugue in G minor, choruses from the St Matthew Passion Oratorio and the Mass in B minor
The second piece is the only famous classical piece to use which instrument
Harmonium
structure of first composition
ABA structure (Kyrie Eleison x 3 [I], Christe Eleison x 3, Kyrie Eleison x 2 [II], Kyrie Eleison x 1 [III])
what are the pitches in the first composition’s tenor melody line called?
colores
what kind of movement happens in the first composition’s melody? (The melodic contour…)
The melodic contour, like most plainchants, mostly moves in 2nds and 3rds, and as such is not particularly memorable. This is called stepwise movement.
what is the first composition’s rhythmic pattern, and what is it called?
dotted semibreve, minim, semibreve, dotted semibreve, dotted semibreve rest, talea
what is the second composition’s subject shape?
Cum Sanctu Spiritu’s subject has a striking and memorable shape, starting with a chromatic minor 7th and modulating by the end of its 7 bar length
what method is the second composition’s melody written around?
A complex fugue
variation in the second composition
The subject has minimal variation except for the stretto
analyse section
write an angle and debate between the two - purpose, innovation, composition techniques. BOTH ARE STRUCTURED AROUND THE MELODY