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Ghungroo

Small metal bell made of brass, worn at the ankles by dancers in classical Indian dance performances to maintain rhythm and tempo.

Gat

Type, scenarios, or positions in Kathak dance, involving movements like Gatnikash and Gatbhav to act out characters of a story.

Salami

A salutation performed by dancers at the beginning of a performance to honor the audience.

Asamyukta Hasta

Single-hand gestures in classical Indian dance, part of the Anga, Pratyanga, and Upaanga divisions of the body.

Kavit

Poetry linked with dance, tabla, and pakwaz in rhythmic music, often used in Jaipur gharana with themes like Ganesha, Shiva, and Krishna.

Chakardar Paran

Composition using bols from pakhawaj repeated three times in classical Indian dance.

Eight Eye Movements

Different eye movements in classical Indian dance like Samam, Alolitam, and Pralokana to express emotions and rhythm.

Four Neck Movements

Neck movements in classical Indian dance like Sundari and Tirashcheena to enhance expressions and grace.

Six Eyebrow and Eyelids Movements

Movements like Sahaj, Utshape, and Bhrikuti in classical Indian dance to convey emotions and expressions effectively.

Kathak

A dance form reflecting the absolute philosophy of life, encompassing a wide range of rhythmic patterns, hand gestures, and emotions, providing insight into Indian thoughts and idealism.

Lucknow Gharana

A style of Kathak dance originating in the court of Nawab Wajid Ali Shah in the early 19th century, known for its grace, delicate movements, expressive acting, and heartwarming vocal compositions.

Banaras Gharana

A Kathak style developed in Banaras, focusing on dance bols, minimal chakkars, and incorporating compositions based on bhajans and kavit parans related to God.

Jaipur Gharana

A Kathak style emphasizing technical aspects like powerful footwork, multiple spins, laykari, and compositions from the Pakhawaj, with a focus on 'Veer Ras' based on the Kshatriya family.

Tandava

A vigorous dance form originated by Lord Shiva, expressing various emotions like courage, extreme anger, and enjoyment, characterized by aggressive limb movements and associated with destruction.

Lasya

A soft and shringarik dance form performed to pacify Lord Shiva after Tandava, characterized by gentle movements and expressions, often performed by female dancers with instruments like Manjira and Flute.