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Masthead
Name of Magazine
Mostly will stay the same but colour may differ with each editions
Brand Identity
Sell line
“Briton's No.1” etc
Coverlines
Teases for content and features
Straplines
Most important articles/festures
“Puffs” or “Blurbs"
Blocks of text or images to attach readers to offers inside the magazine
Main image
Dominates the page, often an actor or celebrity
Advertiser and Editor Relationship
Advertisers have a lot of power over the editors in magazines as the need the sales
→ e.g. Loaded being pressured to have more woman on the covers by advertisers to compete with FHM
Metrosexual
-Coined by Mark Simpson
-A man who cares heavily about their appearance, mainly focusing on fashion and skincare
Spornosexual
-Coined by Mark Thompson to explain that changes he has seen in the ways men behave
-A type of Metrosexual (combines the words ‘porn’, ‘sport’ and ‘metrosexual’) who cares more about fitness than fashion or skincare
GQ’s Demographics and Psychographics
-Social Grades A, B and C1
-Apsirers and Succeeders
-White
-Men
-20-44 years old
GQ readership stats:
-212,000 monthly print readership
-2 million monthly unique users online
-More than 2 million social media followers
Average GQ reader income yearly
£138K
Average GQ reader money spent on fashion annually
£7.7K
Common representations of masculinity
-Hetrosexual
-Able-bodied
-Healthy
-Problem solvers
-Ambitous
-Self-confident
-Well dressed and fashionable (but not flamboyant), often wearing blues, dark browns, greys and blacks.
Hypermasculinity
Exaggeration of male stereotypical behaviour and attributes
Instrumental bodies
Social discourse which endorses the importance of values linked to external beauty
Representing Men, MacKinnon 2003
Men are increasingly and unapologetically objectified, both in terms of erotic spectacle and as targets of advertising for products beyond cars and beer
Men in the mirror, Edwards 1997
The sexual objectification of men has increased in the media
Homogenous body
Dominant depictions of maleness in physical terms, linked to power, strength and youth
Joseph Gelfer
Preciously, masculinity was mostly presented in one of two ways: either a glamorous James Bond-style masculinity that attracted “the ladies”, or a buffoon-style masculinity that was firmly under widely thumb.
Gelfer suggests that there are five stages of masculinity - how people perceive and understand what it means to be a man.
Stage 1: “unconscious masculinity” - traditional view of men
Stage 2: “conscious masculinity” - as above by deliberate
Stage 3: “critical masculinities” - feminist: socially constructed
Stage 4: “multiple masculinities” - anyone can be anything
Stage 5: “beyond masculinities” - it doesn't exist