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Isenheim Altarpiece
Polyptych altarpiece made for a hospital chapel
Matthias Grünewald
Artist of the Isenheim Altarpiece
1512–1516
Date the Isenheim Altarpiece was created
Polyptych
Multi-paneled altarpiece with movable wings
Monastery of St. Anthony
Original location of the altarpiece
Unterlinden Museum, Colmar
Current location
Ergotism (“St. Anthony’s Fire”)
Disease treated at the hospital
Expressive style
Emotional, distorted Northern Renaissance style
Chiaroscuro
Strong contrasts of light and dark
Distorted figures
Heighten emotional impact
Crucifixion panel
Graphic depiction of Christ’s suffering
Diseased Christ
Allows patients to identify with Christ’s pain
Lamb with chalice
Symbol of Christ as the Lamb of God
First Opening
Annunciation, Concert of Angels/Nativity, Resurrection
Resurrection panel
Christ bursts from the tomb in radiant light
Second Opening
Temptation of St. Anthony and Meeting with St. Paul
Grotesque demons
Reference ergotism hallucinations
Nikolaus Hagenauer
Sculptor of the altarpiece’s central figures
Function
Provide spiritual comfort and healing
Late medieval spirituality
Focus on suffering, redemption, and healing