Isenheim Altarpiece – Matthias Grünewald

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20 Terms

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Isenheim Altarpiece

Polyptych altarpiece made for a hospital chapel

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Matthias Grünewald

Artist of the Isenheim Altarpiece

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1512–1516

Date the Isenheim Altarpiece was created

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Polyptych

Multi-paneled altarpiece with movable wings

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Monastery of St. Anthony

Original location of the altarpiece

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Unterlinden Museum, Colmar

Current location

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Ergotism (“St. Anthony’s Fire”)

Disease treated at the hospital

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Expressive style

Emotional, distorted Northern Renaissance style

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Chiaroscuro

Strong contrasts of light and dark

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Distorted figures

Heighten emotional impact

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Crucifixion panel

Graphic depiction of Christ’s suffering

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Diseased Christ

Allows patients to identify with Christ’s pain

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Lamb with chalice

Symbol of Christ as the Lamb of God

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First Opening

Annunciation, Concert of Angels/Nativity, Resurrection

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Resurrection panel

Christ bursts from the tomb in radiant light

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Second Opening

Temptation of St. Anthony and Meeting with St. Paul

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Grotesque demons

Reference ergotism hallucinations

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Nikolaus Hagenauer

Sculptor of the altarpiece’s central figures

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Function

Provide spiritual comfort and healing

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Late medieval spirituality

Focus on suffering, redemption, and healing