Music History: Chapters 15-17 Test

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52 Terms

1
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In what city did Mozart’s Don Giovani and Le nozzle di Figaro first find significant success?

Prague

2
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Which best describes the political situation of eighteenth-century Europe?

It was dominated by centralized states with large militaries.

3
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According to the text, what was the primary aim of instrumental music in the early Classic
period?

to provide suitable accompaniment to social functions

4
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Joseph Haydn spent much of his career

working for a single noble family.

5
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n an opera seria, action progresses through

recitative, either simple or accompanied.

6
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What term refers to eighteenth-century pianos in order to distinguish them from their later
counterparts?

fortepianos

7
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Which of the following is not a characteristic of empfindsam style?


regular phrases

8
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Which of the following Baroque genres remained in common use throughout the Classic period?

concerto

9
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Hayden began his career as a(n)

choirboy at a cathedral

10
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All of the following are true of public concerts in the eighteenth century except:

Composers’, not performers’, names were listed in ads and programs

11
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Scherzo refers to a

joking fast movement.

12
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New styles in the eighteenth century placed musical focus on

melody

13
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If you were to hear an aria from a ballad opera, it probably would

use a familiar tune from a folk or popular song

14
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Haydn’s The Creation was designed to be sung in which two languages?

English and German

15
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Why is the Esterházy family important for Classic-era music?

They provided Haydn with job stability and skilled musicians.

16
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The third movements of Mozart’s piano concertos

frequently use rondo form.

17
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Which eighteenth-century musical technique is a reaction against the complexity of Baroque
music?

melodies in short phrases over spare accompaniment

18
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Which of the following characteristics shows the influence of vocal music on instrumental
music?

emphasis on lyrical melodies

19
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Which instrument was not usually included in the late eighteenth-century symphony?

trombone

20
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When Mozart moved to Vienna, he earned money by doing all of the following except

performing as a singer.

21
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Of the following genres, which was considered music for private consumption?

keyboard sonata

22
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Which genre or ensemble was invented in the early Classic period?

string quartet

23
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Why was the symphony sometimes viewed in the 1700s as a reflection of democratic ideals?

Many instruments work together to express ideas and sentiments.

24
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Which composer was known for writing in the empfindsam style?

C.P.E. Bach

25
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Mozart wrote three operas with which librettist?

Lorenzo da Ponte

26
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Which of the following is not a typical characteristic of Italian comic opera in the mid-1700s?

complex harmonies

27
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Billings declared independence from normal rules of counterpoint. He often used

parallel octaves and fifths and open chords without thirds.

28
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____________ is one of the most famous and successful intermezzi.

La serva padrona

29
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Why has Haydn been called “the father of the symphony”?

He set standards and patterns that later composers emulated.

30
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The Sturm und Drang style was the primary source for what aspect of Haydn’s music?

heightened agitated sentiment and abrupt dynamics

31
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In the 1700s, the Concert spirituel was a

concert series that fostered the development of the symphony.

32
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Most of William Billings’s compositions were “plain tunes,” but later collections included

pieces that open with a syllabic and homophonic section, feature a passage in free imitation, and close with voices again in homophony. These are known as


fuging tunes.

33
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Why were keyboard sonatas common in the eighteenth century?

There was a growing interest in and demand for challenging music to be played by
amateurs at home.

34
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Who was the first composer to consistently write symphonies with four movements?

Johann Stamitz

35
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Published music for keyboard, chamber ensemble, or voice and keyboard was often
performed by amateurs in domestic settings.

True

36
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Opera buffa both entertained and served a moral purpose by poking fun at human foibles.

True

37
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In Classic-era music, contrasts of stability and instability help listeners follow the form.

True

38
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Fragmentation, counterpoint, digressions, and silences are common in Haydn’s development
sections

True

39
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Mozart’s travels as a youth were important because they allowed him to absorb and later
synthesize every kind of music being written in western Europe

True

40
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Italian comic opera strongly influenced the new musical style of the eighteenth century

True

41
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Composers of instrumental music in the mid-1700s adapted musical techniques from opera.

True

42
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Haydn and Mozart admired and influenced each other

True

43
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In eighteenth-century Europe, shared humanity and culture mattered more than national differences.

True

44
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Mid-eighteenth-century orchestras gave woodwinds important solo parts.

False

45
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List three duties or stipulations from Haydn’s original contract.

Composing music, supervising the orchestra, maintaining the court’s musical library

46
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Eighteenth-century theorists drew many parallels between musical form and language. List two.

Phrases as sentences, cadences as punctuation

47
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List the instruments that perform in a string quartet.

Violin 1, Violin 2, Viola, Cello

48
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What expressive advantage did the pianoforte have over the harpsichord?

Pianoforte had a wider range of dynamics, making a more expressive sound, while harpsichord was more uniform in sound.

49
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What tempo and character are typical of each of the four movements of a symphony from the
late 1700s? Also include probable forms.

1st = Allegro, sonata form, dramatic.

2nd = Adante or Adagio, binary or ternary form, expressive

3rd = Moderate, ABA form, dance-like

4th = Allegro or Presto, rondo or sonata form, joyful

50
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What reed instrument was invented during the early 1700s?

Clarinet

51
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The left hand in the musical example below shows the technique known as ___________.
Briefly define it.

Alberti Bass, follows the pattern low-high-mid-high (1 5 3 5), & follows the chord pattern of the harmony.

52
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What is the foundational tonal paradigm for Classic-era music?

I - IV - V - I