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Convention - Dance
Drunken scene with Sir Toby and Sir Andrew
Convention - Mistaken identity
It’s funny, and easy to do (not a lot of props and set tech, had to use characters to create the plot line)
Convention - Invisibility (Feste)
His low status makes him able to manoeuvre between the different statuses, has freedom, lowest social class seems to have more freedom.
Convention - Disguise/cross-dressing
It is funny. Unbecoming of women to be in plays so men had to play them. Young men played women and as they grew older they’d be able to play male main characters.
Convention - Letter intrigue/plot
Maria’s letter to Malvolio
Convention - Dramatic irony
The audience knows something that the characters on stage do not e.g. Orsino is attracted to Cesario not knowing he/she is in fact a woman.
Convention - Slapstick/farce
Yellow stockings = Adds humor and ridiculousness
Technologies - Props
Minimal props: Props hand held - Sword, letter, goblet – Draw this out in the boxes in the exams
What props there were, were significant e.g. Oliva’s ring she sends to Cesario through Malvolio, and the letter created by Maria to deceive and trick Malvolio
Technologies - Set
Minimal Set
Made up for by descriptive scripts
Performed during the day – audience need to be told if it is night time through the text
Multiple shows in a week so they need to have a blank space for any play to be performed on
No time, no intermission, performance flowed continuously as entrance followed exit.
Technologies - Lighting
Plays performed in the afternoon - Natural lighting, no special effects, used language and acting to show danger etc.
Technologies - Costume
Actors wore expensive sixteenth century clothing. Often donated by patrons. No attempt at historical accuracy. Men’s clothing looked quite feminine with tights and breeches, women’s clothing covered them and was heavy and cumbersome.
Costumes made of:
Wool
Linen
Velvet
Silk (cotton not available in Elizabethan England)
Gold/silver thread stitched onto garments
The folly of ambition
“Marry, sir, sometimes he is a kind of puritan.”
“he thinks, with excellencies, that it is his grounds of faith that all that look on him love him”
Gender and sexuality
“I am not what I am.” - Viola
“All is semblative a woman’s part.” - Orsino
Love as a cause of suffering
“fell and cruel hounds” - Orsino
“My state is desperate for my master’s love” - Viola
Queen Elizabeth’s quote
“I know I have the body of a weak and feeble woman, but I have the heart and
stomach of a king, and a king of England too.”
Queen Elizabeth’s feats
Defeat of the Spanish Armada - Great military battle
Religious settlement - Declared Britain Protestant
She was a major supporter of the stage - theatres and literature blossomed
Exploration/colonisation - Naval pursuits / expeditions across the world
Brought Britain out debt and built it backup to wealth and prosperity
Squashed any attempts to overthrow her and kept peace
What was Queen Elizabeth’s time often called?
The Golden Age of Britain
The Great Chain of Being
The order of importance of life and status during the Elizabethan period.
Performance space
Thrust stage
Rounded audience on three sides
Three levels and groundlings
Raised stage with pillars and a balcony above the back of the stage.
Exit and entrances
Language
Lower class - dirty and sexual jokes would often be directed down to them
Middle class - prose and verse - less poetic verse than the upper class
Upper class - poetic, flowery and divine language directed up to the upper
level.
Acting style
Presentational style
Big and sweeping gestures
Bold physicality and facial expressions
Strong projection of the voice