Take the A Train (1941) by Billy Strayhorn (62-65)

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Last updated 8:08 AM on 7/27/26
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72 Terms

1
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What degrees did Fletcher Henderson earn?

Degrees in chemistry and mathematics

2
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Where did FLetcher Henderson receive his education?

Atlanta

3
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Where did Fletcher Henderson move to pursue music?

NY

4
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What does ther swing style make use of?

The swing rhythm

5
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Who was Fletcher Henderson’s arranger?

Don Redman

6
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What 4 innovations are Fletcher Henderson and his arranger Don Redman credited with pioneering for swing ensembles?

Increasing the band size, sectional writing, call and repsonse patterns, and their use of the riff

7
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Early commentators called Henderson’s big band designation what?

“Orchestral jazz”

8
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What was block voicing/sectiopnalw writing?

Instruments in same family or section all played similar music

9
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Call and response often was between what?

Different sections in sectional writing

10
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In call and response the response can be what or what?

An echoing of the motif or a contrasting answer

11
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What was a riff in jazz?

Their equivalent of the ostinato

12
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Are all 4 of Henderson's pioneered features in “Take the ‘A’ Train?”

Yes

13
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How many sections are the instruments scored in “Take the ‘A’ Train?”

3 sectiuons

14
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What are the 3 instrument sections in “Take the ‘A’ Train?”

5 saxes, 3 trumpets, and 3 trombones

15
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The 3 main instrument sections in “Take the ‘A’ Train” are supprted by what?

A rhythm section

16
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What was the rhythm section composed of?/

Piano, guitar, string bass, and a drum set

17
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Who played piano in “Take the ‘A’ Train?”

Duke ellington

18
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What is the form of “Take the ‘A’ Train?”

32 bar form

19
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What is audible in the first chorus of “Take the ‘A’ Train?”

Each sections stays out of each others way

20
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What do the saxes play in the first section of “Take the ‘A’ Train?”

a disjunct melody with long sustained notes

21
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What do the 2 sections of brass instruments play in the first section of “Take the ‘A’ Train?”

They interject short riffs

22
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Each brass section has its own unique what?

Unique rhythm to their riff which is performed in rhythmic unison throughout their section

23
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The rhythms of the 2 riffs do what with each other? What does this allow?

Interlock with each other, allowing for each sections pattern to be heard clearly

24
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Are the riffs in “Take the ‘A’ Train” simple?

No

25
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What is Mark Tucker’s career?

He is a historian

26
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What does Mark Tucker say about “Take the ‘A’ Train’s”
Riffs?

That “For a challenging exercise, try tapping along with he brass;’ off-beat patterns!”

27
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What chorus has very clear call and response exchanges?

Chorus #3

28
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What did Strayhorn add to his “Take the ‘A’ Train” which kept it from being a henderson clone?

He adds a series of changes, brief modern pitches, chromatic movements, and a hemiola

29
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The changes Strayhorn added to “Take the ‘A’ Train” were from what earlier jazz tune?

“Exactly like you”

30
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When was “Just Like You” composed?

1930n

31
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Who composed “Just Like You?”

Jimmy McHugh

32
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The brief modern pitches Strayhorn included were made up of what intervals?

Minor and Major seconds

33
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When were the brief modern pitches added?

Before the final a section of the 3rd chorus

34
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What occurs during the saxophones opening melody?

The first 3 sustained pitches from the opening melody rise chromatically from G to Ab to A

35
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What occurs during the 4 measure modulation from C to Eb major?

A strong accent occurs every 3 beats which makes the meter sound as if its in ¾

36
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Why is the piano introduction in “Take the ‘A’ Train” noteworthy?

The right hand plays a 5 note riff 4x which is made up of a whole tone scale

37
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What is a whole tone scale?

A scale made up of pitches whole steps apart rather than a mix of whole and half steps

38
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What is the time signature of “Take the ‘A’ Train?”

4/4 but features a hemiola which implies ¾

39
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When is the hemiola in “Take the ‘A’ Train?”

Between the second and third chorus

40
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Who played the trumpet solo in “Take the ‘A’ Train?”

Ray Nance

41
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Who was expected to tplay the solo trumpet improv in the second chorus?

Rex Stewart

42
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What did Duke Ellington say about Rex Stewarts lack of playing the trumpet solo improv?

“Rex got temperamental or something, he was originally supposed to play the solo”

43
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What did Duke Ellington say regarding Ray Nance playing the trumpet solo in “Take the ‘A’ Train?”

then it was given to Ray Nance when he blew this chorus which was one of the great choruses of all time, one of the great trumpet solos of all time”

44
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What have scholars labeled Ray Nance’s trumpet solo in “Take the ‘A’ Train” as?

A classic

45
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Jazz customarily values what about improv?

Spontaneity

46
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Regardless of the value of spontaneity of improvisation in jazz what can be said about replicating versions of a performance?

It is allowed to be replicated very closely in later performances and this is also true for others replicating the solo

47
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At the time that “Take the ‘A’ Train” released what was at risk for Ellington?

His bands livelihood

48
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How does “Take the ‘A’ Train” begin?

Duke ellington plays descending whole tone cascades in right hand

49
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Each chorus is made up of what phrases?

Aaba

50
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How many choruses are in “Take the ‘A’ Train?”

3

51
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How does “Take the ‘A’ Train” end?

With a tag featuring pp dynamic

52
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What do the saxes play in the first chorus?

a disjunct melody which slowly ascends chromatically

53
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What do the brass sections play in the first 2 a phrases of the first chorus?

Backround riffs

54
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What is the tone color of the trumpets for most of the woprk?

Muted trumpet

55
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What occurs in the b phrase of the first chorus?

Trombones add longer countermelodies

56
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The dccountemelodies of eth trombone in the b phrase of

57
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58
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What are the notes the accompanying brass play at the end of the first chorus?

8th notes

59
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Muted trumpet improv by Ray Nance

60
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61
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What occurs between the second and 3rd chorus?

Key Modulation from C to Eb major and a hemiola effect sh

62
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What occurs at the start of the 3rd chorus ?

Call and response between saxes and the unmuted trumpet

63
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When is the trumpet first unmuted?

At the start of the 3rd chorus where it remains unmuted

64
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The saxes play what in the call and response in the 3rd chorus?

Ascending secondary melody

65
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What occurs in the b phrase of the 3rd chorus?

The trumpet takes the lead and “shakes” his pitch several times

66
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What occurs at the end of the b phrase in the 3rd chorus?

The Cluster pile up of pitches

67
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What dynamic is the cluster pile up of pitches in the 3rd chorus?

Ff

68
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What is the dynamic level at the end of the 3rd chorus?

Mezzoforte

69
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What is the dynamic level at the start of the coda?

Mezzopiano

70
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What is the dyanmic level at the end of the coda?

Piano

71
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What occurs at the end of the coda?

A quiet repetition of the pianos first measure of the right hand from the intro

72
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What is the dyanmic level of the tag?

pp