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Women during the late republic (augustan period)
most of the information we know is on elite women at this time period, it’s less clear what non elite women were doing
Women are not allowed to:
hold office
fight in a war
vote
operate without a guardian (usually their husband or father is their guardian)
Because of this, they are rarely present in art or busts and sculptures because they aren’t fighting wars or voting or holding office (common actions people are taking when made into sculptures)
public presence of women increases during augustan period, starting to show up in art and architecture
could be because of large changes in politics and gov
the question is whether Augustus is a symptom of the cultural revolution (aka just right time) or if he is a catalyst for this movement
Ara Pacis is an example of how rights were changing at this time for women: the first time women and children were on a public sculpture in the Roman era
Patria potestas
Father or husband of a woman
the appointed guardian for a woman, they must accompany women on tasks
Women naming convention
Their names come from their family name
example: daughter of Julius is Julia
if he had a second daughter: Julia II
Free men naming convention in Rome
men born free
they have three part names
the middle name is their family name
Rights of free women in late republic
**again, mostly elite women
can own property, and own enslaved persons on their own
can inherit land (from a father for example)
can initiate lawsuits and divorces
divorce is common at this time because marriages are very political, and since so many marriages are for alliance divorces are not uncommon
early in republic they need their Patria potestas to agree, later in republic they can initiate divorce without patria potestas
Where did the Roman views on women originate
likely from etruscan culture, where women were viewed as near equals to men (uncommon in most past cultures)
example: the sarcophagus of the spouses where the men and women are dining together on equal grounds
Some eastern cultures also valued women more
Italic groups also valued women (south of modern day rome, around the same time as Etruria)
Occupations of elite women
ideally they are matrona: the matron or wife, you ideally marry into an elite family
Priestess (if they want a public honor)
Vestal virgins: a cult that chooses virgin women. Once they retire (after 30 years) they do not need a guardian after.
the wife of the high priest of jupiter is a high position (high priest of jupiter has a tall hat)
occupations of comen women
more blue collar jobs (but some are more involved)
shop owners involved in commerce, manufacturing
some are sex workers (usually really lower class or enslaved women)
Occupations of enslaved women
usually sex workers or enslaved on farms or in shops
Expectations for roman women (virtues)
Pietas
Pudicitia
Pietas
a virtue for roman women
dutiful in a religious sense and to your family, community and god
Pudicitia
virtue for women to be modest, and demure in your public persona
Alternative participation of women in politics
auctoritas
Auctoritas
women influencing politics and civic sphere through influencing the decisions of their fathers and husbands
Cleolia
one of the few women with a public statue on display in Rome
was a prisoner of war in the early 5th century (early roman republic) and was taken across the Tiber into the enemies camp
the general is inspired by her and gives her an option to be returned to Rome, or let able bodies young men in the Roman military to return home
she sacrifices herself and lets the young romans go back
she is given an equestrian statue of Cleolia (the maiden) sitting on the horse
this is a distinctly feminine way of being a hero (since she is on a horse)
Cornelia
given a posthumuous public statue (after she died)
she was the daughter of Africanus (who conquested the city of carthage)
mother of the Gracchi brothers (pure blodded roman men)
the base of the statue is the only part left, and it names Cornelia’s largest accomplishment of continuing the family line
Livia
augustus’ third wife (mother of Tiberius)
Tiberius becomes the second emperor of Rome after Augustus
She is a more prominent woman that has some statues dedicated to her at this time
Portrait of Livia
in 35 BCE augustus sets up a statue of Livia in Rome, but they don’t survive
likely was a standing portrait where Livia was covered up (showing pudicitia) and pietas
They found another one in 4 CE in Egypt that looks quite similar to what the 35 BCE might have looked like
it is marble, has a nodus, never ages, always looks young and eager (sets the stage for future women portraits that will always have very delicate features)
Octavia
sister of Augustus (more porminent than Livia was during this time)
she was married formerly to Mark Antony (as a political alliance)
she was the mother of Marcellus (who died)
Portrait of Octavia
also was set up in 35 BCE but didn’t last in Rome
likely also a standing portrait looking pious and modest
they found another one in the early 30’s BCE and it was a life size marble sculpture
again with a nodus
has an idealized face
her image used to be shown alongside mark antony on the coins in the army
Julia
only child of augustus
mother of gaius and lucius
she is shunned in Roman society because her main goal was to procreate, she often was cheating, and she did something horrible that Roman sources always alluded to but never stated.
Laws changing womens roles under augustus
18 BCE: requirement to marry
if you remain unmarried there is a penalty
augustus wants to control bodies of unmarried women (makes sure that women procreate and continue the roman state)
17 BCE
law criminalizing adultery
9 CCE
law promoting procreation with tax breaks for parents, women have more freedom without a guardian after they have 3-5 children (that survive!! there is a high child mortality rate at this time)
Porticus Liviae
livia (the wife of Augustus) builds a porticus on the esquiline hill (the area where wealthy people live) between 15 and 7 BCE
has one stone altar for the goddess concordia (ara concordia) means altar concordia
the goddess of harmony and marriage with Livia as the patron
paid for by augustus to honor his wife
porticus
covered walkway with columns creating a place to walk through
Porticus Octaviae
built 27-23 BCE (super fast!!)
in the campus martius (the area where all the triumphs and manubial temples are, a woman taking space in a male dominated field)
has two temples
temple to juno: originally built in 179 BCE as a manubial temple
temple of jupiter: added in 146 BCE
27 BCE: Octavia removes the old names and adds hers as the patron keeping the original temples
builds new structures dedicated to her dead son Marcellus: library and schools behind the porticus. Also builds a new curia: Curia Octaviae (she is trying to pull the strings!!)
likely built with her own money (but sources conflicted on this)
manumission/ manumissio
release from slavery by the authority of the owner
Slavery in the roman world
its a social status
anyone can be or become enslaved
most are prisoners of war, or greeks taken back to Rome
because its a social class, there is social mobility to move out of this class
Class structure in Rome
elites
upper class
middle class
lower class (includes some free born citizens and freedmen who were previously slaves)
slaves
How were slaves released
freed in wills
the owner of the slave states they are free in their will
not always because they are nice, often to show their wealth, that they think of these slaves as objects and are willing to let a few go because there family has the money to get more
the most common way slaves are freed
Buying freedom
some slaves create arrangements with their owners or get paid by them, and create savings to buy freedom
less common
libertus (naming and rights)
male freedperson (used to be a slave and is now free)
Name:
get a roman three part name
the first two names are roman (taking the name of old owner)
last name is there actual name
Marcus tullius tiro (his real name is tiro)
Rights
get to vote
can marry, have kids and the born kids are roman citizens
for this to happen, the person you marry has to be a free born person or a freedman
this ends the cycle of enslavement, but there are less chances for you to become wealthier
Third generation of freedperson can run for office!
Freedpersons in Rome’s patron/client system
once free, you become the client for your old owner (who is the patron)
they support their patron politically and civically
liberta
freed woman from enslavement
same rules otherwise
freedpersons in the late republic/early empire
more visible in art and architecture
more wars and conquest means more wealth for the elites which trickles down and allows for social mobility
Freedpersons funerary monuments
new form/genre of art:
truncated bust portraits, shows they are proud of their newfound participation in roman communities
they emphasize the citizenship they now have by carving their names into statues with L in the middle for libertus/a
Free status is proven in their sculptures
women: they have draped heads (showing piety), rings, freedborn children without the L in their name
men: citizen toga (only free men in Rome are allowed to wear this)
Often have family groups, showing that your current freedom lets your whole family become free
Other funerary reliefs
Funerary relief of P Aiedius Amphio and Aledia
female is idealized
man looks veristic
holding hands means they are married, and recently freed from the same owner
Funerary relief of the vibii:
the backwards C scribed before a name (that has an L) means they used to be owned by a female
Rules of funerary commemoration in late republic/early empire
large monuments made from expensive material (shows wealth and prestige)
ie: Tomb of Caecilia Metella: huge monument with concrete and travertine)
its a tholos style building that is super big
engage the viewer using words or images/design
example: pyramid of Cestius in Rome which is a pyramid, engaging because it is unique compared to other Roman art
Location
want a spot outside of the city but as close to possible to the entrance of the city
Eumachia
woman with unofficial power and influence in Pompeii
builds and dedicates a large civic building with temples to concordia (taking note from Livia) in pompeii (largest building in pompeii) to herself and her son
giving back to the city through artistic means starts to influence the city and her own power (also helps the career of her son)
likely built with her own money
Provincial ownership under augustus
provinces (or other towns Rome extends its power over) are run in two different ways
senatorial leadership
imperial control
there are also client kingdoms which operate a bit differently than both
Provinces under senatorial leadership
someone is voted by the Roman senate to go serve as the governor of the province
no roman troops stationed in this province
considered a safe territory that Rome has significant control over (no threat of uprising)
Provinces under imperial control
augustus directly plays a role in governing them, he chooses the governor of the province
usually regions on the border that are more important or have more uprisings
they do have roman troops there
governors are all Roman, the army is loyal to rome
people who live there are both natives + loyal people to rome
Gaul in late republic/early empire
modern day france
a province with imperial control (has troops present)
Pre roman gual split in two categories
southern gaul: deeply connected to the med sea, part of trade and commerce
northern gaul: gallic or celtic groups living in hill top forts, main export with med sea is metal
impact of roman conquest in Gaul
the roman troops living in Gaul need to be fed and need resources (expands the trade network in gaul through the sea)
building more civic infrastructure (because roman troops need it)
new people settling there (roman army veterans or loyalists)
a lot of local culture persists and blends with the roman culture
Glanum
area in the north of Gaul settles by Gallic people (likely in 6th or 5th BCE)
a lot of roman veterans settle here after Caesar fights Gallic wars
creates gallo-roman culture and identities
Glanum arch
possible a triumphal arch, but also it is in built into the city walls outside of Glanum so unclear
10-25 BCE
Romans normally build arches similar to this to show their dominance when people enter a city
reliefs on the arch show victory over local barbarians
show barbarians vs roman army
show the people that become enslaved
men are often shown as nude (their masculinity is stripped once a slave) and the women are in “mourning”
Client kingdoms
different than the other two forms of admin
the local leader stays in power but is loyal to Rome
this is done because Rome thinks the local person can keep the population in better control, and collect taxes more easily.
they keep barbarian groups at bay in their own way
the clients (the people that are local and stay in control) like the autonomy and get the backing of the Roman army in case things go wrong
Herod
expands kingdom of Judea under augustus
he is a client (and judea is a client kingdom) giving gateway to east
his rise:
flees to Rome in 40 BCE when parthians attack Judea
rome helps him secure monarchy
teams up with antony but quickly switches to Octavians side
octavian helps him resettle judea and pacify land and he becomes a king of judea
gets some of the land cleopatra had taken from Rome
his rise happens at the same time as augustus, he also builds civic structures in the east
Herod’s reign
rules from 37 BCE to 4 BCE
builds in style of eastern greats
huge palaces
Herodium: large palace at the top of a hill with its own sports area
urban amenities
theaters, forums, harbor at Caesarea maritima
religious structures
his land has jews and christians so he builds temple in jerusalem and a temple to augustus and roma
Temple to augustus and roma
built at Caesarea maritima (the first harbor along the levantine coast)
not in a roman style, it is very much greek (peripteral columns, no podium, entrance technically all around)
but it is facing the water making it seem like you have to access from the front (brings the idea of frontal axial orientation)
Roma: goddess and patron diety of Rome)
a temple for augustus when he is still alive
foreign concept in Rome, but common in the east to build statues for their leaders
how did locals react?
many jewish people living around, but this temple was off on the side from the rest of the city
jews are against polytheism so they probably didn’t like it, but Herod was also building things for the jewish people (their temple in jerusalem in 20 BCE) so they likely ignored this
this temple was more for those coming into the coast to trade
Herod had a hellenistic style of building different monuments for different groups of people
what message did the temple have
-he was loyal to rome
the harbor caters to the trading industry and displays wealth
Pompeii
smaller than Rome, but mid sized city in Campania (south of rome) near the bay of naples
near the base of vesuvius (southeast of the volcano)
another city that was just west of vesuvius was herculaneum
Plinian phase of vesuvius
longer phase (18-20 hours)
volcanic column of pumice, ash and hot gases are elevated vertically due to high temperatures
there is magma and dark clouds in the air
debris builds up 10-20 miles away
the location and build up of debris in this phase is caused by wind patterns, herculaneum didn’t get much build up meaning that the winds were moving northwest to southeast
the debris from this phase is at first white (super hot) and then grey (a little less hot)
killed about 400 people
mostly found indoors, killed by falling buildings from buildup of ash on the buildings
Plinian phase of vesuvius accounts
we learn about this phase from Pliny the elder (a historian) that later died after the eruption
he explains this part of the eruption in his book
Pelean phase
second much shorter phase
1-2 hours
avalanche (pyroclastic surge) of hot gases, pumice and ash flows down the volcano
occurs bc its not warm enough to keep the vertical column
the lava moves down the volcano in waves
6 waves were documented in herculaneum only 3 in pompeii (in pompeii- 6-8 feet of the surge build up)
this phase the build up depends on how close you are to the volcano
killed 700 bodies, people died instantly from the thermal shock of the gas
we know this because of the detailed faces and life like poses of individuals when they died
art of victims of pompeii
there is plaster put around the bones of people that died during the pyroclastic surge. (pelean second phase)
Pugilistic poses
represents a boxer stance
the limbs are extended
this occurs because of extreme rigor mortis (you body has unconscious intense muscular activity when dealing with the high heat and you can’t control your body)
the tissue of the body degrades but the bones remained and are plastered for art
What happened to pompeii survivors
the city likely had 20k people, but only 1200 found dead
there were “pompeii quarters” in Naples (nearby city) so some may have escaped there
why have the paintings in pompeii survived after the Mt. Vesuvius eruption
the fresco paintings are bound to the wall, because water based paints are applied to west plaster on the wall to seal it and keep the color.
the paint (local) colors are black, red, yello and white (they are made from local plant matter in bay of naples)
imported colors are the rest, and more expensive BUT recently we have foudn evidence of lower class people having these different colors, maybe not as expensive as we thought!
August Mau
he determined the four styles of painting during the late republic early empire in Rome. Tells us that art in Rome is tied to socio political events in roman history, and art is purposeful.
popular iconographies in pompeii/rome in late republic
ariadnne on naxos
woman abandoned on the island of naxos
she fell asleep and a cupid comes to help dionysus find her
narcissus
he is so obsessed with himself he becomes a flower, wasted away
his gaze engages the viewer
he is looking down at a reflection of himself
you are processing that your own gaze lingers over him just like his gaze does
Julio claudian dynasty
augustus rules from 31 BCE to 14 CE
he chooses different successors. but they all die before he does
tiberius
rules from 14 CE to 37 CE
son of livia (from a previous marriage) so step son of augustus
Caligula
grand nephew of augustus
37-41 CE
he is the first emperor to show he is a bad person, assasinated by his own guard
thought of himself as god on earth
he has no son heir, so claudius (who was LITERALLY hiding behind a curtain after his assasination) becomes leader
his portraits look similar to Augustus, likely to make the public trust him and verify his blood relation to him
Claudius
41-68 CE
he is the first emperor to depart from Augustus’ serene youthful face and go to the veristic face
perhaps because he comes to power much older than the rest
he was previously eliminated from the “running” for emperor because of his limp and lisp
not “publicly presentable”
verism connects him to older leaders and plays on his wisdom as an older man
Art changes during Claudius
roman emperors start presenting themselves different during claudius rule
portrait of claudius
has an eagle at his foot representing jupiter
before, mortals would not connect themselves to gods (or say they are gods on earth)
when claudius comes to power, other people start making comparisons of the emperor to gods
he holds a sector, is wearing a corona civica (meant for those that save the roman state) and a paludamentum (worn by generals)
Nero
rules from 54-68 CE
comes after claudius (his mom wants him to come to power so she marries claudius and poisons him so nero can rule)
he is related to livia and augustus
comes to power at 20 (youngest to lead)
Nero actually shows himself aging in portraits and sculptures (departs from the precedent augustus set)
old portraits he looks slim and young
later he has a beard (significant because normally you only show a beard in mourning or in army) and his face is chubbier
shows his love for greek traditions where philosophers/greeks have beards
during his reign the public didn’t mind him because he supported public entertainment with theaters and performances
historians say he was bad
great fire of rome
Fire ravages rome for 9 days straight in July of 64 CE (most things were built of wood and easily burned)
subura neighborhood destroyed
nero blames the christians for starting the fire
Nero comes back from playing in the theater, and builds his own palace in the city center ( a very greek thing to do) right over the ruins from the fire
Domus transitoria and Domus Aurea
land burned during the great fire of 64 CE was used by Nero to build a new palace
built from 64-68 CE
this gives us evidence for the concrete revolution, where Romans start building concrete building with large vaulted ceilings in the first century CE
this was bad for roman people: took over public land and buiilt a greek style palace (since it was in the city center)
some call him selfish for building this
others say:
after destruction of city, he wanted to remake it to look like the beautiful cities of the east
after the fire, Nero wants to use fire proof material so they move to built with roman concrete
pros: cheap to produce (local materials and laborers don’t need to be skilled), fire resistant
cons: looks ugly, how do we hide this ugly exterior?
Nero’s death
commits suicide in 68 CE, there is a civil war of 69 CE
a bunch of different troops back different potential leaders
they kill each other and Vespasian? comes out on top to establish the Flavian dynasty, curry favor from people by taking the manmade lake and building the colosseum (flavian amphitheater)
Flavian Dynasty
Vespasian won in the civil war of 69 CE
referenced augustus when winning to legitimize themselves (focused on the face that they won against foreign enemies and ignored the part that they had to fight other Romans in a civil war to win this position - similar to augustus avoiding his claim to the leadership after defeating mark antony)
Inagural games in the colosseum
under titus (son of Vespasian)
first 100 days had battles
there were beast hunts (herbivores vs carnivores etc)
5k - 9k animals were killed
lots of random exotic animals (display wealth of the flavians and connection to the outside world)
these games give you faith in the new dynasty and entertainment (after Nero and civil war!!)
Colosseum activities
there were beast hunts
crucifixions (usually not fun to watch but they had more fun public executions with myth reenactments as well)
mock naval battles (at the start before the concrete core was built), gladiatorial games (gladiators vs beast)
Gladiators/gladiatorial games
trained in schools
have a harsh life (most of them do not choose this occupation, but are recruited or slaves
there is some acting involved to make it seem more dramatic
they usually have “celebrity status” but it is not a position most people want
gladiatorial combat is well planned out (you want a fair and good fight, and the schools don’t want their good fighters to die)
These are popular as a form of entertainment, “thank god I’m not a gladiator”, emphasis on violence throughout Roman history / how important conquest is, idea of these games taken from etruscan, encourages public life participation, emperor is also at the games watching so you can shout things at them but then distract them with the games
if you win a certain number of games, you are granted freedom and rebirth back into society (given a wooden sword)
Opus testaceum
concrete pour faced and stabilized with brick
on all sides: triangular bricks in a wedge shape that are pushed into the concrete
this stabilizes the concrete and keeps the structure looking clean
there also would have been a thin amount of marble on top of the concrete (looks good and cheaper than a lot of marble)
Remains of Domus aurea
this was part of the palace Nero built after the great Roman fires of 64 CE
most was destroyed or remade by other emperors
small underground passage on the esquiline hill survives
project designed by celer and severus
abandoned the old “post and lintel system”
old system was a 90 degree angle between the wall and ceiling (posts were vertical elements, held up by a horiztonally laid lintel)
Instead they started to use concrete vaulting
concrete can make really tall buildings and top is vaulted or curved in a downward arch (stone couldn’t be used for this because it would collapse at this height)
concrete lets you transfer weight along the vaulted arch and transfer it all the way to the concrete in the ground
piers (massive concrete pillars) support the weight of the ceiling above it
Paintings
show transitionary time between third and fourth style of Roman painting
Octagonal dining room
most impressive room
it was on a revolving platform
diners seated there would move in a circle
concrete dome with a small oculus at the top (oculus means something looking like an eye, in this case there was a small opening at the top as a skylight)
the piers are the pillars of concrete holding up the dome
there are still 8 vertical piers (so its not fully spherical)
there is still stone present to reinforce the concrete
in the oculus, there is a brick ring that distributes compression forces
in the past, there were painted images in the sky of this dome for diners to look at
military pieces/reliefs
usually public pieces of art, not private!!
Vespasian
rules 69-69 CE
sets up the flavian dynasty
respected commander, not from a big elite family, came up through military ranks, big in jewish wars, has a lot of troop support, sacks the city of jerusalem
Triumphal arch of tiberius at orange (in france)
oldest arch in a province of Rome
3 bay arch
entablature shows reliefs of the conquest
built during the time of Tiberius (the son of Livia, step son of Augustus)
asserts roman conquest showing the pacification of the territory
shows that you have to keep going back to pacify the territory after conquest
built in stone, showing the longevity of Roman rule
arches have decorations
one side has roman victory, with roman trophy (shields from conquest) and the captured barbarians with their hands bound behind their backs
reminds locals who is in power
other parts show the battle
various parts of ships (naval victory), general spolia, images of battle
this arch has heavy outlining (typical of gallic/gaul master art)
prelude to high empire
second century CE
96 CE: domitian is killed (had a long reign) and it ends the flavian dynasty
assassinated through a conspiracy involving the senate, court officials, and imperial freedmen (people of different social classes)
he was popular with people and troops but not with the roman elite / senate
elites thought he was more autocratic (reality is that domitian didn’t like the elite and made that clear)
elites are just scared because they don’t want the troops to take power from them
Nerva
appointed to be emperor by the senate as a “placeholder”, he ruled from 96-98 CE
he was old (66) when appointed as princeps
appointed as a safe person to keep the elite/senate powerful
he helps present civil war (because the last time the augustus family died there was civil war)
before he died in 98 CE he adopted Trajan to be his succesor
this adoption of a successor became commonplace in the roman empire after this
nerva lacked support from the people and troops, so he appointed trajan who was popular with the people and troops
Forums in the city of Rome
Forum of julius caesar, forum of augustus, Nerva’s forum (originally built by Domitian but replaced by Nerva), forum of peace (built by vespasius to bring peace after Nero), Trajan’s forum
Trajan
ruled from 98-117 CE
was adopted by Nerva to be the princeps
he was the first emperor born outside of the italian peninsula (born in modern day spain)
he was a successful military officer and remained an active general as a princeps of Rome
known as the “optimus princeps” or the best leader Rome ever had because the empire reached its largest extent under Trajan (more land and resources!!)
Trajan’s forum
follows legacy of julius caesar where he builds a forum in the city to disrupt activity and curry favor with the public
laid out similar to the forum of augustus
you walk in, have a long view to the back with porticos on the right and left side
there are two symmetrical arched bays along the porticos
they link trajan with the forum of augustus that had statues of the founders of Rome in the bayes
instead of a temple at the back of the hallway is a large basilica (for administration and law and order)
this is perpendicular to the entrance
after passing through the basilica you enter the temple for the deified trajan, two libraries on the side, and the column of trajan in the middle
forum of trajan is paid ex manubii (from the spoils of conquest over dacian people, modern day romania and a mineral rich region)
instead of the caryatids (the women) holding up the second floor roof in the forum of augustus
forum of trajan has dacian captives (with beards, pants, long hair) holding up the roofs
the captive prisoners indicates this is a manubial structure
also shows that the empire is now built on the conquests of other people
in between the dacian captives are shield portraits (in forum of augustus these were jupiter with ram horns to show alexander the great) but in forum of trajan it shows previous and current imperial family portraits
draws connections to how imperial families are like modern day gods and should be worshipped like the gods used to be
Column of trajan
100 feet tall victory monument (it is this tall because they had to dig up 100 feet of earth to build the monument) but also commemorates the engineering feat to build this
large base of column: decorated with spolia of war (shields and stuff from Dacian victory)
the rest of the monument has a spiraling relief showing
bottom half is the first war against the Dacians
top half is the second war against Dacians
after the second war rome has full control over them
inspiration:
modern day germany provinces had columns like this but for deities or local gods
roman art takes this provincial influence and bends it with historical tellings common to roman art
iconography of column of trajan
don’t focus on realities of war (the people on the sculptures are almost the same size as the large buildings etc, the focus is on the people)
there are images of death and battle, but more is focused on the admin work, building new structures, making the roman presence permanent in the new space
makes the idea clear that conquest is about more than just the battle, its about making an uncivilized place more civilized and roman
you don’t necessarily have to circle the columns to understand what you are seeing
really high reliefs (the bodies look almost disengaged from background, makes it easy to see)
adlocutio: formal address to the troops
trajan is often seen giving an adlocutio to his troops
trajan also looks bigger or is in the center of the group, has his hands raised etc
he is always present in different scenes, showing that he is an active part of conquest
trajan is a good leader showing piety (head covered), mercy to barbarians (he won’t kill them)
sculptures on the trajan column
battle scenes: the roman army looks well organized vs dacians look disorganized
scutum are the rectangular shields used by Romans
testudo: roman battle formation is like a tortoise shell and it allows them to beat the dacians
gods usually don’t show up, they want to show that it was because of trajan that they won
Nyx does show up to tell you the battle occured at night
Some think that the circular pattern of having to walk around the column becomes decursio: a ritual where troops move in a circle after the death of a general
trajan’s (and his wife’s) ashes were placed at the bottom of the column after their death
at the top of the column: men and women and animals from Dacia are led into exile (being enslaved and taking over resources is part of war!!)
pantheon
means “all god”
this was a temple to all the gods
originally built by Mark Agrippa (right hand man for augustus) but was later started by Trajan and finished by Hadrian after him
Original purpose of pantheon: unclear because at the time there was no worship of the emperors yet
in second century CE: there has been deification for lots of emperors, maybe this was a sit of worship for the imperial cult
We know the date of finishing the pantheon is 123 CE because of the stamps within the bricks (also say it was finished under Hadrian)
hadrian adds an inscription saying that Marcus Agrippa created this building (securing his legitimacy by tying him to a past leader)
In antiquity:
ground level in rome was lower, so you walk in to a hall with long porticos and frontal axial orientation
you have a triangular pediment, agrippa’s name, corinthian capitals, octostyle (8 columns) so the approach seems very traditional
then you walk inside and get confused because there is an oculus (dome) with an open space making you lose your orientation
perfect sphere dome constructed in concrete
behind the coffers (sunken square shaped panels in a vault) is the opus test… that is covered up
largest unreinforced dome in the world
they varied the weight of the concrete by doing a lighter aggregate as you moved up higher
walls of the pantheon right at the spot the dome starts are really thick helping channel down all the weight through the piers into the ground
marble on the floor has been replaced over time but they have different geometric designs that are the same as before
double pediment
happened likely because the pantheon was supposed to have 50 foot tall columns but it likely was lost so they rebuilt a second pediment
the engineer was probably the same one that built the forum of trajan and the column of trajan