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Art Song
A composition setting a poem to music, generally for one solo voice and piano accompaniment; in German, a Lied
Idee Fixe
A famous melody (Harriet) that appears in all 5 movements of Berlioz’a Aymphoniw Fantastique to represent the beloved from the program.
Leitmotiv
“guiding motive” associated with a specific character, theme, or locale in a music drama, and first associated with the music of Richard Wagner
Symphonic Poem
Program music in the form of a single-movement composition for orchestra; sometimes called a tone poem
Romanticism
A movement in the arts and literature that originated in the late 18th century, emphasizing inspiration, subjectivity, and the primacy of the individual.
Nationalism
Pride in one’s nation or cultural identity, often expressed in art, literature, and music
Program Music
Instrumental music intended to represent a something extra musical such as a poem, narrative, drama, or picture, or the ideas, images, or sounds therein.
Rubato
The momentary speeding up or slowing down of the tempo within a melody line, literally “robbing” time from one note to give to another
Opera
A staged musical drama for voices and orchestra. Operas are fully blocked and performed in costume with sets. Operas utilize arias and recitatives without no narration
Concerto
A composition for a soloist or a group of soloists and an orchestra, generally in three movements with fast, slow, and fast tempos, respectively
Ternary Form
describes a musical composition in three parts, most often featurings two similar sections, separated by a contrasting section and represented by the letters A – B – A.
Romantic Music Characteristics
Melodies use more chromatic pitches, additional instruments in orchestra (saxophone, piccolo, English Horn, tuba, contrabassoon) harmonies more dissonant, more triads have a 4th note added to the chord, frequent modulations, full development of the piano, rubato, crescendo & decrescendo, enlarged orchestra, extra musical influences- attached narrative, theme, program music or characteristic title (tone poem, program symphony, symphonic poem) vs. absolute music (Music for the sake of music).
Romantic Era
1820-1910
Felix Mendelssohn Song
Elijah
Clara Schumann Song
Ballade in D Minor, Op. 6, no. 4
Franz Schubert Song
The Erlking
Giuseppe Verdi Song
“Follie” and “sempre libera” from La Traviata
Franz List Song
Hungarian Rhapsody
Johannes Brahms Song
Symphony No. 1
The Erlkönig Date
1815
The Erlkönig Genre
Art Song
The Erlkönig Form
Through Composed
The Erlkönig Performing Forces
Solo Voice and Piano
The Erlkönig Story Told of
Three characters, who are depicted in the music through changes in melody, harmony, and range
Triplet Pattern
Repeated fast __ ___ in the piano, suggesting urgency and the running horse
What changes between character in the Erlking?
Shifts of the melody line from high to low range
Full Title for Symphonie Fantastique
Symphonie Fantastique, Op.14: 1st movement Reveries – Passions
Symphonie Fantastique Genre
Symphony, first movement
Symphonie Fantastique Date
1830
Symphonie Fantastique Form
Sonata Form
Symphonie Fantastique Performing Forces
Large Romantic symphony orchastra
Largo
Slow
What does the largo opening in Symphonie Fantastique mean
Pensive and expressive, depicting the depression, joy, and passion of Berlioz
Other things to listen for in Symphonie Fantastique
Berlioz is known for being one of the greatest orchestrators of all time. He even wrote the first comprehensive book on orchestration. He always thought in terms of the exact sound (tone or timbre) of the orchestra and the mixture of individual sounds to blend through orchestration. He gave very detailed instructions to the conductor and individual performers in regards to articulations and how he wanted them to play. Listen to the subtleties and nuance of the performance. Berlioz left little up to chance since he was so thorough in his compositions.
Who was Berlioz’s love interest
Harriet Smithson