ARTD1010 Fall 2024 Final Exam

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Section MWEB: Wed. 12/18, 10:30am-12:30 pm in Boylan 5145

24 Terms

1
<p>Aztec, The Great Temple,<strong> c. 1400-1500</strong></p>

Aztec, The Great Temple, c. 1400-1500

A significant architectural structure in Tenochtitlan, dedicated to the gods Huitzilopochtli and Tlaloc, showcasing the Aztec's advanced engineering and religious practices.

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2
<p>Aztec, <em>She of the Golden Bells</em>,<strong> c. 1400</strong></p>

Aztec, She of the Golden Bells, c. 1400

A significant Aztec sculpture representing a goddess, often associated with fertility and agriculture, showcasing intricate artistry and cultural symbolism.

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3
<p>Aztec, <em>She of the Serpent Skirt</em>, <strong>c. 1400-1500</strong></p>

Aztec, She of the Serpent Skirt, c. 1400-1500

A prominent Aztec goddess associated with fertility and agriculture, often depicted wearing a skirt made of serpents.

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4
<p>Kwakwaka’wakw (<strong>Pacific Northwest Coast</strong>),<em> Eagle Mas</em>k, <strong>late 19th C.</strong></p>

Kwakwaka’wakw (Pacific Northwest Coast), Eagle Mask, late 19th C.

A ceremonial mask used in Kwakwaka’wakw potlatch ceremonies, representing the eagle's power and connection to the supernatural, showcasing the intricate woodwork and vibrant colors characteristic of Pacific Northwest Coast art.

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5
<p><span>Islamic (<strong>Umayad Dynasty</strong>), <em>Dome of the Rock, Jerusalem</em>, <strong>700</strong></span></p>

Islamic (Umayad Dynasty), Dome of the Rock, Jerusalem, 700

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6
<p><span>Islamic (<strong>Iranian</strong>), <em>Mihrab from the&nbsp;Madrasa Imami</em>,<strong> 1300</strong></span></p>

Islamic (Iranian), Mihrab from the Madrasa Imami, 1300

A decorative niche in a mosque that indicates the direction of Mecca, featuring intricate tile work and calligraphy typical of Iranian Islamic art.

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7
<p><span><strong>Maqsud of Kashan, </strong><em>Ardabil Carpet</em><strong>, 1500</strong></span></p>

Maqsud of Kashan, Ardabil Carpet, 1500

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8
<p><span><strong>Maurya Dynasty,</strong><em> Great Stupa at Sanchi</em><strong>, India, c. 300 BCE-100 CE (exterior view)</strong></span></p>

Maurya Dynasty, Great Stupa at Sanchi, India, c. 300 BCE-100 CE (exterior view)

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9
<p><span><strong>Maurya Dynasty, </strong><em>Great Stupa at Sanchi, India</em><strong>, c. 300 BCE-100 CE (view of inner path)</strong></span></p>

Maurya Dynasty, Great Stupa at Sanchi, India, c. 300 BCE-100 CE (view of inner path)

A significant Buddhist monument built during the Maurya Dynasty, featuring a circular dome and an inner path for circumambulation, symbolizing the path to enlightenment.

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10
<p><span><strong>Maurya Dynasty, </strong><em>Torana from the Great Stupa at Sanchi</em><strong>, India, c. 300 BCE-100 CE</strong></span></p>

Maurya Dynasty, Torana from the Great Stupa at Sanchi, India, c. 300 BCE-100 CE

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11
<p><span><strong>Chola Dynasty, </strong><em>Shiva as Lord of the Dance</em><strong>, c. 11<sup>th</sup> century</strong></span></p>

Chola Dynasty, Shiva as Lord of the Dance, c. 11th century

A bronze sculpture depicting the Hindu god Shiva performing the cosmic dance of creation and destruction, symbolizing the cycle of life.

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12
<p><span><strong>David, </strong><em>The Oath of the Horatii</em><strong> 1700</strong></span></p>

David, The Oath of the Horatii 1700

A neoclassical painting by Jacques-Louis David, depicting a scene from Roman history where three brothers pledge to defend their city, symbolizing patriotism and sacrifice.

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13
<p><span><strong>David, </strong>T<em>he Lictors Returning to Brutus the Bodies of his Sons for Burial</em><strong><em>, </em>1700</strong></span></p>

David, The Lictors Returning to Brutus the Bodies of his Sons for Burial, 1700

A neoclassical painting by Jacques-Louis David that portrays the moment Brutus receives the bodies of his sons who were executed for treason, highlighting themes of patriotism and sacrifice.

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14
<p><span><strong>Delacroix, </strong><em>Death of Sardanapalus </em><strong>1800</strong></span></p>

Delacroix, Death of Sardanapalus 1800

A dramatic painting by Eugène Delacroix, illustrating the legendary Assyrian king Sardanapalus's final moments as he chooses to die by his own hand rather than face defeat, symbolizing the themes of passion and despair.

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15
<p><span><strong>Eugene Delacroix, </strong><em>The Abduction of Rebecca</em><strong>, 1800</strong></span></p>

Eugene Delacroix, The Abduction of Rebecca, 1800

A historical painting by Eugene Delacroix that depicts the dramatic moment from Sir Walter Scott's novel "Ivanhoe," showcasing the abduction of Rebecca by the knight Brian de Bois-Guilbert.

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16
<p><span><strong>Hokusai, </strong><em>The Great Wave</em><strong>, 1800</strong></span></p>

Hokusai, The Great Wave, 1800

A famous woodblock print by Katsushika Hokusai, depicting a massive wave threatening boats off the coast of Kanagawa, symbolizing the power of nature and the transience of life.

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17
<p><span><strong>Monet, </strong><em>Impression Sunrise</em><strong>, 1870</strong></span></p>

Monet, Impression Sunrise, 1870

A seminal painting by Claude Monet that captures the early morning light over the port of Le Havre, France. This work is credited with giving the Impressionist movement its name, emphasizing loose brushwork and the effects of light.

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18
<p><span><strong>Van Gogh<em>, </em></strong><em>Bedroom at Arles</em><strong>, 1890</strong></span></p>

Van Gogh, Bedroom at Arles, 1890

A renowned painting by Vincent van Gogh that depicts his simple bedroom in Arles, France, characterized by bold colors and expressive brushstrokes, reflecting the artist's emotional state.

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19
<p><span><strong>Van Gogh</strong>, <em>Starry Night</em>,<strong> 1890</strong></span></p>

Van Gogh, Starry Night, 1890

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20
<p><span><strong>Benin Kingdom,</strong><em> Ivory Belt Mask of the Queen Mother</em><strong>, mid 16<sup>th</sup> c.</strong></span></p>

Benin Kingdom, Ivory Belt Mask of the Queen Mother, mid 16th c.

A ceremonial mask created by the Benin Kingdom, representing the Queen Mother, adorned with intricate carvings and symbolic motifs. It reflects the artistic traditions and cultural significance of the Benin people during the mid-16th century.

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21
<p><span><strong>Kota people, </strong><em>Reliquary Figure</em><strong>, c. 19<sup>th</sup>-20<sup>th</sup> century</strong></span></p>

Kota people, Reliquary Figure, c. 19th-20th century

A sculptural figure created by the Kota people of Gabon, used to protect and honor ancestral relics. It is characterized by its distinctive form, often featuring a large head and stylized body, reflecting the spiritual beliefs and artistic practices of the Kota culture.

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22
<p><span><strong>Mende people, </strong><em>Sowie Mask</em><strong>, 20<sup>th</sup> century</strong></span></p>

Mende people, Sowie Mask, 20th century

A ceremonial mask created by the Mende people of Sierra Leone, used in female initiation ceremonies. The Sowie Mask embodies ideals of beauty and femininity, often featuring smooth surfaces and elaborate hairstyles, reflecting the cultural values of the Mende society.

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23
<p><strong>Pablo Picasso, </strong><em>The Ladies of Avignon</em><strong><em>, </em>1900</strong></p>

Pablo Picasso, The Ladies of Avignon, 1900

A groundbreaking painting by Pablo Picasso that depicts five nude women in a revolutionary style, marked by fragmented forms and bold colors, challenging traditional representations of the female figure.

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24
<p><span><strong>Kahlo,</strong><em> Self-Portrait on the Border Between Mexico and the United States,</em><strong> 1900</strong></span></p>

Kahlo, Self-Portrait on the Border Between Mexico and the United States, 1900

A powerful painting by Frida Kahlo that explores themes of identity, cultural conflict, and the dichotomy between Mexico and the United States. It features Kahlo's dual heritage, with symbolic elements representing her experiences and emotions.

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