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Stucture
Strophic
3 Verses
Instrumental
3 Verses
Outro
Tonality
C major is implied but continual flattened 7th reveals it is in mixolydian mode.
Mixolydian on C
Melody
Vocal melody is in the mixolydian mode characterised by a major third and flattened 7th
Use of saveral repeated adjacent notes at the start of the verses
Melody often outlines the chord (C major)
Harmony
Continuous pedal on C
Flattened 7th creating a modal effect
The guitar solo makes use of the blues scale on C
Texture
Melody-dominated homophony with lead vocal over repetitive bass, drums and tape loops as well as tambura and sitar
Variety of texture is created through the use of various tape loops often sounding in between the vocal phrases
The texture is thickened through the useof music technology including a leslie speaker on the vocals, and artificial double tracking on the lead vocal part.
Rhythm, Tempo & Metre
Common 4/4 time
Typical rock rhythm on drums with the kick on beats 1 & 3 and the snare on beat 2 along with quavers on the hi-hat
Characteristic dotted rhythm pattern used in the verses
Variety of rhythms in the guitar solo including dotted rhythms
Sonority
Influenced by Indian music
There is a tambura drone throughout, and the use of a sitar used mainly as a pre-recorded fill between the verses
Repetitive drum pattern, modified through studio processing including reverse cymbals.
Bass riff also does not change
Electric guitar solo is distorted using tape techniques, including being played in reverse.
Vocals include new technique of artificial double tracking