DES 122 Chapter 23

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Realism

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32 Terms

1

Realism

  • Painting scenes from everyday life in a naturalistic manner

  • Paintings in a realistic almost photographic way

  • Contrasted with idealism

Example: The Gleaners

<ul><li><p>Painting scenes from everyday life in a naturalistic manner </p></li><li><p><span>Paintings in a realistic almost photographic way</span></p></li><li><p>Contrasted with idealism</p></li></ul><p>Example: The Gleaners</p>
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2

When does the industrial revolution start?

By the end of 18th century

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3

What major change comes with industrial revolution?

  • Mass production

  • Moving from farms to cities (agricultural to industrial base)

  • Steam energy

  • Child labor

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4
<p>Proletariat</p>

Proletariat

19th C. terms describing the landless working class

<p>19th C. terms describing the landless working class</p>
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5
<p>Bourgeoisie</p>

Bourgeoisie

19th C. term describing the privileged classes in society

<p>19th C. term describing the privileged classes in society</p>
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6
<p>The Gleaners</p>

The Gleaners

  • Jean-François Millet

  • Oil on canvas

  • Example of realism

  • Monumental

<ul><li><p>Jean-François Millet</p></li><li><p>Oil on canvas</p></li><li><p>Example of realism</p></li><li><p>Monumental</p></li></ul>
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<p>How are the figures in The Gleaners monumental/heroic?</p>

How are the figures in The Gleaners monumental/heroic?

  • Contrast between colours of figures and background

  • Two figures are foreshortened

  • Their faces are hidden

<ul><li><p>Contrast between colours of figures and background</p></li><li><p>Two figures are foreshortened</p></li><li><p>Their faces are hidden</p></li></ul>
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8
<p>The Stone Breakers</p>

The Stone Breakers

  • Gustave Courbet

  • Oil on canvas

<ul><li><p>Gustave Courbet</p></li><li><p>Oil on canvas</p></li></ul>
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<p>Figures in The Stone Breakers</p>

Figures in The Stone Breakers

  • Heroic in their humility

  • Show poverty of working people

  • Faces hidden which allies them with class of work rather than “normal” humans

<ul><li><p>Heroic in their humility</p></li><li><p>Show poverty of working people</p></li><li><p>Faces hidden which allies them with class of work rather than “normal” humans</p></li></ul>
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10
<p>Burial at Ornans</p>

Burial at Ornans

  • Gustave Courbet

  • Oil on canvas

  • Big scale, so shows importance

<ul><li><p>Gustave Courbet</p></li><li><p>Oil on canvas</p></li><li><p>Big scale, so shows importance</p></li></ul>
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<p>Figures in Burial at Ornans</p>

Figures in Burial at Ornans

  • Isocephaly: Heads almost at the same level, which conveys that they are all the same (deserve equal rights) despite their clothes

  • Cross is above everybody

<ul><li><p>Isocephaly: Heads almost at the same level, which conveys that they are all the same (deserve equal rights) despite their clothes</p></li><li><p>Cross is above everybody</p></li></ul>
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12
<p>Third-Class Carriage</p>

Third-Class Carriage

  • Honoré Daumier

  • Oil on canvas

<ul><li><p>Honoré Daumier</p></li><li><p>Oil on canvas</p></li></ul>
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<p>How do we know it is third class train?</p>

How do we know it is third class train?

  • It’s crowded and clustered

  • Wooden seats

<ul><li><p>It’s crowded and clustered</p></li><li><p>Wooden seats</p></li></ul>
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14
<p>Grid around painting</p>

Grid around painting

To transform from small sketch to larger scale

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<p>Louis Philippe as Gargantua</p>

Louis Philippe as Gargantua

  • Honoré Daumier

  • Lithograph

<ul><li><p>Honoré Daumier</p></li><li><p>Lithograph</p></li></ul>
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Lithography

  • Made on stone (lith means stone)

  • Greater production for newspaper

  • Draw on flat stone with crayon, then put water on the part we don’t want to shade, then put oil (water will resist the oil)

<ul><li><p>Made on stone (lith means stone)</p></li><li><p>Greater production for newspaper</p></li><li><p>Draw on flat stone with crayon, then put water on the part we don’t want to shade, then put oil (water will resist the oil)</p></li></ul>
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17

Photography

  • Camera means chamber

  • Used mirror-like surface

  • Silver nitrate to fix the image

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<p>Aperture</p>

Aperture

Controls the size of the opening through which light is admitted

<p>Controls the size of the opening through which light is admitted</p>
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<p>Shutter speed</p>

Shutter speed

Controls how long light is admitted through a lens

<p>Controls how long light is admitted through a lens</p>
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20

Daguerreotype

  • First photographic process creating a highly detailed image on a sheet of copper plated

  • Reversed image

  • Takes around 15 minutes

  • Fixed plate

  • Discovered by Louis Daguerre, improved by William fox

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21
<p>Who made photographic studies of motion (horse galloping)</p>

Who made photographic studies of motion (horse galloping)

Eadweard Muybridge

<p>Eadweard Muybridge</p>
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22
<p>The Gross Clinic</p>

The Gross Clinic

  • Thomas Eakins (American realist)

  • Oil on canvas

  • Light shining on surgeon head to show enlightened mind

  • Realist painting

  • Uses atmospheric perspective

<ul><li><p>Thomas Eakins (American realist)</p></li><li><p>Oil on canvas</p></li><li><p>Light shining on surgeon head to show enlightened mind</p></li><li><p>Realist painting</p></li><li><p>Uses atmospheric perspective</p></li></ul>
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23
<p>Le Déjeuner sur l’Herbe</p>

Le Déjeuner sur l’Herbe

  • Édouard Manet

  • Oil on canvas

  • Japanese perspective: figures of the floating worlds (Ukiyo)

  • Mannerist shallow spaces (woman at back of painting

<ul><li><p>Édouard Manet</p></li><li><p>Oil on canvas</p></li><li><p>Japanese perspective: figures of the floating worlds (Ukiyo)</p></li><li><p>Mannerist shallow spaces (woman at back of painting</p></li></ul>
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24

Bohemian

Unconventional lifestyle of artists

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25
<p>Crystal Palace</p>

Crystal Palace

  • Joseph Paxton

  • Cast iron, wrought iron and glass

  • London

  • Used for Universal Expositions

<ul><li><p>Joseph Paxton</p></li><li><p>Cast iron, wrought iron and glass</p></li><li><p>London</p></li><li><p>Used for Universal Expositions</p></li></ul>
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<p>Use of iron and glass in Crystal Palace</p>

Use of iron and glass in Crystal Palace

  • Less expensive

  • Was able to be taken apart

  • Building was prefabricated so it was taken apart and reassembled

  • Iron and glass turns out to not be fireproof so building get caught on fire

<ul><li><p>Less expensive</p></li><li><p>Was able to be taken apart</p></li><li><p>Building was prefabricated so it was taken apart and reassembled</p></li><li><p>Iron and glass turns out to not be fireproof so building get caught on fire</p></li></ul>
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27

What was iron used for?

  • Major construction material

  • cast iron was used towards end of 18th century for utilitarian structures like bridges

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28
<p>Eiffel tower</p>

Eiffel tower

  • Gustave Eiffel

  • Wrought iron superstructure on reinforced concrete base

  • Paris

  • Saved from demolition because of its value as a

    radio antenna

<ul><li><p>Gustave Eiffel</p></li><li><p>Wrought iron superstructure on reinforced concrete base</p></li><li><p>Paris</p></li><li><p>Saved from demolition because of its value as a</p><p>radio antenna</p></li></ul>
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29
<p>Wainwright Building</p>

Wainwright Building

  • Louis Sullivan

  • Steel frame method of construction

  • St. Louis, Missouri

  • Walls no longer support the building –

    suspended from the frame – called ‘curtain

    walls’

  • Example of high-rise buildings

<ul><li><p>Louis Sullivan</p></li><li><p>Steel frame method of construction</p></li><li><p>St. Louis, Missouri</p></li><li><p>Walls no longer support the building –</p><p>suspended from the frame – called ‘curtain</p><p>walls’</p></li><li><p>Example of high-rise buildings</p></li></ul>
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30
<p>Truss / Lattice in architecture</p>

Truss / Lattice in architecture

  • Frame

<ul><li><p>Frame</p></li></ul>
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31
<p>Marxism</p>

Marxism

Theory proclaimed by Karl Marx in 1848 that control of means of production by the proletariat will lead to a class-less society

<p>Theory proclaimed by Karl Marx in 1848 that control of means of production by the proletariat will lead to a class-less society</p>
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32

Avant-garde

  • (fore-front) innovators in art, modernists

  • New and experimental ideas and methods in art, music, or literature

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